Precision 12 Inch Jacket Template

SHALT – Seraphim LP
APR115 | Out Now
1) Conceived on Ash
2) Preserved in Amber
3) Seraph
4) Fleeting
5) Ardour
6) Charred, Cleansed

LP/Digi Available Here

Watch Visual Album Here

With four APR releases under his belt, SHALT turns in his longest statement to date in Seraphim, a mini-epic that unfolds over six intricately arranged, brilliantly colored acts. Once again focusing in on the intersection between the technological and the natural, the London-based producer builds a narrative around an angelic being, a visage displayed by accompanying video work by Los Angeles’ Nick Zhu. More concretely, the album delves into the contradictions inherent in technological development, ruminating over the capitalist myth of scarcity, coming (and present) ecological disaster, and the contemporary path of medical research.

Sonically, Seraphim features a fusion of the sensibilities featured on Acheron, Inertia and ʃælt, noisy effects and a barrage of rugged percussion juxtaposed with passages of melodic bliss. It’s music preoccupied with technology, but with a naturalistic ethos at its core, emphasizing our confusion over humanity’s influence on the world (even when uncynically trying to perform good deeds). That ethos is embodied in the baroque ambience of “Seraph”, as well as the impactful, multi-layered crack of “Fleeting”. It’s deeply visual music and like the best sci-fi, deals with lasting contemporary issues under the guise of futurity. As described by the Bureau of Linguistical Reality, we are living in shadowtime and Seraphim is a nod to the distinct intellectual, moral and temporal crisis of our time.

Seraphim features album art work and vinyl design by Isaac Chabon and accompanying video work by Nick Zhu and Tea Stražičić. It will be released digitally and in a limited LP press.

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Pete Swanson‘s Discogs page is a treasure trove for the uninitiated. Project and project unveils itself, providing a glimpse into the Oregon native’s work at any particular time. We first came across Swanson via his seminal Man With Potential LP in 2011, likely the entry point for many who were either too young or missed his dramatic, brilliantly textured early work in the duo Yellow Swans. The half dozen or so other projects that litter Swanson’s discography paint a picture of a restless artist with a indefatigable pursuit of musical knowledge. Like us, many will work their way through that discography in a non-linear fashion, taking in his early, surprisingly serene, improvisational work as Sarin Smoke (with Tom Carter), more recent soaring black metal/noise hybrids as Violent Magic Orchestra, and the multitude of releases under his own name including personal favorite I Don’t Rock At All, three insular, blistered guitar landscapes recorded in an Oregon cabin at the end of 2010.

It’s a joy to piece through Swanson’s extended work, but more recently, the Los Angeles-based artist has turned his attention and talents more towards shining light on other people’s work. Freedom to Spend is the re-issue label Swanson co-runs with Little Axe Records’ Jed Bindeman and RVNG Intl.’s Matt Werth, hosting essential ephemera and lost gems from the likes of Richard Horowitz, Ursula K. Le Guin & Todd Burns, and Rimarimba. The label is a peak into Swanson’s curatorial prowess and the depth of his record collection, the latter of which was unveiled in a brilliant Playing Favorites feature in Resident Advisor last year. For a glimpse into where Swanson’s focus in the moment is though, the best route is to listen to Pete Goes To Town, his monthly show on NTS Los Angeles. The hour long show shows only a glimpse of Swanson’s massive collection, but that glimpse is always a pleasure, sure to defy even the most jaded listener’s expectation. Truly experimental radio hours can often come off as self-indulgent, but Pete Goes To Town is as fun as it is deep, recently mining bizarro, ASRM-y vocal tracks, dub-y club music and biotic synth experiments.

It was after religiously listening in to Pete Goes To Town month after month that we asked Swanson to contribute to our Los Angeles-focused mix series. The result is a death defying combination of hardcore punk and hardcore rave with fits of organic synthesis and Jlin’s brilliant “Kyanite” slotted into the mix. Neither Swanson’s approach nor collection can be synthesized into an hour of music, but like Pete Goes To Town, his Astral Plane Mix plays the role of prism into the many dimensions that his approach offers. No track list available for this, but download your copy of the mix here.

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Oakland’s DÆMON was kind enough to join us on our latest NTS show, turning in a blistering 30 minute guest mix. Building on the raw energy of their own club/vocal experiments, the mix runs through contemporary artists (DJ NJ Drone, N1L, False Witness), as well as some of the most distinct voices in dancefloor-minding rap (Rico Nasty, Thast, Lil Reek). The first hour and a half is handled by the AP DJ Team and includes new tracks from SHALT’s forthcoming Seraphim LP, a secret for now Chants number and special new ones from Sharp Veins, Cremation Lily, Hitmakerchinx, Calvo, Rizzla and more. Hit the jump for a full track list and download here.

