Over the past two years, Jacques Greene has elevated himself into the North American bass music elite and become one of its curatorial geniuses as well. Through his own Vase label and his on-point mixes, Greene has broken artists like Zodiac and Tommy Kruise and helped further the careers of Koreless and Arclight. His latest (two hour!) mix for BBC Radio 6 jumps all over the bass music sphere and includes brand exclusive Grown Folk, Zodiac and Koreless tunes, as well as a new one from Mr. Greene himself. Head over to the BBC website to listen to the full mix and stream the unreleased Greene cut below.

In which the Montreal-based CFCF channels (interpolates?) Bruce Hornsby and/or Tupac in his remix of LOL Boys’ impeccable “Changes”. Hopping across a few decades, CFCF crafts a very internet/LOL (in all seriousness) worthy remix here. Try not to get caught up in at least a little nostalgia listening to this. The remix will appear on the Changes Remixes EP alongside reworks from Star Slinger, Todd Edwards, Groundislava and GRANT. Stream below.

Later this month (October 23 to be exact), Los Angeles radio station/cultural institution dublab will release a audio/visual compilation featuring songs and videos from Ras G, Sun Araw, Lucky Dragons, Nite Jewel & Julia Holter, Suzanne Kraft and Teebs & Yuk. The visual component comes in the form of accompanying videos, all shot with Digital Harinezumi cameras. I won’t pretend to have any idea what a Digital Harinezumi camera is, but I have complete faith in dublab and the participating artists to craft some tantalizing images. You can stream and download Teebs & Yuk’s contribution, “Estara”, now, a pleasant bit of beatwork with that dusty vinyl sound the My Hollow Drum members are both associated with.

Emily Wells is a multi-talented, Los Angeles based violinist who released an album, Mama, back in April that received generally positive feedback, Wells’ music is pleasant enough, but not really in the vein of tunage that we feature at The Astral Plane. Earlier this week though, Wells posted Mama Remixed to her Soundcloud and I’ll be damned, but it might just have one of the most impressive producer lineups of any release you’ll listen to all year. Salva, Jeremiah Jae, Baths, Teen Daze, Dan The Automator and more contribute, but Kid Koala steals the show with is mellow, noise-leaning take on “Passenger”. Stream the Kid Koala remix below and grab the full album for free here.

Alright, so sampling Joe Esposito is a little bit (read: a lot) corny, but can anyone fuck with S-Type when it comes to crafting triumphant bangers like this? With the Billboard EP dropping October 16 and rumors swirling about MC collaborations, the Glaswegian producer is about to elevate himself to the level of label mates Hudson Mohawke, Rustie and Machinedrum. If those horns don’t bring a smile to your face, you should probably leave now. Stream below.

In the months since Jim-E Stack burst onto the bass music scene via his momentous remix of ASAP Rocky’s “Purple Swag”, he has been on an absolute tear, remixing everyone from Kirko Bangz to Reptar and releasing an EP through en vogue LA label Body High. Featuring similar synths to “Purple Swag”, Stack’s rework of Malaysian singer Yuna’s “Lullabies” falls on the smooth, melodic side of his production dichotomy. Stack has proven to be proficient in crafting club tracks (see “Bubble Boy”) as well as more laid-back jams. Stream and download “Lullabies” below.

If you have preternatural memory abilities, you’ll remember that Kong kicked off Volume Three of our Mixes From The Astral Plane series with “OooO” by Brookyln (by way of LA) based Jesse Pimenta aka Dreams. Besides appearing in Kong’s mix, “OooO” was featured on Astro Nautico’s Atlantics Vol. 2 compilation. Now Astro Nautico is set to release Pimenta’s debut LP, Lost Kingdom, tomorrow (October 5). Dreams released an EP on Absent Fever last October, a collection tracks with a pleasant, breathable disposition. It appears that Pimenta is taking his sound in a different direction on his debut, opting for a spacier quality with some Lex Luger thrown in for good measure. You can stream “Over” below and head over to XLR8R to download the title track.

Fatima Al Qadiri is quite possibly the most unlikely member of the growing American club sound. Al Qadiri grew up in Kuwait amidst the Gulf War and was inextricably effected by the violence and despair . Over the past 12 years, she has lived in eight different cities, but her childhood in Kuwait has stuck in her personal life and in her music. In a few weeks (October 23), Al Qadiri’s Desert Strike EP will be released on Kingdom’s Fade To Mind imprint. If you’re not familiar, Fade To Mind is one of the foremost purveyors of American club sounds, from MikeQ’s ballroom house to Nguzunguzu’s shapeless bass creations. Musically, Al Qadiri fits in the Fade To Mind mold as she has dabbled in recent en vogue club sounds like Juke, Hip Hop and even 90’s style Gregorian trance. Like most of her other work, the EP’s overriding theme is her childhood, right down to the EP and track names. Stream “Ghost Raid” now and be sure to check out Al Qadiri’s Global Wav blog.

 

Memphis (along with Houston and the Bay Area) are often mythologized as “street” hip hop meccas. Everyone knows about New York, Atlanta and LA, but if you’re down with Gangsta Boo and Playa Fly then you can run conversations among your hip hop head friends. The Memphis song is distinctly Southern, but far removed from Atlanta strip club culture and far more indebted to the city’s long history of racial tension and violence. It’s dark, often featuring John Carpenter horror score samples, and heavily based on a localized street realism. Gavin Mays aka Cities Aviv is a Memphis native, but is a square peg in the round hole of the Memphis prototype. For one, he’s just a lot more positive. That sounds cliche, but Memphis hip hop is fucking depressing. He shares a some sonic qualities with 90’s Memphis hip hop, but also samples the likes of Depeche Mode Steely Dan. That’s why it’s no surprise that his latest track features production from our favorite Mancunian Star Slinger. The production is a bit of sunny, cut-and-paste fare, belying Mays’ past as a member of a hardcore band. Mays sounds like he’s rapping from the next room over, yelling almost, with some slight reverb. Fast and chaste women is the topic of choice of course and the track sounds distinctly un-Memphis until the last 20 seconds or so when it devolves into trunk rattling choppiness. Stream below.

 

Mood Indigo, who is still virtually invisible interweb-wise, let loose another new track, “Only You (Friend)” to his Bandcamp, sans his own vocals. The track is centered around a repetitious sample of “get higher” and filled out by thin synths and plenty of 808’s. “Only You (Friend)” is the Boston producers most hip hop influenced track and sees him progressing further into the R&B inflected mist. Stream and download below.