Over the past few years, Brooklyn-based Mixpak Records have melded the worlds of American club music, hip hop and Caribbean sounds (specifically dancehall), not exactly breaking new ground, but few have been as successful as Dre Skull and his cohorts in our protean music society. Last week, the label released the first volume of Mixpak Pressure, a “series of riddim collections” aimed at paying homage to various dance music sub-genres. Volume One is squarely focused on Southern hip hop, featuring a crew of au courant producers like Melé, Krueger and Sam Tiba (of Club Cheval). I’m sure you can imagine how much of the compilation sounds, but its most inspired moments come from artists working outside of the Trap paradigm. As easy as it would be for Mixpak to compile 12 “Mercy” and “Harlem Shake” soundalikes, what with their domineering synths and such, the compilation doesn’t settle for the known.  The highlight comes from Grime producer Mr. Mitch, whose horror house vocals on “Badman Wheel” and subtle wobble bass offer the most unique moments of the compilation. Even at its least inspired the compilation still knocks and if you’re into the big synths and 808’s as much as every dick ridin’ Dubstep DJ in America, it won’t leave your Subaru’s stereo for a long time. Stream the full tape and download Sleepyhead’s “Hit ‘Em” below.

Traphouse still tippin’

Let’s be honest here, as much as we’ve raved about all the other “Fuck U All The Time” remixes, we’ve really just been waiting for the Mr. Henry Laufer to take a stab at Jeremih’s libertine anthem. The latest Shlohmix might be his best since “Crew Love” and sees pitched down Jeremih harmonizing with whoever that girl is, as well as regular Jeremih, an effect that seriously ups the sex factor. Nothing innovative here, but Laufer has really perfected that codeine-ified trap sound. As of now, the download link is disabled so you’ll have to find the remix using your own facilities for now. Stream below.

Four Tet aka Kieren Hebden’s latest release, Pink, is more of a collection of singles than an actual album and while a solid work overall, is often quite abrasive. Hebden reclaimed his melodic roots though today, remixing Brooklyn beatsmith FaltyDL’s “Straight and Arrow”. The remix will appear on a single dropping November 13 alongside remixes from Gold Panda and Mike Q. Stream below.

Curren$y proves once again that his best traits are his beat selection and flow. After a few dozen albums, EPs and mixtapes, everyone knows what Spitta is about. But there’s a reason he still has such a dedicated fan-base despite a lack of content breadth. On the production side, Sarom laces the track with one of the nicest chipmunk soul flips of the year, miming Kanye at his best. No idea where “Go Crazy” will end up but for now download the individual track.

In which Balam Acab drowns Rick Ross and Usher in a vat of boiling jello mix. The Pennsylvania phenom has released a number of wonky tunes to his Soundcloud in recent months, his latest being a slopped and wetted (his words not mine) take on the oh so mediocre “Touch’n You”. When Acab reworks pop tunes like this, he doesn’t try and make them palatable to the bedroom, the club, or anywhere else for that matter. They operate deep under the sea among the lantern fish and ocean geysers and aren’t even really meant for ears. Listen if you dare.

SBTRKT has released several tunes to the Soundcloud over the past few months, offering a tantalizing look into what his next release might look/sound like. His latest, “Terminal”, is a short techno joint that offers a nice progression and tight percussion, but seems to be fairly unfinished. As solid as the instrumental tracks Mr. Jerome has been uploading as of late, his best songs are clearly a result of working with Sampha and/or other vocalists. Until we get more vocal-assisted work, enjoy “Terminal”.

Many, many people have been awaiting this day for a long time. Ever since Rustie dropped S-Type’s momentous “Billboard” in his Essential Mix back in April, everyone and their momma have been eagerly awaiting a release announcement from the folks at LuckyMe. The word “huge” is thrown around a lot in dance music, but few tracks fulfill that title quite like “Billboard”. Vaguely reminiscent of DJ Toomp’s “What You Know” beat, the masses have waited on the edge of their proverbial seats for the full track, or at least something more than a two minute rip. Today that has come. Sort of. The Billboard EP 12″ will be released two weeks from today on October 16. For now, stream “Walrus”, a slippery vocoder-centered track that will also appear on the EP. Pre order Billboard here. Now if you don’t mind, I’m gong to go back to listening to the rip on repeat.

It’s been a while since we’ve heard from our favorite member of the My Hollow Drum collective, but Diamond Bar, CA native Co. Fee is back in a big way. As a thank you to his fans, Co. Fee has let loose the Bermuda EP is a thank you from Co. Fee to his fans and what a thank you it is. Bermuda is composed of six meticulously crafted instrumental tracks that highlight Co. Fee’s impressive handle on strings and his infatuation with Bollywood music. Get lost in “Bourgeois” below and download the EP from the My Hollow Drum website.

Can someone answer for me why it has taken Jimmy Edgar and Travis Stewart aka Machinedrum this long to collaborate? The two have been friends for over 12 years for gods sake and are both among the vanguard of North American bass music. At least the name, timing and label for the release feels thorough. The Jets EP will be released on October 29 via long-standing Berghain party/collective/label  Leisure System who have released tunes from Eprom and Barker. For now, stream “Lock Lock Key”, a stuttering bit of chipmunk funk, completed by Stewart’s syncopated rhythms.