Tag Archives: Lex Luger


In a recent stateside appearance that I attended, Brainfeeder representative Lapalux unloaded a surprising array of jagged, percussive tracks that both surprised the crowd and reinforced his position as an innovator. The development wasn’t all that out of the blue as he had unloaded Tessela’s breakbeat laden “Hackney Parrot” at another performance several months before, but for most the crowd, the jungle-derived selection was a far cry from the beatific harmonies on his debut album Nostalchic. Last night though, Lapalux uploaded a vowel-less remix of Young Thug’s breakout “Danny Glover”, drawing 808 Mafia’s misanthropic melody into something far more affecting and bereft of melodrama. It’s a heartstring tugging rendition, representing his erudite focus on what makes R&B and hip hop dominant forms of American culture.

Last month, we reviewed the new album from Odd Future, OF Tape Vol. 2., and discussed how OF members Hodgy Beats and Domo Genesis, who used to ramble somewhat incoherently through clouds of smoke and unfocused bad attitudes, seem to be evolving their respective styles. Thus far, we have seen a certain resistance to production from outside the collective. Last year, in fact, in an interview with Pitchfork, Hodgy explicitly said:

I honestly don’t like working with people outside of Odd Future because I don’t want our sound to change. I want it to evolve, and that happens with people within the camp, not people outside the camp. When you make music, it should be fun. I’m not hating or anything, but I don’t want to be rapping over a Lex Luger beat. Why would I do that? I have my own beats.

This week, though, we saw two new releases from Hodgy and Domo, under their new moniker MellowHigh, and one of the tracks is produced by Lex Luger himself. “Timbs” isn’t particularly lengthy, but it’s enjoyable, and certainly far more focused than previous work from Hodgy and Domo.

Today, we have another new MellowHigh track, “Go,” this time produced by Thelonious Martin. This one’s a little longer and a little spacier, but it definitely exemplifies how well Hodgy and Domo complement each other musically. Maybe we’ll continue to see more material from these two, produced by talent from outside the collective.