Famous Eno‘s career arc doesn’t match the usual boom-bust curve that defines so many young artist’s tenure in the electronic music space. Exploring the various tendrils of Afro-Caribbean derived UK dance music and US regional club music, Eno has been a staple on the Mixpak and Swing Ting rosters since the release of his All Good FM single in 2012, constantly expanding his purview without ever losing site of the dancefloor. The Eno sound draws on afro beat, dancehall, grime and UK funky and, depending on who he’s collaborating with, traverses those with almost unmatched dexterity. Frequent collaborators like Murlo, Swing Ting and the Fractal Fantasy crew often interject their own styles, but Eno’s forceful, rhythmic backbone is always there, collecting the pieces into a whole optimized for the dance.
Most recognizably, Eno’s work has been marked by the voices of a huge range of MCs. Released in October, Music For Clubs is his longest release in years and functions as a vibrant encapsulation of the many sounds he’s experimented in. Jamaica’s Bay-C, Ghana’s Bryte and Gafacci, London’s Killa P and Trigganom, and New Jersey’s UNIIQU3 contribute their distinctive approaches, all tied together by Eno’s restrained yet anthemic production. In lesser hands, the release would come off as a hodgepodge of disparate styles, but under Eno’s tutelage it comes together nicely, pinging from one idea to the next and giving plenty of time and space for each MC to shine. It’s a sound introduced on singles like “Gangsters” and Samrai’s 2014 remix of Eno and Rubi Dan’s “Terminator”, but it truly flourishes on Music For Clubs.
It was Eno’s bootleg and remix work that initially drew us to the producer half a decade ago though and takes on Paleman’s “Beelzedub” and Sia’s “Little Man”, not to mention the unbridled mania of his and Murlo’s remix of Akito’s “Metamessage”, are still classics in our book. They’re also a good indicator of his full throttle approach to DJing, clearly rested in soundsystem culture, but not giving over too much to tradition. His Astral Plane Mix functions as both a compendium of recent work and a roadmap for those uninitiated to his approach. It begins with Music For Clubs staple “Life” and ends with a brand new remix of King Louie and Mikey Dollaz’s Zora Jones and Drippin produced “WW4” and touches on bmore, ghetto house, gqom and more in the middle. It’s a big, party-oriented sound that will be familiar to listeners of his work on Fractal Fantasy Mixpak, and Swing Ting, exploding into new territory with every transition. Download a copy of Astral Plane Mix 175 here and hit the jump for a full track list.