pusha t

Is “Numbers On The Boards” an ode to Jay-Z or a slight shot at Hova’s relinquished hustler persona? Are Kanye and Don Cannon channeling Hell Hath No Fury-era Neptunes? How much of a roll did Hudson Mohawke have in he production process? We’ll probably never get the answer to these questions, but one thing we do know is that Pusha T is back in all of his snarling glory. We’ve all known that Pusha sounds best icy, minimalist beats and it appears that he’s finally gotten back that made us fall in love with the Virginia Beach brothers back in the day. “Numbers On The Boards”

obey city

In two weeks (April 22), Rhode Island-based producer The Range will release his second EP, Seneca, on Donkey Pitch, a tape that’s been on our calendars since it was announced. While we love The Range’s glittery take on footwork, the remix package is what really caught our eye. Howse and Supreme Cuts have reworked Seneca cuts and yesterday, we were lucky enough to get Astro Nautico don and recent LuckyMe signee Obey City’s take on The Range’s “PS 3”. The original is fine and all, but it’s a little too benign for my taste and it just needed that extra oomph to take it to the next level. The percussion is just that much more visceral on the Brooklyn-resident’s take, allowing The Range’s original strings and vocal cuts to occupy the open space in between drum hits. Stream below and head to XLR8R for a free download.

With a new location and its best lineup to date, it appears that Lightning In A Bottle Festival is making moves into the big boys of the America festival circuit. Moved back to July 11-15 this year, The Do Lab’s premier event will take place at Lake Skinner (Temecula, CA) and will feature a wide array of music, visual and performance art. For the uninitiated, The Do Lab is a Southern California (and beyond) production company that goes above and beyond their competition to give show attendees and experience rather than a simple live music event. While we’re not so into the whole yoga, chakra, etc. side of things, it’s an admirable angle to take in this age of all corporate everything. Plus they bring in some of the most shmanging lineups this side of the Atlantic. This year’s LIB will featurethe one and only Nicolas Jaar, Giraffage, Psychemagik, Eprom, Kastle, Tycho and many more. It’s by far the most expansive lineup that The Do Lab has ever brought in and should offer a good dose of everything from the most agro sides of the dance music spectrum to more, shall we say, introspective tendencies. Anyways, it’s sure to be a good time and is one of the best deals you’ll find at only $240 for five days. Find the full lineup here and hit the jump for a well done video on The Do Lab at Coachella.

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grown folk

In the age of the internet, cross-continental collaborations are commonplace, web lingo pervades daily speak and everyone and anyone virtually has a how-to-produce kit at their fingertips at all times. If you’re looking for an act that defines this age of mass information intake, look no further than Drew Kim and Brendan Neal of Grown Folk. While Drew and Brendan met and began to work as Grown Folk at McGill University in Montreal, they’ve rarely been in the same place at the same time. Whether because of family (Drew’s live in Hawaii while Brendan’s live in Vermont), or visa issues, they’ve been forced to use Skype, iChat and Dropbox as a means of sharing long-distance ideas. With critically acclaimed releases on Australian label Templar Sound and San Francisco’s Icee Hot, the duo has completed collaborations with artists from across the sonic/geographical scale, including everyone from Oakland’s Main Attrakionz to Sydney’s Dro Carey. Unlike other acts grouped under the internet label though, Grown Folk have a strong affinity to the hip hop community (Drew has functioned as Main Attrakionz’ tour DJ in the past) and to visual art and fashion (they both would like to soundtrack a runway show). Grown Folk is that rare act that blends the stream-of-consciousness creativity of the file-sharing era with a distinct IRL grounding, whether that manifests itself on tour, in their fashion choices, or in their kaleidoscopic production approach.

Hit the jump for more on Main Attrakionz’ tour habits, the cohesiveness of the Montreal scene and, of course, aliens…

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mak and pasteman

Both Mak and Pasteman have shown that they have the ability to function on a highly successful level as solo artists, but they’re really at their best when that ampersand connects their respective monikers. At some point in the coming weeks or months, the duo will let loose and independently released white label featuring two brand new tracks. The a-side will feature a rework of Kendrick Lamar’s “Swimming Pools (Drank)” (potentially titled “Jimmy Kendrick’s”) while the b-side will be be focused around Whitney Houston’s “It’s Not Right But It’s Okay”. For now, the white label, tentatively titled MAP001, has no release date, but in the meantime, you can grab “Chunky” for free right now. The track is a throwback of sorts in its simple composition and retro-sounding chords, but its focus on bass weight aligns it more with contemporary houses like Hypercolour and Dirtybird. Stream and download “Chunky” below and listen to a radio rip of “Jimmy Kendrick’s” after the jump.