Astral Plane DJ Team
SHALT – Conceived on Ash
Sharp Veins – forever night rip
R. Girardin – Splashed On
Why Be x oldest unknown – HURRIAN HA (Yantan Ministry Edit)
SHALT – Seraph
Cremation Lily – In England Now, Underwater
Yves De Mey – 17 Graves
M.D. James – ???
Muqata’a – Haswet Phalasipha حصوة الفلاسفة
Eartheater – MTTM (ft. Odwalla1221)
M.D. James – ???
Bliss Signal – Bliss Signal
Lilly Kane – Administer Truth
Aisha Devi – Intentional Dreams
SHALT – Preserved in Amber
Hitmakerchinx – Arabian King
Primitive Art – Security (M.E.S.H. Remix)
Sim Hutchins – Bath Salts In The Saccharin (LOFT’s Artifically Sweetened Luv Mix)
Chants – ???
Sharp Veins – return 2 tha club [demo]
dj lostboi – D MAJOR XO LIFE (blastah Edit)
Rizzla – Inquisition
Jonathan da Nova x Ansome – Nova Geração Hitch (Clemency Blend)
HahaDavis & CalvoMuxic – Blow Up Doll
DJ Flex & BillzTaDon – Bad Ting
Lechuga Zafiro – Ita
Nunu x Kyrstyn Pyxton – NEVER ALONE (Yantan Ministry Edit)
Djurum – Waters Rising
Sim Hutchins- Dumped by Pirate Radio (Object Blue Remix)
DJ Plead – DVE (DJ Dylan Edit)

DÆMON Guest Mix
H-Ricky – endlessHail
DJ NJ Drone – Go Flame
MindPersuasion – Accelerated Thinker
N1L – Crawlspaces
Presta – Perro Sucio
Crimson – Daemon
Rizoma – ≠
False Witness – In the Dark
Thast – Play My Shit
King DouDou – Espiritos
Rico Nasty – Countin Up
Dj Darshkeeper – Patient Returning (PIN# Edit)
Rizoma – Tool
XD – Sirenxe
El PlayBoy – Ritual
Lil Reek – Rock Out
Pineal Sounds – Curtain Call

Precision 12 Inch Jacket TemplateIf you caught SHALT’s FACT Mix in May or any number of our recent NTS shows, you’ve likely caught glimpses of the Seraphim LP. SHALT’s debut album has been bubbling up for over a year now and we’re extremely proud and relieved to announce it to the world. Available on September 14 on LP and digital, the former featuring full color jacket work by the amazing Isaac Chabon, Seraphim is our most involved release date, a mini-epic with a dense conceptual core and a brilliantly abstract narrative. The album is accompanied by a series of brilliant video works by Nick Zhu and Tea Stražičić, a dream collaboration that can first be seen via the video for “Fleeting”. We’ll be unveiling more details on Seraphim over the coming weeks, but you can have a go at “Fleeting” here and pre-order your copy of the limited 200 run below. Bandcamp will likely be the most affordable option for those of you in the US, while the other Euro/UK-based retailers are likely cheaper for the rest of you. Give us a shout if prices seem unreasonable and we’ll see if there’s a local shop that better fits your needs. Thanks as always for the love and suport.

SHALT – Seraphim [LP/Digital]
APR115 | Out September 14
“Fleeting” video
Pre-order LP/12″: Bandcamp | Boomkat | Juno | Red Eye

1.) Conceived on Ash
2.) Preserved in Amber
3.) Seraph
4.) Fleeting
5.) Ardour
6.) Charred, Cleansed

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We decided to put a spotlight on our favorite artists from our home city of Los Angeles this Summer. Over the coming 10 weeks, we’ll feature a cross section of what the city has to offer. Far from a selection of the biggest touring entities, we hope to shine light on the individuals who brighten the airwaves and nights out on a regular basis.

We saw the first M.D. James live performance at Los Angeles’ Rec Centre in December 2017. Situated early on in the night, the set was short and erratic, a raw, unencumbered burst of speed and guttural sound. Several of Matt’s previous projects had manifested in live shows, but this performance as M.D. James felt new, a departure from his DJing and the beginning of genuinely singular artistic expression. The set also felt like an ideal extension of the CAMEO nights that Matt has been throwing since February of last year, nights that featured live acts like Aisha Devi, Malibu and Organ Tapes.

Initially taking place at small bars in Chinatown and later at several DIY spaces, CAMEO has consistently brought artists to Los Angeles that might not have a broad American audience (yet), but are clearly on the cusp of their respective approaches. Backed by residents and co-live performers Baojiaxiang, Bapari and SWISHA, CAMEO has become an essential part of Los Angeles’ DIY fabric, proving that vibrant hybrid nights can co-exist alongside the myriad club nights the city has to offer.

