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Author Archives: Gabe Meier

For some reason, I have consciously ignored Teengirl Fantasy for the past few years. I don’t know if it’s the name or what, but something just turned me off about them without ever actually taking the time to listen to either of their albums. After hearing rave reviews after their performance at Decibel Festival, I decided to belatedly give the duo a chance. Nick and  Logan’s washed out take on analogue house is euphoric without ever descending into Balearic territory. Their least dance-able songs seem to effortlessly propel forward, which might be their most admirable quality. Highly recommended their albums, but they’ve also put in quite a bit of work on the remix front. Their latest retwerk is of Holy Other’s “Love Some1” and the results are stadium worthy. With Los Angeles crooner Kelela, synths swim fluidly among rapid-fire percussion hits and Kelela’s voice churns as the song accelerates into house territory. Not a big tune in the banger sense, but Kelela’s voice just fits into the seams of the duo’s production so well that I could imagine it streaming out of a massive sound-system with ruthless efficiency. Stream below.

A few years ago, I remember listening to some Yelawolf mixtape with a Kane Beatz beat on it. I think Juelz Santana was also on the track. I bumped the track all the time for a few months. Then I realized Yelawolf kind of blows and Juelz and Kane were the only reasons why I liked the track. Anyways, Kane Beatz has some heaters beyond his Top 40 production, although I’ll admit “Right Above It” is hawt. Fat Trel is a Washington D.C. native who’s been attempting to fill the void left by Young Jeezy (he’s gone right?) and Clipse with snarling, rapid-fire crack anthems. Taking a break from writing crack rap for a moment (sort of), Trel gets all misogynistic on “Is It Chu” over Kane’s murderous backing. And sometimes you do just need a little misogyny in your hip hop. And yes I am a man so you can hate me for saying that. Stream and download below.

So Gunplay is probably going to jail for a while. Seems like there’s a skilled Southern rapper who gets locked up every year. Not saying it’s a conspiracy, but Illuminati. His latest track samples Freshly Ground’s “I’d Like” (although it’s probably from that shite Mt Eden song) and sees the coke addled (what’s new?) MMGer as paranoid and antagonistic as ever. I view Gunplay as sort of new era Andre Nickatina, with some of DMX’s maniacal tendencies. That’s a good thing. Stream and download below.

While some deride the whole #Based movement, it’s impossible to deny the quality of music that has flown out of Lil B’s deranged mind. Seattle’s own Keyboard Kid is the prime purveyor of the based sound at the moment and has really come into his own as a solo artist in recent months. Later this month, he will release Don’t Leave Based World, an instrumental album that should act as a culmination of the work he’s put in over the past few years for a slew of MCs. “My Based Journey” is a bonus track from the album, but you can download the lush track over at Potholes In My Blog. As always, stay based friends.

You probably know Nick Hook even if you don’t think you do. As a member of Cubic Zirconia and Hudson  Mohawke collaborator (and probably a lot more behind the scenes work), you’ve probably listened to Hook’s music in one form or another. So while Without You is Hook’s debut, it’s not a debut in the purest sense of the word. Presented by Scion A/V (whose A&R’s or whomever have been on point as of late), Without You is a scattershot collection of tracks with influences from across the music spectrum, ranging from  plodding psych rock (“It’s A Sin”) to bombastic, apocalyptic hip hop (“Sirens”). Like Hook’s previous work, the collection is built on collaborations and The Gaslamp Killer, Computer Jay, El-P and Machinedrum all make appearances. Not taking anything away from Hook, but Without You is at its best when he’s assisted by another producer. Head over to the Scion A/V website to grab Without You and be sure to check out his hilarious Q&A column over at XLR8R.

Deniro Farrar’s sound has always been more akin to West Coast artists like Main Attrakionz and Schoolboy Q than his East Coast and/or Southern counterparts and the Kill Or Be Killed tape sees the Charlotte native matching bars with Green Ova member and East Oakland representative Shady Blaze. The tape is essentially an expanded version of last month’s DESTINY. altered and features an drool-worthy list of producers ranging from Green Ova mainstays Ryan Hemsworth and Friendzone to Sines and Lunice’s 808s driven take on Bass music. Like the title suggests, Farrar and Blaze are mainly concerned with street realism and their contrasting lyrical styles mash surprisingly well. Astral Plane favorite Haleek Maul features on the desolate Hemsworth produced “Cold Blood” and contributes one of the tapes best verses. Stream Kill Or Be Killed below and head here to download it (name your price).

 

Powder face like a Geisha

First off, let’s throw on a veil of selective amnesia. Big Sean never outshone Pusha T on “Mercy”. That whole Pusha/Weezy “beef” never happened. Actually, let’s just forget everything post-2010 VMAs. Let’s take it back to the days when the Virginia Coke brothers were at their most ruthless and The Neptunes were basically infallible. You’re there? Take a second, take it in. Alright, so Pusha T just released a new song with autotune automaton Future on the hook and Yeezy behind the boards. Anyone hoping for a Lord Willin’ redux will be disappointed here, as Pusha is a different animal without twin brother Malice, but “Pain” has as much machinegun wordplay as any Pusha verse of yore. If you’re a The Wire nerd like I am, “Pain” is pure ear candy (could have been Travon/but instead I chose Avon). Stream the track below and use your own facilities to grab a download. Yeeuchhhhh.

You probably shouldn’t listen to Jaw Jam’s newest remix quite yet. Well, unless it’s dark out wherever you are (which is half of the world I guess). Anyways, Jaw Jam’s remix of Jade’s house classic “Don’t Walk Away” isn’t nighttime music in a Burial/Night Bus sense, instead drawing from the pool of 90’s house from whence the original came. Driven by a bass line that keeps filtering in and out of the picture, this dub exists within that late night dub when the casual dancers have left the building and the real heads are the only people left. Stream and download (hit the buy track link) below.

To celebrate his recent signing to Anticon, the decade plus old Los Angeles bastion of not giving a fuck, Wedidit Collective member D33J has let loose a short remix package. And yeah there’s another Drake remix. Get over it. The pitched up vocals on D33J’s rework of “Good Ones Go” are actually pretty damn obnoxious, but the molasses drenched percussion and warped background vocals are too infectious to pass up. Maybe an instrumental version will surface at some point. Stream and download “Good Ones Go” below and grab the full package here.

If you’ve seen Flying Lotus perform over the past few months, then you’re in for some serious (hopefully drug addled) flashbacks. Last night, Mr. Ellison graced Diplo’s BBC 1Xtra show with his presence, letting loose a stream of party ready tracks, ranging crunchy Dubstep to true school Chicago  juke. You might remember his chipmunk-ed out version of Schoolboy Q’s “Hands On The Wheel” and Mono/Poly’s “Los Angeles”, both staples in his live set. The mix also features a mini section from the one and only Gaslamp Killer, featuring tunes off of Breakthrough. If my words haven’t piqued your interest yet, check out “Flotus” below, a brilliant unreleased FlyLo jam that makes you wonder what else the madman has stuck away in his hard-drive. Head over to the BBC website to stream the full mix.