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Author Archives: Gabe Meier

Memphis (along with Houston and the Bay Area) are often mythologized as “street” hip hop meccas. Everyone knows about New York, Atlanta and LA, but if you’re down with Gangsta Boo and Playa Fly then you can run conversations among your hip hop head friends. The Memphis song is distinctly Southern, but far removed from Atlanta strip club culture and far more indebted to the city’s long history of racial tension and violence. It’s dark, often featuring John Carpenter horror score samples, and heavily based on a localized street realism. Gavin Mays aka Cities Aviv is a Memphis native, but is a square peg in the round hole of the Memphis prototype. For one, he’s just a lot more positive. That sounds cliche, but Memphis hip hop is fucking depressing. He shares a some sonic qualities with 90’s Memphis hip hop, but also samples the likes of Depeche Mode Steely Dan. That’s why it’s no surprise that his latest track features production from our favorite Mancunian Star Slinger. The production is a bit of sunny, cut-and-paste fare, belying Mays’ past as a member of a hardcore band. Mays sounds like he’s rapping from the next room over, yelling almost, with some slight reverb. Fast and chaste women is the topic of choice of course and the track sounds distinctly un-Memphis until the last 20 seconds or so when it devolves into trunk rattling choppiness. Stream below.

 

Mood Indigo, who is still virtually invisible interweb-wise, let loose another new track, “Only You (Friend)” to his Bandcamp, sans his own vocals. The track is centered around a repetitious sample of “get higher” and filled out by thin synths and plenty of 808’s. “Only You (Friend)” is the Boston producers most hip hop influenced track and sees him progressing further into the R&B inflected mist. Stream and download below.

Over the past few years, Brooklyn-based Mixpak Records have melded the worlds of American club music, hip hop and Caribbean sounds (specifically dancehall), not exactly breaking new ground, but few have been as successful as Dre Skull and his cohorts in our protean music society. Last week, the label released the first volume of Mixpak Pressure, a “series of riddim collections” aimed at paying homage to various dance music sub-genres. Volume One is squarely focused on Southern hip hop, featuring a crew of au courant producers like Melé, Krueger and Sam Tiba (of Club Cheval). I’m sure you can imagine how much of the compilation sounds, but its most inspired moments come from artists working outside of the Trap paradigm. As easy as it would be for Mixpak to compile 12 “Mercy” and “Harlem Shake” soundalikes, what with their domineering synths and such, the compilation doesn’t settle for the known.  The highlight comes from Grime producer Mr. Mitch, whose horror house vocals on “Badman Wheel” and subtle wobble bass offer the most unique moments of the compilation. Even at its least inspired the compilation still knocks and if you’re into the big synths and 808’s as much as every dick ridin’ Dubstep DJ in America, it won’t leave your Subaru’s stereo for a long time. Stream the full tape and download Sleepyhead’s “Hit ‘Em” below.

Traphouse still tippin’

Let’s be honest here, as much as we’ve raved about all the other “Fuck U All The Time” remixes, we’ve really just been waiting for the Mr. Henry Laufer to take a stab at Jeremih’s libertine anthem. The latest Shlohmix might be his best since “Crew Love” and sees pitched down Jeremih harmonizing with whoever that girl is, as well as regular Jeremih, an effect that seriously ups the sex factor. Nothing innovative here, but Laufer has really perfected that codeine-ified trap sound. As of now, the download link is disabled so you’ll have to find the remix using your own facilities for now. Stream below.

Four Tet aka Kieren Hebden’s latest release, Pink, is more of a collection of singles than an actual album and while a solid work overall, is often quite abrasive. Hebden reclaimed his melodic roots though today, remixing Brooklyn beatsmith FaltyDL’s “Straight and Arrow”. The remix will appear on a single dropping November 13 alongside remixes from Gold Panda and Mike Q. Stream below.

Curren$y proves once again that his best traits are his beat selection and flow. After a few dozen albums, EPs and mixtapes, everyone knows what Spitta is about. But there’s a reason he still has such a dedicated fan-base despite a lack of content breadth. On the production side, Sarom laces the track with one of the nicest chipmunk soul flips of the year, miming Kanye at his best. No idea where “Go Crazy” will end up but for now download the individual track.

In which Balam Acab drowns Rick Ross and Usher in a vat of boiling jello mix. The Pennsylvania phenom has released a number of wonky tunes to his Soundcloud in recent months, his latest being a slopped and wetted (his words not mine) take on the oh so mediocre “Touch’n You”. When Acab reworks pop tunes like this, he doesn’t try and make them palatable to the bedroom, the club, or anywhere else for that matter. They operate deep under the sea among the lantern fish and ocean geysers and aren’t even really meant for ears. Listen if you dare.

SBTRKT has released several tunes to the Soundcloud over the past few months, offering a tantalizing look into what his next release might look/sound like. His latest, “Terminal”, is a short techno joint that offers a nice progression and tight percussion, but seems to be fairly unfinished. As solid as the instrumental tracks Mr. Jerome has been uploading as of late, his best songs are clearly a result of working with Sampha and/or other vocalists. Until we get more vocal-assisted work, enjoy “Terminal”.

Many, many people have been awaiting this day for a long time. Ever since Rustie dropped S-Type’s momentous “Billboard” in his Essential Mix back in April, everyone and their momma have been eagerly awaiting a release announcement from the folks at LuckyMe. The word “huge” is thrown around a lot in dance music, but few tracks fulfill that title quite like “Billboard”. Vaguely reminiscent of DJ Toomp’s “What You Know” beat, the masses have waited on the edge of their proverbial seats for the full track, or at least something more than a two minute rip. Today that has come. Sort of. The Billboard EP 12″ will be released two weeks from today on October 16. For now, stream “Walrus”, a slippery vocoder-centered track that will also appear on the EP. Pre order Billboard here. Now if you don’t mind, I’m gong to go back to listening to the rip on repeat.

It’s been a while since we’ve heard from our favorite member of the My Hollow Drum collective, but Diamond Bar, CA native Co. Fee is back in a big way. As a thank you to his fans, Co. Fee has let loose the Bermuda EP is a thank you from Co. Fee to his fans and what a thank you it is. Bermuda is composed of six meticulously crafted instrumental tracks that highlight Co. Fee’s impressive handle on strings and his infatuation with Bollywood music. Get lost in “Bourgeois” below and download the EP from the My Hollow Drum website.