As for the progression of Matt’s solo work, we’re excited to be working towards the debut M.D. James release on Astral Plane Recordings this Fall. We’re keeping details close at hand at this point, but “Swan” appeared on our NEW YR NEW US 2 compilation and Matt also joined us on our NTS show in January for a startling recitation of his live set. His Astral Plane Mix should also shed some light on the direction of the M.D. James project, a blend of emotionally bare weightless material, dense hardcore and a range of gorgeous, if often anxiety-inducing, vocal experiments. Like in his solo work, you’ll be hard pressed to find any easily recognizable aesthetic threads in the mix, but the general approach — an earnest take on noise aesthetics and club dynamics — is an exciting forebear of what’s to come later this year. Hit the jump for a track list, download the mix here and be sure to check out the next CAMEO (with MHYSA) if you’re in Los Angeles.

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We decided to put a spotlight on our favorite artists from our home city of Los Angeles this Summer. Over the coming 10 weeks, we’ll feature a cross section of what the city has to offer. Far from a selection of the biggest touring entities, we hope to shine light on the individuals who brighten the airwaves and nights out on a regular basis.

DIY spaces offer very particular dynamics to live performers, forcing instrumentalists and vocalists alike to contort their abilities to the room, audience and mood. More often than not, Los Angeles’ art spaces and warehouses tend to feature a barrage of dissimilar acts, often resulting in a blissful mash of cross-genre madness. It’s in these spaces where the city’s various autonomous zones — footwork, hip hop, noise, punk, techno —  tend to intersect, blend and mutate. Callie Ryan, a musician, vocalist and radio host, typifies the alchemy that goes on in Los Angeles’ myriad informal venues, drawing disparate source material into her own deeply personal, tender works.

In March, Callie released her debut album, titled HEALTH, on Outside Insight (John Carroll Kirby, Lonely Boys, SADAF), offering a recorded analog to her intimate live shows. Utilizing a range of tempos, rhythmic structures and vocal manipulation techniques, HEALTH exudes warmth without ever descending into cliche, instead pursuing a sublime uncanny valley patchwork. Her own voice is played off of samples and field recordings with club tropes — jungle breaks, rolling hi hats, dub echo) — facilitating the proceedings. The album draws on reference points that will be familiar to listeners of Callie’s weekly Dublab show, a 2 hour show covering the gamut of American club and experimental musics and featuring a range of guests including CCL, Juke Bounce Werk, KAILI, M.D. James, Maral, SWISHA, VIOLENCE and more.

It’s with both HEALTH and Callie’s Dublab show in mind that we’re excited to have her on for Astral Plane Mix 166, self-titled “I NEVER CRY”. Contemporaries like Coucou Chloe, Eartheater, Klein and Mhysa, all artists pushing vocal performance into exciting new territory, appear in the mix, as does MC G15’s absolutely stunning, DJ Kevin o Chris-produced “Lembra Daquela Mina Bandida”. Callie’s own “Marie”, a standout from HEALTH, also makes an appearance towards the end, tying the selection together before launching into the Ngcobo Sisters seraphic gospel. The mix can be downloaded here and a full track list can be found after the jump. You can also catch Callie debut her new live show on August 25 at Muse ‘Til Midnight @ LACMA and on the East Coast in October.

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We decided to put a spotlight on our favorite artists from our home city of Los Angeles this Summer. Over the coming 10 weeks, we’ll feature a cross section of what the city has to offer. Far from a selection of the biggest touring entities, we hope to shine light on the individuals who brighten the airwaves and nights out on a regular basis.

Collage has always been an integral totem of electronic music, forming both the conceptual and stylistic backbone of contemporary DJ culture. Unfortunately, as dance music has professionalized, licensing laws have strengthened and streaming platforms have gained supremacy, much of the transgressive, freewheeling sample culture has been relegated to the periphery. In the techno bro value hierarchy, mediocre original work is often valued more than genuinely innovative collage. That value system bends occasionally when startlingly new work like Lotic’s DAMSEL in DISTRESS mixtape or Maria Chavez’s mutant turntablism comes along, but is largely rigid. Fortunately, artists like Los Angeles’ Maral are embracing collage and elevating into an exciting new realm, matching folk musics with the latest in contemporary club music.

Maral has taken on many roles in Los Angeles’ musical orbit, managing bands, throwing parties, curating mix series, working at big deal independent labels and, of course, plying her trade as one of the city’s most invigorating DJs. Many will know her as one of the driving forces behind SISTER, a collective of women and gender non-comforming people “remedying inequality in our field since 2015.” Her parties, first N:}0 rules, and, most recently, Signal, have hosted both local and international talent, cosistently emphasizing artists who defy convention and breach traditional genre restrictions. Despite putting so  much time, effort and energy into both the local and virtual musical spheres, Maral also finds time to craft a near-constant stream of brilliant edits and collage work, sourcing both Iranian folk and contemporaries songs for some of the most sublimely fucked up sounding club tunes you’re likely to come across.

