low limit

The conversation surrounding the collision of hip hop and electronic music has raged for the past 12 months or so without any regard for history or really any respect for context. In that time, certain media outlets have decided to differentiate between things like “trap rap” and “Trap”, while ignoring hip hop’s roots in dance music and its current incantation (not a new phenomenon by the way) as the predominant form of regional American club music. Amidst this shit storm of misappropriation accusations and general ignorance, a small sect of producers have arisen with the goal of mixing the two medicines (hip hop and dance music that is) into a perfect mind-altering concoction. These producers are not applying tried and true methods of dance music populism to existing hip hop formats, but rather attempting to meld the heavily stigmatized worlds of house/techno and rap music. Grown Folk and Lazer Sword come to mind immediately, but Brodinski and most of the Wedidit crew have been at it for a few years. Just take Low Limit’s (one half of Lazer Sword) recent performance at Boiler Room LA. After starting out strong with selection of pumping techno, Low Limit drops into a soulful house section before transitioning into regional club tunes and eventually hip hop. The mix doesn’t always sound natural, but it’s an engaging experience nonetheless and highlights hip hop’s roots in house music without offering a truly heavy-handed correlation. I, for one, would like to see more of this type of mixing, which offer a new perspective to all those blathering of tarpstyleChiefKeefstep. Stream below.

friendzone

After contributing one of the most engaging beats to A$AP Rocky’s debut album and producing extensively for Main Attrakionz, it’s probably about time for Friendzone to take the spotlight themselves. The duo of James Laurence and Dylan Reznick have been key movers and shakers on the West Coast for a good while now and have contributed as much smoke to the cloud as anyone. “Moments Pt. 2” will appear on the Kuchibiru Network 3 mixtape (find one and two here), which should highlight the duo’s angelic sound on a larger scale. The track is saccharine sweet, matching soaring choir vocals with chime like synths and skittering hi hats. There’s a dark underbelly to the track though, which is embodied in what sounds like a couple arguing beneath the surface of the beat. The actual dialogue of the argument is obscured by what’s going on around it, but the point is made: not everything is good and holy in Friendzone world. Along with “Moments Pt. 2”, Kuchibiru Network 3 will also feature exciting guest slots from Jerome LOL, Ryan Hemsworth and Keyboard Kid. Stream and download below.

plezier on time

It’s always a pleasant surprise to hear new tunes from Plezier, who’s managed to successfully obscure his persona behind a level of internet scuzz. The French producer has made a name for himself as of late for turning in effortlessly smooth garage-hybrids and “On Time” is no different, featuring a slowed down house beat and euphoric synth work. The track is out now on Radio Los Santos and features remixes from Odiggity anbd Dubaï High. Stream below.

hrdvsion

For the uninitiated, Nathan Johnson aka Hrdvsion is a Berlin by-way-of Victoria who specializes in meticulously constructed “bass” tunes (for lack of better terminology) that are equally hardbody and infectiously melodic. Most would agree that Hrdvsion’s tunes generally fit within the general house/techno sphere, but they certainly leap out of that canon fairly often. Johnson’s latest tune, a remix of Nihiti’s “Ghosts and Lovers” is a entrancing techno journey that simultaneously lulls the listener to sleep with wanderingly euphoric synth pads and defiantly heavy kicks. Stream below and grab the full Nihiti tape here.

cashmere cat

Today marks the release date of Belgian label Pelican Fly’s momentous Feathers compilation, a tape that should elevate the DJ Slow helmed label into the stratosphere of forward thinking dance music outposts. We’ve already featured Sinjin Hawke’s contribution to Feathers, and today we’re lucky enough to get a big one from one of 2012’s breakout stars Cashmere Cat. It’s been an amazing ride for the Norwegian producer, in no small part because a Cashmere Cat song is almost instantly recognizable in its mixture of left-field percussion elements (what up pitched down vocals) and traditional musicality (hey there unexpectedly beatific piano keys). In an incredibly short period of time, Cashmere Cat has become one of the most recognizable names in the ever-growing intersection of contemporary hip hop and electronic music and has impressed with literally every song he’s put out to date. Stream “Aurora” below and Lucid’s contribution to Feathers after the jump. Grab Feathers here.

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four tet

It’s no secret that Kieran Hebden is a master at mining the UK for prudent collaborations and his latest, with London-based brothers Ben and Tom Page aka RocketNumberNine, is yet another unabated success. “Roseland” is eight minutes of sweltering maximalism, all syncopated rhythmic elements and synthesized flute sounds that amass into an oppressively dense ball. The track is the a-side to a 12″ that will be released in the hopefully near future via Text. Stream below.

hudson mohawke

It’s been awhile since we’ve heard non-TNGHT material from Hudson Mohawke and while the anthemic, bigger is better qualities of his work with Lunice is great and all, a return to the classics for the Glaswegian has us beaming. HudMo, Disclosure and AlunaGeorge are arguably three of the UK’s most buzz-worthy acts so all three on the same track might just push the internet into overdrive, but that’s not such a bad thing. Taking Aluna’s “let’s play rough” refrain to heart, HudMo’s remix of “White Noise” is a sensory overload of a hip hop stomper that abandons the original’s garage tendencies entirely. The remix is forthcoming on PMR, but until then stream below.

gerry read

One criticism of Suffolk-resident Gerry Read’s house and techno creations is that they’re often obfuscated in a layer of clattering live percussion that makes their original intent difficult to decipher. This quality is actually part of what makes Read’s music so intrinsically interested to me, but it has definitely turned off more than a few listeners. The opening vocal sample simply stating “new style” on Read’s remix of Clouds’ “I’ll Be Broke” should make some happy though as he takes the Blawan/Kowton path into techno oblivion. Clouds’ Gold Panda-esque original is deemed unintelligible under Read’s huge stomp boxes and heavy distortion and the result is a truly original off-the-rails techno track. Truly no fucks given music. Stream below and grab the Clouds remix EP here.

grandemarshall

If reality is shoddy maybe you should pop a molly

Proving once again that Philadelphia is one of the most fertile breeding grounds (if you weren’t already convinced) for influential MCs, Fools Gold signee GrandeMarshall comes at us with the self-produced “Boathouse Row” featuring fellow Philly spitta Asaad. The production is super noire on this one, all plodding piano melody and rainy day sound effects and Grande and Asaad set the stage well enough to match the cinematic production with a proper narrative. The track is presumably off of the next GrandeMarshall tape which will hopefully match story-driven tunes like “Boathouse Row” with some turn’t shit like “GODBPM”. Stream and download below.

locked groove

The past year has been quite a ride for Locked Groove, seeing the young Belgian producer solidify himself as one of the most dynamic producers in the house/techno world. On February 25, he will release the two part Heritage EP on Scuba’s Hotflush Recordings. An expert at mixing the smooth sexiness of classic house with rugged techno sensibilities, Locked Groove has positioned himself as one of Hotflush’s key artists and is incredibly willing to push his sound in exciting new directions with every release. Stream EP cut “Wear It Well” below and look out for the full release on the 25th.