It’s been awhile since we’ve heard non-TNGHT material from Hudson Mohawke and while the anthemic, bigger is better qualities of his work with Lunice is great and all, a return to the classics for the Glaswegian has us beaming. HudMo, Disclosure and AlunaGeorge are arguably three of the UK’s most buzz-worthy acts so all three on the same track might just push the internet into overdrive, but that’s not such a bad thing. Taking Aluna’s “let’s play rough” refrain to heart, HudMo’s remix of “White Noise” is a sensory overload of a hip hop stomper that abandons the original’s garage tendencies entirely. The remix is forthcoming on PMR, but until then stream below.
Witnessing the widespread panic that followed the initial posting of Captain Murphy’s Duality last Friday was almost as entertaining and mind-boggling as the actual music/visuals. Some people are actually angry that Mr. Murphy’s identity hasn’t been revealed, while others indulge in the jaw dropping list of producers involved, attempting guesses at which beat can be attributed to which beatsmith. While the Captain’s identity is still technically under wraps, you can now take home a copy (in one long MP3) of Duality and fret over it on your daily ride to work! You can also stream the chapter-split version of the tape below, courtesy of Masked Gorilla. Apparently, a deluxe version of Duality is on the way, which will (probably) contain exciting features like split tracks, producer credits (!) and hopefully some more cult-centered visuals. In the meantime, stream below and grab the full tape here.
It has been a while since we’ve heard a new solo track from Hudson Mohawke, as he’s spent most of 2012 producing for others and working with Lunice as TNGHT. This short bit of “Tingle” isn’t exactly the new HudMo track we expected though and is actually an old, unfinished jawn. It really fits into the TNGHT canon moreso than HudMo’s solo discography anyways. Regardless, the track features some fancy turntable work (possibly by Gaslamp Killer) and enough sub bass to sufficiently rattle your molars. Stream below.
When Lunice and Hudson Mohawke came out swinging at the American hip hop consensus, many assumed (myself included) they were aiming their fine-tuned WMD at the Southern hip hop conglomerate. Their first remix of Flocka’s “Rooster In Rari” reinforced that assumption and the EP was even pigeonholed by some as an extension of the trap phenomenon. Oh how we underestimated the project. When Lunice and HudMo hinted that they had MC’s lined up for every track on the EP, I assumed the features would be a menagerie of well-known Southern MC’s with maybe an A$AP Rocky or Danny Brown thrown in for good measure. This though? They have certainly outdone themselves Captain Murphy: you probably know the name by now. He sounds a lot like a pitch shifted Tyler/Earl combination. “Shake Weight” involves the Captain going the fuck in over the bubbling, immense heap of braggadocio that is “Bugg’n”. The doors are wide open folks. I’m looking forward to Canibus throwing his next paranoid rant down over “Gooo”. Fuck, and this video? I jokingly posted a while back that we were just going to become TNGHT stenographers, but would that really be such a bad thing? Grab the free download below and watch the video above (preferably under a controlled substance).
Download: Captain Murphy – “Shake Weight”
As you should know by now, we raved quite a lot about the new Hudson Mohawke and Lunice collaboration TNGHT. Their EP is absolutely massive and we couldn’t be more excited to see that BadBadNotGood covered the duos breakneck banger, ‘BuggN’. BBNG performed this cover live at the Mad Decent Block Party. It’s the perfect track for the group to perform and the track is huge.
So the TNGHT (Hudson Mohawke + Lunice for those living under a rock) EP saw its American release today. Instead of an album review (words don’t do it justice), we’ve decided to compile a little retrospective on British producers lending their talents to American hip hop. In an interview with FACT last month, Lunice had this to say:
We’ve been doing this shit for years, and it’s not like we’re new or anything, it’s not like we’re new money shit, it’s not like we came out of the blue and we blew up like crazy. We’ve built a whole foundation of our work. So it’s about that time. I feel like that sort of movement is backed with all of our homies together, like: “This is us! You can’t do this shit! You can’t just take our ideas and come up with it all after all these years. We’re coming for you!
Clearly, Lunice believes that American hip hop producers have been misappropriating hip hop-indebted UK bass for a minute now and are taking a stand. While I don’t think Toomp and Hit-Boy are listening to too much Mount Kimbie, I get it: Lunice has a persecution complex… just kidding. With the EP set to take the States by storm and the duo’s remix of Flocka’s “Rooster In My Rari” igniting the interwebz, it’s easy to see where Lunice’s frustration is coming from. As the UK sound constantly progresses into exciting new territories via labels like LuckyMe and Night Slugs, American producers are often too content to find a sound and stick with it. As a result, some of the best interpretations of American, especially Southern, hip hop have come from British producers. TNGHT might be the apex of the trend (yes we know Lunice is Candian), but many other (mostly) pasty perpetrators have attempted to freshen up Stateside hip hop tropes, both new and old. This is not meant to a comprehensive review, because that would be impossible. It’s just a list of a lot of really fucking good producers remixing a lot of really ignorant hip hop music.