Past mixes for Miss Modular, SISTER and Truants offer insight into Maral’s field of reference, matching songs from Iranian legend Hayedeh with angular post-punk and banging Jersey Club. Experimenting with distortion and drastic tempo changes, Maral creates new sculptures out of the sonic mash, creating earnest new symbolisms out of dissimilar source material. Her Astral Plane Mix takes a similar tact, full of blown out  and dub-y edits like “lori lullaby” and “coy dub”. The word eccentric hardly means anything in music writing these days, but it’s hard to describe a slowed down, Jersey Club edit of Glen Campbell’s “Guess I’m Dumb” as anything else. Hit the jump for a full track list and download Maral’s Astral Plane Mix here.

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After taking July off, we’re back on NTS this month with a few special guests. Recorded in John Twells’ Malden, MA studio, we brought Boston’s illustrious DRAW crew on for an extended b2b2b2b2b session and ended up covering quite a bit of ground. The first 35 minutes are handled by the AP DJ Team and feature a few new LOFT edits, highlights from SHALT’s ʃælt ii, as well as new Alis, B.yhzz and bod [包家巷]. Stream below and download here.

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Some more nice words on SHALT’s latest, which is out today on all platforms. Have a go at Nunu’s destructive take on “Nid De Guêpes” and find all download/streaming below.

AQNB: “ʃælt ii features three tracks of tactile noise with dance-friendly, post-rave touches. ‘Nid De Guêpes’ (French for ‘wasp’s nest’) is a clattering march of beats and urgent, high-frequency synth lines, while Nunu’s remix stretches out and flattens the composition, reducing it down to an ambient resonance that’s at times punctured by intense and high-speed rhythms.”

The Quietus: “The Astral Plane is another label and collective consistently pushing leftfield club music. The LA-based blog and imprint’s next release sees a return for SHALT with the second instalment of his ʃælt series. These releases see the British producer focusing on “sound mechanics and loop-based dance forms,” as the label puts it. The second instalment makes for more intense listening than the three tracks featured on the previous ʃælt volume. Lead track ‘Nid de guêpes’ crashes to life with a hail of abrasive drums. Cruising just below the 100 BPM mark, it’s carried by a rousing melody and bursts of harsh noise. ‘Liquesce’ is a slightly more restrained affair, its menacing bassline swamped by lo-fi synths and a heavily cloaked vocal line. Fellow Astral Plane affiliate Nunu rounds out proceedings with a remix of ‘Nid de guêpes’ which picks up the pace of the original while maintaining its raucous energy.”

Download/Stream here.

total stasis header

We decided to put a spotlight on our favorite artists from our home city of Los Angeles this Summer. Over the coming 10 weeks, we’ll feature a cross section of what the city has to offer. Far from a selection of the biggest touring entities, we hope to shine light on the individuals who brighten the airwaves and nights out on a regular basis.

Total Stasis isn’t exactly a Los Angeles staple having only recently relocated from Montreal, but the label has made quick work in enmeshing itself in the city’s loose sonic patchwork. Opting for a taciturn approach to public facing communication, Total Stasis has let out a slow trickle of releases over the past four years, hosting a ramshackle assortment of artists while maintaining a loose, but important aesthetic cohesion. Our entry point to the label was Elysia Crampton‘s Bound Adam ☆ 2011 and later Crampton’s The Light That You Gave Me To See You, two seminal works (originally released under the E+E moniker) that are as innovative and emotionally cutting today as they were when we first heard them. The rest of the label’s catalog forms an uneasy ecology, often subdued, usually pop-minded, but always pushing familiar forms into compelling new territory.

Tumblr has gone out of style in recent years, but the Total Stasis page holds a wealth of images, label news, skate videos, old mixes (check out the Haze World series that dates back to 2012), and quotes and passages from the likes of Jorge Luis Borges and Kodwo Eshun. The page offers insight into past sonic reference points (a DJ Screw version of Sade’s “I Couldn’t Love You More” can be found in the early archives) and points to the dubby, abstracted, yet still dancefloor-oriented sounds of artists like Aquarian Foundation, CS + Kreme, fmvee and RAMZi. Nowadays, much of the Total Stasis world can be gleaned from their NTS Los Angeles show, a monthly space for the label’s diasporic tendencies, as well as guest sessions from the aforementioned artists. The Total Stasis Astral Plane Mix offers a slight departure from those NTS sessions, drawing on a more linear dancefloor thread for 45 minutes before detaching entirely for the last 15. No track list for now, but the mix can be downloaded here. Find more Total Stasis releases at their label store here.