Tag Archives: Parris

Outlook - boat by sunset - credit Marc Sethi

With Outlook Festival 2015 under two months away, anticipation is nearing a fever pitch and planning has begun in earnest, much of it focused over the past few weeks on the festival’s infamous boat party circuit. And while several of the daytime parties have sold out, there are still tickets available for a number of absolutely out-of-control soirees. If you already have tickets to the Butterz, Bandulu, Deep Medi or Swamp81 (the list goes on) parties, then the rest of us can only look on in jealousy, but we still do have an opportunity to catch DJs like Kode9, Mumdance, Paleman and many many more. The following three parties are our personal selections (you’ll find us there) and hopefully offer up a good cross-section of what the day time programming has to offer. This is all purely hypothetical as 2015 is our first jaunt over to Pula so bare with us.

1. Resident Advisor Sunset Boat Party w/ Kode9 & Mumdance – Friday
The Hyperdub boss and grime provocateur take over this sunset boat party from start to finish and are sure to bring out a huge range of sounds. Considering that each has covered a remarkable amount of ground in their own productions, it’s almost inconceivable where this party will go. We do know that it will be a carefully curated experience covering the finest in on-the-cusp grime, dubstep and maybe a little mahraganat and footwork if we’re lucky. We’ve been lucky enough to catch Kode9 come through the United States a few times, but had the chance to see Mumdance so this will be an exciting occasion for our traveling team.

2. Wavey Garms w/ Artful Dodger, Hatcha (old skool garage set), Spooky – Saturday

It’s not often that we in the US get an opportunity to catch garage legends and when they do come, they’re often shoehorned into overproduced house clubs or tacked onto the end or beginning of populist dubstep parties. It’s unfortunate, but there isn’t much of an American garage massive and even though the occasional DJ EZ jaunt across the country brings out droves, the groundswell of support needed to sustain a culture is rarely found. Which makes the Wavey Garms (“the kind of Facebook garment groups”) party that much more exciting for us, that once in a lifetime chance to catch legends like Artful Dodger and Hatcha bringing their livest records to a boat in the Aegean Sea. Spooky rounds out the lineup to complete the circle, offering different eras and perspectives on the classic 2 step sound and while others parties might offer more in terms of contemporary talent, Wavey Garms might just be the highlight of the whole trip for us.

3. Just Jam w/ Paleman, Big Narstie, Barely Legal, DJ Milktray b2b Tim & Barry – Sunday
While not the most stacked bill compared to some of the label parties bringing out their entire rosters, the Just Jam boat affair is sure to bring out a good collection of heads for buzzing Swamp81 repper Paleman, commentator/MC Big Narstie, Just Jam regular Barely Legal, and Glasgow’s DJ Milktray going back to back with Tim & Barry, the duo behind the whole operation. Not only will the boat party have a spectrum crossing array of sonics, the Just Jam folks know how to throw a good party as they’ve been doing in London for the last 15 years. One for the heads.

Check out the full Outlook Boat Party schedule after the jump…

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parrisBack in April 2013, Keysound Recordings released the This Is How We Roll compilation, a technicolor ride through the Keysound roster and beyond. The tape created a rumble at the time, largely due to its hybrid approach to what is now, by-and-large, being considered instrumental grime, and looks even larger in hindsight, both due to its collection of producers (Visionist, Wen, Moleskin, etc.) and wot u call it aesthetic coherence. To define the This Is How We Roll aesthetic would be near impossible, but various offshoots, sprung in the past several years, can be identified, There’s the sorrowful, choral take on grime championed by Visionist, Dark0 and Mssingno, a deeply melodic sound that could also encompass the new age tendencies of Deadboy, Strict Face and Loom. There’s the hybrid techno / dubstep sound pushed by Acre, Facta and Beneath, a tumbling, sound system-specific brand of dance music that’s pushing sonic barriers. And then there’s Wen, conflating pirate radio, dubstep and grime into his unique melange.

Few deejays master a single sound over their career, let alone several, but London’s Parris, founder of Soundman Chronicles, has managed to corral the This Is How We Roll aesthetic better than just about any other selector. Part of a close-knit collection of Keysound artists and affiliates, Wen, Etch and Facta included, Parris has functioned as one of London’s best keep secrets for several year now, taking dubstep’s roll into bizarre, slower territory, performing regularly on Rinse, first as a guest on Youngsta’s Minimal Mondays and now with his own show, and curating several must-have releases as the man behind Soundman Chronicles. With a rare attention to detail and a proverbial bag full of dubs, Parris has produced a joint single on Tempa with Wen, released music from Rabit, Etch, Epoch, Facta and J.Robinson on Soundman Chronicles and become everyone and no one’s envy: a touring DJ.

And while Parris has his own productions played out on Rinse and other stations regularly, his mix work is still the best place to understand his personal aesthetic, as well as the Keysound aesthetic if we’re being honest. In hindsight, it’s easy to view the development of young producers like Gage, Neana and Sudanim in a vacuum, or firmly ensconced in the Night Slugs lineage, but the role of Parris, This Is How We Roll and Soundman Chronicles cannot be undersold. Parris’ Astral Plane mix sees the Londoner boiling his polyglot sound down its richest essence, a bass weight-heavy blend of discordant dubstep and fundamentally sound, blippy techno. Parris’ fam aren’t just prevalent in the track list, they are the track list and while some crew mixes might seem indulgent, Parris’ enviable reach makes this mix anything but.

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