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Remixes

DJ Sliink usually tags his songs as either “Trap”, “Jersey Club” or “Sliink” on his Soundcloud. The first two are pretty self-explanitory, but the Jersey native’s best work comes under the “Sliink” label, a mixture of the previous two that infuses verbose trap stylings (minus the moombahton synth stabs) with subtle club rhythms. Sliink is a master vocal manipulator and on his take on 2 Chainz’ “Birthday Song”, he uses that girl’s (you know what I’m talking about) vocals as an individual instrument to maximum effect. It’s Saturday night where I am, so I have no conscious posting about a song that centers on a “big booty” sample. Stream and download below.

If you even remotely follow North American beat/club music (and I use those terms in the broadest sense), you’ve probably noticed a steady stream of artists from the Wedidit Collective blowing like volcanoes over the past year. First, Shlohmo grabbed the Pitchforkians hearts via Bad Vibes, then RL Grime and Salva took over frat row in the aftermath of “Mercy”. Most recently, Ryan Hemsworth and Groundislava have garnered affection from across the blogoverse. If I had to guess who was next up in line, it would have to be recent LA transplant Djavan Santos aka D33J. Recently signed to Anticon, D33J has been on fire in the remix game recently, taking on everyone from Astral Plane favorite Kid Smpl to Sigur Ros. His latest rework exploit comes in the form of Brandy’s “Vacant Feelings”, and only  reinforces Santos as one of the most emotionally exploitative producers in the game right now. Stream below and download here.

A few months ago, I wrote a little retrospective on British produces remixing (mostly) Southern hip hop and it looks like I might need to write an addendum soon. Glasgow native S-Type let loose the brilliantly bombastic Billboard EP earlier this week on LuckyMe and he’s already back for more, remixing Pusha T’s “What Dreams Are Made Of”. Like Billboard, this remix is all huge synths and cracking 808s, only furthering S-Type’s position as the don of triumphant, walking out of a burning building, “Down goes Frazier” beats. The track was supposed to be on a joint Decon/LuckyMe venture that would have matched Hudson Mohawke, Rustie, Lunice and more remixing various Pusha T songs, but the project never materialized. Stream and download below.

 

You can call him Bill Russell! Or Ryan… Mr. Hemsworth does share some qualities with the all time great Celtic, namely a statesmanlike record of consistency and timely performances. Not one to skimp on a mix, Hemsworth brings 60+ minutes of tunes from Green Ova, MMG and Baauer to FACT Mag. It’s probably his most self-centered mix and it might just be my favorite. More Hemsworth is certainly not a bad thing. And that “Fuck You All The Time” remix. Fuxwidit. Stream the mix and the Jeremih remix below.

Hit the jump for the full tracklist…

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It has been far too long since we’ve posted a screw tape so sit down with a double cup and indulge with me. You know the deal.  Dropping Gems representative Citymouth has jumpstarted a tape series called Any Octave featuring screwed/chopped/slopped/wetted/spyked/psyched tunes that all probably fall under the broad “purple” category. The first tape features Citymouth himself and Seattle’s own DJAO. It’s difficult to pick out what Citymouth plays, but you can peep the individual DJAO screwmixes, including takes on Flying Lotus, Cooly G, Baths and Grimes, over here. If you’re in the Portland area next week, be sure to catch a special late-night screwset from DJAO. Stream and download (name your price) below.

Remember the days when hip hop party tunes were about having a good time, sippin’ on a cold one and maybe snagging yourself a fine Applebaum? When names like Big Daddy Kane, Redman and The Pharcyde rung true? When Dr. Luke was your endocrinologist and David Guetta was another anonymous floppy haired muppet? The times have changed young grasshopper. If you asked the average teenager what party hip hop is, the answers would probably boil down to a collection of MMG, Young Money and G.O.O.D. Music artists with a Chief Keef or two thrown in here or there. It’s easy to be a golden era yearning curmudgeon after spending a night at a (read: any) club and listening to “Niggas In Paris” and “Ass” on repeat.