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brenmar my type of party

Dom Kennedy’s minor-hit “My Type Of Party” is one of the more interesting “party” tracks of the past few years in that it’s really not meant to be a party track in the truest sense. He’s getting head on the sofa and ignoring the “niggas sniffing that coca”, truly Dom’s sort of party. Seeing the potential in Dom’s original, New York by-way-of Chicago club maestro Brenmar took “My Type Of Party” up to 130 BPM and essentially turned it into a more conventional party anthem. This is probably not Dom’s type of party anymore, but it certainly works for us! Stream below and download here.

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For someone who claims to not even “fully understand” pop music, Jacques Greene shows an incredibly impressive ability to craft infectious hooks out of abstract, dissonant vocal samples in his solo music. If he were to consistently work with an established vocalist, it’s hard to imagine exactly what direction his music would take, but I’m sure it would be groundbreaking. Recently, Greene got in the studio with prodigious Kentucky-born singer as part of Yours Truly’s “Songs From Scratch” series and our fantasy came to life. “Painted Faces”, is the result of that session and, while distinctly Greene, also features a clearer vocal component than any of his previous work. Greene’s sybaritic chords and thumping kickdrum play off of Tinashe’s longing vocals in a way that belies the relatively short amount of time the two have worked together. Like the Shlohmo/Jeremih “Songs From Scratch” feature, this pop/house hybrid that bridges the gap between tactful, below ground sounds and more overt, established pop melodies and song writing. It’s a brilliant combination and one we can only hope comes to fruition again in the future. Stream “Painted Faces” below and hit the jump for the full “Songs From Scratch” feature.

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the-dream

Over the past two years or so, we’ve taken great joy in a certain development in North American popular music. We’ve discussed it once before, and, after a few years of dismal monotony, pop music is (finally) getting weird again. Vocalists and producers are reaching further and further into unconventional territories and for the first time since Virginia Beach ran the charts, pop music is genuinely exciting again. Of course, much of this progress is occurring in the R&B realm and, hate or love his past work, The-Dream is at the pin point of this particular creative explosion. On May 28, Terius Nash will release his fifth studio album, IV Play, which will feature an impressive list of guest spots from Jay-Z, Beyonce, Pusha T, Fabolous and more. You can stream the title track below, a song that takes some pretty overt influence from Ginuwine’s “Pony” and R. era R. Kelly. Like most of The-Dream’s other work, both vocal and production, “IV Play” will sound incredible on a huge system and is sure to incite more than a little bump n grind action.

killer mike

Over the coming months, we’ll be highlighting a series of artists performing at Sasquatch Music Festival 2013 between May 24-27 at The Gorge Amphitheater in Quincy, Washington. Instead of a typical overview/introduction to each act, we’ll attempt to highlight what and how they’ll enhance the always wonderful Sasquatch experience. If you missed the initial lineup announcement, you can catch it here!

The Gorge has never been an especially great place to see hip hop, in part because of the Pacific Northwest’s general antipathy towards non-caucasian forms of the genre. That’s not to say that the residents of the Northwest’s urban locales don’t listen to non-white rappers, it’s just that, for the most part, they’d prefer someone, let’s say, a little less challenging. Coming straight out of Atlanta, GA, Killer Mike is the definition of challenging. A long time Dungeon Family (Outkast, Goodie Mobb, Organized Noize, etc. for the uninitiated) affiliate, the man born Michael Render has been challenging what it means to be both a Southern rapper and a “conscious” rapper for the better part of the past decade-plus. A critical darling in some circles, it wasn’t until this past year’s R.A.P. Music LP, entirely produced by El-P, that he became a wide-spread critical darling.

Stream: Killer Mike – “Reagan”

Last week, I was lucky enough to catch Mike at Paid Dues Festival and his performance stood out in stacked day that included performances from Black Hipppy, Freddie Gibbs & Madlib and Mobb Deep. Whether showing off his powerful, stark flow or going on an anti-Reagan screed, Mike owned the stage and managed to flip some controversial/heavy subject matter into an engrossing stage performance. If you’ve witnessed “political” hip hop on stage, you know that an overly passionate (*cough* Immortal Technique *cough*) performer can make the audience rather uncomfortable. Killer Mike manages to put forth thought provoking, anti-establishment ideals without making the audience uncomfortable, which is far easier said than done. I doubt that Mike will have a prime time slot on the lineup, but I promise you that his show will be one of the most powerful, long lasting performances of Memorial Day weekend.

Stream: Killer Mike – “Swimming” (Prod. Flying Lotus)

bicep

With the Stash EP set to be released on April 15 via Aus Music, Bicep have let loose another tantalizing preview in the form of “Rise”. In a similar vein as fellow EP cut “The Game”, “Rise” is dark, moody and a far stretch from the indulgent, peak-time tracks that caught everyone’s attention in 2012.  There are no diva vocals here and no ecstasy-inducing hooks. “Rise” is repetitious as hell and feels somewhat rough and unfinished. It’s not the type of track that will catch the average listener, but just wait until that perfect late night moment and it will bring out the very best in a dancefloor. Stream below and pre-order Stash here.