For the past year, the East Bay has been blessed with a series of events focusing on non-binary, non-Western music and performance. foozool and 8ULENTINA’s Club Chai recently became an internationally recognized name after the release of their eponymous debut compilation, featuring artists like Lechuga Zafiro, Organ Tapes and Stud1nt, but it’s the local groundwork that has made the operation so immediately relevant and transgressive. In June of last year, we featured an Astral Plane mix from 8ULENTINA, a fitting introduction to the Club Chai ethos that has since been extrapolated on at length on Club Chai Vol. 1. Lara Sarkissian makes music under both her birth name and the foozool moniker, pushing “more abstract original productions & sound collage” through the former and dance-focused edits/remixes from the latter. Tracks like “Geghard” and “APRE ԱՊՐԷ” are dense, rhythmic tracks that match haunting melodies with solipsistic drum work and fits of noise, samples and field recordings. With a live show set to debut next month, it’s easy to see how these tracks will thrive when broken down, meshed and developed further in physical space.
The connection between many “experimental” artist’s original output and mix work is often tenuous, but Sarkissian’s DJ and radio sets are often where her own productions thrive, intertwining with Armenian dance tracks she’s sourced from her mother and Arabic club tracks she collected while living in Armenia’s Nagorno-Karabakh region. They’re often equal parts melancholy and festive, drawing in everything from Flex Dance Music and reggaeton to tracks from Bay Area like Turbo Sonidero and Ambr33zy BA!. Her Astral Plane mix is no different, linking compilation tracks with a series of foozool edits, transitioning from an emotive, low key opening section into club forward four-on-the-floor with Ara Gevorkyan’s “Musa Ler” playing the bridge roll. It’s clear that Sarkissian has a rigorous approach to sound design and sample arrangement and the mix has a distinct narrative arc to it even though its constituent elements are disjointed to say the least. We chatted over email and talked Club Chai’s Bay Area community, the compilation, sourcing samples from Vine and Ara Gevorgyan’s music. Hit the jump for the full interview and track list and be sure to grab Club Chai Vol. 1 here.
Hi Lara, how are you? Where are you answering these questions from?
My home dining room aka my “stu” in San Francisco.
You release as foozool as well as under your own name. What is the distinction between the two projects? Do you have a good idea of which pseudonym a track will fall into from the beginning of the production process?
The material I release under my name is more abstract original productions & sound collage I see tying into visual projects in the future (a couple that have been for film already), and eventually having screenings during performances of these sounds. I’ve always been super interested in the tactile relationship between sound and image and it’s something I haven’t done in a while, i’m back at working on something from footage recorded recently.
I’m going to be playing my first live show next month, so am excited to see what form the sound will take making things live/improvised, and being more comfortable using samples of a wider range of instruments. I’m continuing edits/remixes of other artists under foozool, and incorporate them into my dance DJ sets where I mainly mix with other’s work.