We recently enlisted Portland’s own Rap Class aka John Kammerle of Dropping Gems to lay down some tracks for our Guest Mix series and while it is firmly nested in old school hip hop and R&B, it remains decidedly fresh. We tend to focus on “future music” here at The Astral Plane, but even we need to indulge in some nostalgic listening every so often. It is called the “golden era” for a reason. Anyways, my words don’t really do the mix justice so I’ll let John take it away:

This mix, is like, all about my go-to songs. When I DJ out, these are the songs that loosen up the crowd. Some of the songs are from records that I think are rare (maybe?), then some chillers + some original remixes and songs from me. I’m proud of this mix because it represents where my initial love of rap music started, and has taken me. From the beginning, this is where I find myself today.

For more Rap Class music, download Greatest Hits (or buy the cassette) here. As always the mix is up for stream and download. Be sure to give the man behind the art and team member Sam Andrus some love.

As much as I loved the split Mak/Pasteman The Throwback EP, the duo works best when they’re in a collaborative mood as we saw last week in their remix of Cassie’s “Me & U”. Like their take on “Me & U”, Mak & Pasteman (I like the ring of that) take a poppy approach to bass music remixing Debian Blak’s “Hawks & Spies”. Like most Mak & Pasteman releases, this sounds amazing on a big system so don’t skimp on the headphones/speakers. Stream below and pre-order the Hawks & Spies Remix EP here.

It’s a little bit bittersweet posting LOL Boys remixes as the group is no more, but Jerome and Markus both have impressive solo projects well underway and the future is looking up. Looking back for a moment: Todd Edwards! The Garage legend has been a pioneering force in North American House and Garage for the better part of two decades and is really the definition of a living legend. The Friends of Friends camp pulled Edwards in to remix “Changes” (peep the CFCF remix) and the result is brilliant. Disco-tinged House music that is as pleasurable in headphones as it is (I assume) in the club. When I listen to artists like Julio Bashmore, Disclosure and Eats Everything, I can’t help but notice Edwards’ influence and to see him remix one of my favorite cuts of the year is a real treat. Stream below and look out for the full Changes Remixes EP on Tuesday (October 16) via Friends of Friends.

Kastle’s Symbols label has been on a tear as of late, with releases from Druid Cloak, We Sink and Jason Burns & Kastle in the last month alone. Symbols is one of the few labels out there whose visual aesthetic matches the sound they produce with ruthless efficiency. The next Symbols release comes from North Carolina production duo Clicks & Whistles who released their last EP on Distal’s Embassy Recordings last month. Clicks & Whistles appear to have ramped up the BPM on 2 Much Higher, embracing Juke on every song besides XI’s remix of the title track. It’s an interesting look for the duo who have cut their teeth making slower hip hop jams, so give it a listen below and grab the EP on October 23.

For some reason, I have consciously ignored Teengirl Fantasy for the past few years. I don’t know if it’s the name or what, but something just turned me off about them without ever actually taking the time to listen to either of their albums. After hearing rave reviews after their performance at Decibel Festival, I decided to belatedly give the duo a chance. Nick and  Logan’s washed out take on analogue house is euphoric without ever descending into Balearic territory. Their least dance-able songs seem to effortlessly propel forward, which might be their most admirable quality. Highly recommended their albums, but they’ve also put in quite a bit of work on the remix front. Their latest retwerk is of Holy Other’s “Love Some1” and the results are stadium worthy. With Los Angeles crooner Kelela, synths swim fluidly among rapid-fire percussion hits and Kelela’s voice churns as the song accelerates into house territory. Not a big tune in the banger sense, but Kelela’s voice just fits into the seams of the duo’s production so well that I could imagine it streaming out of a massive sound-system with ruthless efficiency. Stream below.