Dubbed by some as the “British Diplo”, it made all too much sense for Sinden to host volume two of Mad Decent’s Free Gucci series. The Burrrtish Edition features 16 remixes of Mr. Radric Davis’s trap anthems, courtesy of a coterie of revered Brits: HudMo, Rustie, Melé, Mosca and Toddla T just to name a few. Predictably weirder than the Diplo hosted Volume One (with the exception of the Flying Lotus contribution), the tape is an exhibition in low end sounds with varying levels of success. HudMo’s take on “Party Animal” essentially spawned TNGHT, is utterly playable to this day and should probably soundtrack your next night of drunken shenanigans. Melé also wins big with his wonky reinterpretation of “Missing” from The Appeal: Georgia’s Most Wanted (a largely overlooked Gucci project). Stripped down and menacing, “Missing” is a precursor to some of Melé’s more recent Soundcloud uploads. Burrrtish isn’t much of a cohesive project drawing from every realm of bass music, but who cares when HudMo, Melé, Rustie and Sinden bring the collective heat?
Hit the jump for the rest of the retrospective…
I’m off three double stacks and I’m looking for that action
As much as it pains my hating heart, Diplo has been doing his damn thing on Radio 1Extra. Hopefully I don’t have to explain how fucking incredible two hours of Hudson Mohawke, Lunice and Four Tet laying down the phreshest hip hop beats and rhymes is so just grab a double cup and pop a squat. Seriously, stop what you’re doing. Who knew that the pitch perfect melding of promethazine and ecstasy culture would come in the form of a pasty Glaswegian and a gregarious Montréalaise. Four Tet impresses, fitting grime, R&B and a righteous Theo Parrish edit into the hip hop spectrum. I don’t think I’ll never get sick of “I’m God”. Stream below.
I’s been an incredibly busy day in The Astal Plane’s “office”. This morning, we let Volume 2 of our Mixes From The Astal Plane series loose on the public and as far as we know it’s bringing the ruckus somewhere uptown. While we believe our mix is indisputably the mix of the day, several other esteemed acts have released mixes of their own for consumption by the general public. Instead of writing three separate posts, I’m going to take the easy way out.
First off, we have LA duo and consonant enthusiasts Nguzunguzu bringing the heat with this month’s FACT mix. The duo of Asma Maroof and Daniel Pineda come through with an expertly curated selection of bass, Jersey club and pop tunes to get your bood flowing. Short, sweet and simple, Nguzunguzu splay 20 tracks over the mix’s 35 minute runtime, opting for effective/pragmatic mixes over thunder and lightning. Head over to FACT to listen/download.
Our second mix is actually a live as opposed to a pre-recorded deal and comes from Warp and LuckyMe representative Hudson Mohawke. Live from Livin’ Proof in East London, HudMo displayed a masterful grasp of American hip hop new and old. Head over to the BBC and skip to 2 hour 9 minutes to catch the Glaswegian’s set.
If I told you that a certain Brooklyn-based producer laced BBC with a VIP edit of breakout hit “Harlem Shake”, you probably wouldn’t be interested right? Well, it’s true. Baauer was on Radio 1Extra’s Diplo and Friends program over the weekend and laced the world with a series of tarp-y tracks. There was some new Ryan Hemsworth, a little Salva/RL Grime, a little ƱZ. Again, you’re probably not interested. Head over to BBC and skip to the second hour to catch Baauer’s antics.
I feel like a little kid on Christmas morning and this isn’t even the full release. First impression; holy fuck the world is not ready. For the uninformed, TNGHT is the pairing of Glaswegian Hudson Mohawke and Montréalais Lunice, both distinguished members of the LuckyMe Collective. These two have been making some of the foremost experimental hip hop/bass music/whatever you want to call it for years and this collaboration will probably end up tearing some sort of hole in the time space continuum, or at least my sanity. The EP is set for a July 23/24 release on Warp Records. A vinyl tracklist is attached to the video, which surprisingly doesn’t include the uncompromising “R U Ready”. Nonetheless, it’s not like either artist to sit on genius material, so I would expect the track to be on the digital version, or a second (!) TNGHT release. Get all the goodness below.
A1. Top Floor
A3. Higher Ground
B2. Easy Easy