Tag Archives: Millie & Andrea


Decibel Festival, like many other contemporary festivals that straddle the dwindling line between underground and overground forms of dance music, was heavy (to say the least) on four-on-the-floor house and techno. In fact, the festival’s adherence to technical linearity was so strong that one could posit that the steady pulse of a kick drum defined Decibel 2014. From the late night Ostgut Ton showcase at Q Nightclub to Phuture’s TB-303 jams, house and techno from the world over could be found at Decibel, but the respective genres’ British and German constructions took center stage. This created something of a dilemma for a team looking for more rhythmic variance and, shall we say, a global purview than your standard techno bro fest. Fortunately, the Decibel lineup provided pockets of brilliance in the form of jungle, footwork, grime and kuduro, allowing us to indulge in gaudy, kick drum-heavy performances from T. Williams, Wolf+Lamb, Nadastrom and more.

On Wednesday night, Arca and Total Freedom, with music video art auteur Jesse Kanda providing visual accompaniment on a huge LED screen, took to EMP’s Sky Church with a vengeance, weaving syncopated kuduro and dembow rhythmic patterns into a number of contemporary pop hits. The Sky Church, a massive room in a corporate music mausoleum, is an odd venue to hold a genre and gender bending performance from three prodigiously talented artists, but a small, dedicated crowd, equal measures repulsed by and smitten with Kanda’s Vine compilation-meets-high concept body art, was up for the challenge proffered by the CDJ wielding deejays. A percentage of the crowd was even made up of holdovers from Max Cooper’s technically proficient, but disappointingly linear performance (the following night’s dancer-assisted showcase featuring Cooper was supposedly far superior) that preceded Arca’s takeover, a less surprising development than one might expect considering the breadth of interests and knowledge among the Decibel crowd.

Hit the jump for the totality of our Decibel coverage…

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For the next two weeks, we will be featuring different facets of Seattle’s crown jewel of an electronic music event, the consistently excellent Decibel Festival. Considering that Seattle is our hometown and Decibel is one of the most tactful curators of electronic music in the United States, the annual gathering is one of the highlights of our year and more than deserves the praise heaped on it in recent years. The festival runs on a showcase structure, featuring different labels, promotion groups and other tastemakers flexing their creative muscle at Seattle’s best venues. Over the past 11 years, Decibel has grown from a small neighborhood gathering to one of the premiere dance music festivals in the world and over the next few weeks, we’ll parse through the dozens of events to highlight the best and brightest talent the festival has to offer.

Coming straight out of Manchester, Thursday night (9/25) at Decibel Festival will feature heavyweights from the Modern Love roster, namely Andy Stott, Mikes Whittaker and Miles’ and Andy’s respective side-projects Millie & Andrea and Demdike Stare. Of course, reducing Millie & Andrea and Demdike Stare, the former Stott and Whittaker’s fellowship and the latter Whittaker and Sean Canty’s effort, to a footnote is silly and the collective’s performance at Decibel is slated to be one of the most explosive, driving events of the week. Born out of the ashes of the Peicanneck record shop (which would later become Boomkat), Modern Love was founded in 2002 and has formed one of the key pillars of the city’s dance music avant-garde. Equal parts grave/minimalist and overblown/maximalist, Modern Love has gone through a number of incantations and the most recent has been dominated by Stott and Whittaker. The former’s dub techno epic Luxury Problems transcended its own genre label and is still percolating through the popular consciousness two consciousness while the latter’s work on Demdike Stare has garnered an affinity from noise fans and dance music devotees alike.

On Thursday at Decibel, the Modern Love-ians will take the stage at EMP Level 3, the upstairs area of the museum/concert space. All three acts are bringing out their live sets and Stott’s solo set will feature a full a/v component. The showcase will surely feature its share of intrigue from the three acts, but expect a hard-hitting, percussive backbone, masterful dynamics between performers and a singular aesthetic defined by a yearning be somewhere else that defies each respective act’s disparate source material. And while Stott’s solo material and the Demdike Stare project have proven to be two of the more captivating sonic projects in recent years, Millie & Andrea’s set has this particular writer impatient with excitement. Ostensibly “less serious” in the musicians’ own words. Millie & Andrea’s performance is sure to feature the percussive acrobatics that have become the sound du jour of club music producers in recent years. The duo’s debut LP, Drop The Vowels, was released earlier this year on Modern Love and is one of the most comprehensive accounts of percussion I’ve heard in a long time, bringing breakbeats, electro, house and techno, played out on numerous classic drum machines, into the same singular melange. After the clanging affect of Millie & Andrea, I have a feeling that Stott’s solo headline performance will sound downright angelic.

Buy single tickets for the Modern Love showcase here.