Tag Archives: Mssingno

riz la teef

The practice of cutting dubs is often viewed as a rather arcane, outdated practice to many people in my age bracket (early 20s), enmeshed in a culture of exclusivity and privilege. More often than not, owning a selection of dubs is presented less as a means of playing out on-the-cusp tracks than a fundamental status symbol, awarding the owner a step up over the plebes without Loefah b-sides. Of course, digital dub culture isn’t any less insidious and the more the forums, groups and download sites infringe on the cool kids table, the more unfortunate conflict arises among young kids and scene veterans, DJs and producers, the United States and the UK. South London’s Riz La Teef seems to be one of the few good natured proponents of dub culture and he has filtered that responsibility into a few dozen, exclusive-laden, mixes over the past 24 months. Rinsing everything from roots reggae to jump up bassline, Riz’s adherence to vinyl and access to dubs from the likes of JT The Goon, Rabit and Novelist make him one of the most in demand and well respected deejays in both his native London and among the hordes of dispersed garage fans across the internet. We asked Riz about his favorite dubs from the past year and he was kind of enough to list them out and take some lovely photos of his hand-marked classics to be. Not all of these tracks will be revealed in the next months, but they will certainly live on in infamy, thanks to Riz’s spacious repertoire, innate deck skills and engaging demeanor. Peep his choices and a slideshow of each and every dub listed.

Gundam – Pulse Wedding VIP (RIZLA SPESH)

Def one of my favourite dubs I’ve cut this year. Played it a day after I cut it in a dance and it got reloaded 4/5 times.

Brackles & Fox – Skank + Famous Eno Remix

Not really a dubplate, but both tunes have a top vibe.

E.M.M.A – Pyramids, Peridot & Light Years

Pyramids is the coldest beat made this year imo and not alot of Emma’s stuff hasn’t been pressed to wax so I had to cut the other two beats!

Fallow – Strings Hoe Refix (RIZLA SPECIAL)

Fallow is a guy to watch out for next year for sure both his refixes and original tunes are quality. Big up to him for doing me special of strings ho refix.

Grandmixxer – Windrush VIP

Melody is so good, has been in my head for weeks.

Boycott – Kowloon Bae (RIZ VIP)

The original is such a sick tune and the guys blessed me with a VIP. Proper colourful vibes.

Iglew – Sleep Lighter VIP

Again Iglew is another guy to watch out for in 2015. Everything he’s done this year has been pretty special – Urban Myth, Cascade etc

JT The Goon – Twin Warriors VIP & Polar

JT is one of the best snm. Polar is a rude beat.

Apple – De-Siegalizer (Logos Refix)

Great cheeky refix and the mastering by Jason on the dub is so good.

Loom & Tarquin – Pompelmo Riddim

Fruity, eski dancehall from another two guys who I expect to do big things next year.


Actually cut this last year, but battered that dub so much had to cut it again!

Rabit – Black Dragons

Again not a dubplate anymore but was so gassed when Glacial sent me this month or so before its release. GULLY

Shriekin’ – Red Beach VIP

Maybe my favourite tune of the year??

Silk Road Assassins – Deadcell

The waviest beat made this year.

Wen – Backdraft/Walton – Bulldoze


Novelist – Yakuta

So excited to be able to cut this, Novelist is huge rn and gonna be even bigger next year. Excels in both MCin’ & production.

Murlo – Into Mist/Roman Baths

Was lucky enough to cut these before they came out. Into Mist has been in my bag as soon as I got it.

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When we first heard Mssingno’s momentous “XE2” last October, the R. Kelly vocal sample was like nothing we’d heard before, immediately identifiable, yet impossible to place. “A dog on the prowl when I’m walking through the mall” isn’t necessarily the most recognizable line in “I’m A Flirt”, but it functions perfectly when disassociated and re-appropriated by the London-dwelling Mssingno. It takes on a slinky, sidewinding quality that reinforces the grand nature of “XE2” and carries the track through several percussion-less minutes. The song came to define a year of instrumental grime, portraying the protean proclivities of the “genre” and highlighting many a peak-time set.

With a good deal of reverence, Los Angeles/Wisconsin-based producer Riley Lake has given “XE2” his own treatment and allowed us to debut the track. Utilizing vocals from R. Kelly’s original to beef up the harmonies and a fair share of eski clicks, Lake’s edit allows for both karaoke singalongs and gun finger waving. The edit belongs in a dystopian club and reminds of the hectic, world-colliding nature of much of Donky Pitch and Tuff Wax’s recent output. If grime is going to continue on its current path, colliding with Southern hip hop, old school electro, R&B and more, then we’re going to want producers like Mssingno and Riley Lake to take the lead. Stream and download Lake’s “XE2” edit below.

goon club allstars

You’re probably familiar with Mssingno if you frequent Dubstepforum and/or have seen Moleskin DJ in the past few months, but if you don’t fall into one of the two aforementioned categories, then you are in for quite a treat. Slated for a digital/12″ release on November 18 (on Goon Club Allstars), the London-resident’s self-titled EP is one of the most striking grime EPs to cross our ears in quite some time, combining the spatial awareness of new era eski producers like Slackk and Visionist with a synth-oriented sense of the moment akin to a Girl Unit or Lone. Every one of the EP’s four tracks are undisputedly huge, but “XE2” stands out amongst the greatness, matching an earworm vocal sample with beatific, undulating synth work. The feels are real with this one. Listen to clips from the EP below and hit the jump to stream the full version of “124th”.

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