Tag Archives: Cam’ron


After corralling the one and only Killa Cam for the remix of “Every Little Thing”, Paris’ own Para One grabbed Night Slugs don Girl Unit for the remix. Wait, what? Cam’Ron and Girl Unit? Have we entered an alternate dimension? If the “Every Little Thing” remix package is a barometer for the state of the internet, we might have to ready ourselves for a bevy of incredibly creative (and equally ill-advised) remixes from across the pop spectrum. Not to say that this Girl Unit remix is unpalatable by any means, it’s quite the opposite, but these virtual posse cuts have a lot of room to fail. In the meantime, enjoy the madness that is “Every Little Thing”.

I never thought I would utter these words, but the man behind the “Luchini” and “Dead Presidents II” has gone dubstep. The Ski Beatz helmed Blu Tops EP, released unexpectedly last night, features Dipset-ers Cam’ron and Vado, as well as vocalist Mckenzie Eddy… and the opening track, also titled “Blu Tops” prominently features a half-step beat and a dubstep bassline. Since Ski’s return to prominence around 2010, he has produced for the likes of Curren$y and Murs, as well as releasing three solo efforts, the 24 Hour Karate School series. Not unsurprisingly, Ski has changed up his style a bit since his heyday in the mid-to late-90’s, but who would have thought that the guy who produced Talib’s “Cold Rain,” or Curren$y’s “Chilled Coughphee” would jump on the half-step bandwagon.

That being said, the EP is not terrible, especially once you get past the title track. I’m usually pretty skeptical about dubstep/hip hop collaborations as very few producers/MC’s can actually pull it off (Zeds Dead and Omar Linx work well together), but “Blu Tops” is especially awful. Anyways, it’s probably better to ignore the first track and move on to the next four.

“I’m Counting Planets” takes the listener on a trip through Cam and Vado’s come up stories, from low-level hustling in the streets of Harlem to sitting around a table with other OG’s making  a “toast to everyone on the coke chase.” Vado brings some Rozay flow here and Cam’s first verse is probably his best on the EP. The chorus is pretty infectious, and while the simple chord progression isn’t remarkably impressive, the beat does its job in laying out a canvass for the MC’s to spit over.

Alright, moving onto track three. Maybe I spoke too soon on the whole “album not being terrible” deal. “In This Thing,” features uplifting synths and chords, and a modern-day Eminem-corny chorus. Cam’ron and Vado aren’t awful here, but what is Ski trying to prove? That he can be the next Jim Jonsin? I haven’t heard a track from an esteemed producer as corner as this since “I Need A Doctor.”

“Pass The Test” would fit perfectly on any Cam’ron or Vado mixtape. A menacing organ sets the stage for Cam and Vado to wax poetic about their horses, cars and hoes. The track is full of menace and violence and sets a decidedly different tone than the opening three tracks. “Pass The Test” is hard, although the Eddie’s chorus is a little perplexing.

“Why, Oh Why?” would probably play the role of standard “soft” cut on most Dipset releases, but as previously mentioned, it fits right in with the vibe of the rest of the EP. Highlighting Eddie’s vocals more than any other track on the album, Cam spits game to the fairer sex, reeling off his “accomplishments” aka possessions. Vado sounds a little uncomfortable on the track, and while Cam shines, it’s hard not to imagine how much better Curren$y would sound over it.

Overall, Blu Tops was a mixed bag for me. Cam’ron and Vado brought the heat for most of the EP, and Eddie’s vocals were a nice addition to most tracks, but Ski really mailed this one in. I can forgive him for trying his hand in the dubstep game once, but what the hell was he thinking as he made “In This Thing”? It’s downright terrible, afterthought radio fodder. The rest of the beats are average at best, and  while the goal of the EP might have been to highlight the MC’s and vocals, it perplexes me as to why Ski wouldn’t lace the release with some more, well, Ski Beatz-esque shit. His latest release prior to Blu TopsTwighlight, wasn’t an exceptional album, but there was not a weak beat on the project. Ski excels at melding jazz samples into cracking beats for weed rappers to spit over. I understand the desire to experiment after a long career, but experimenting does not mean badly replicating other genre’s, and lowering ones expectations. Blu Tops is a free download so I guess it’s worth a free download, but no one would be surprised if it spent more time in the trash than in your iTunes.