Archive

Author Archives: Gabe Meier

While I generally assume that every city in Britain has a wealth of multi-talented teenage producers just aching to break out of their dreary lives, apparently Nottingham is somewhat lacking in the sonic creativity department, Whowuddathunk? Two 20 year-olds are single handedly changing that image (at least in my mind). Liam and Robin, who together form Shelter Point, are pushing vocal-driven garage rhythms into new territories and will release their debut EP on Scuba’s Hotflush Recordings, titled Forever For Now. Mount Kimbie is the first name to come to mind when listening to the Forever For Now’s vocal-driven, garage-indebted rhythms, but Shelter Point take a more overt, pop-oriented approach than Kimbie (although that might change on the new album). With a pretty clear understanding of pop conventions, Liam and Robin fit their lo-fi, dubstep tempo sound into 3-4 minute long tracks, replete with enough hooks, bridges and verses to make Paul Epworth proud. Forever Now is out next week, but you can stream the full EP right now over at XLR8R. Stream the first track off the release, “Braille”, below.

For a guy who references satan a lot, Keyboard Kid’s music is generally pretty positive. The #basedworld don is gearing up for the release of Don’t Leave Basedworld and has let loose a steady stream of tracks, both on and off the album, to garner excitement. While the Seattle-based producer has often proven prolific, some have questioned his ability to stand alone as an artist as opposed to just hip hop producer. Actually, this sad sap is probably the only doubter. Anyways, the Keyboard Kid joint is “666Seance” a bonus track from the album and one his more abstract outings to date. Stream and download below and keep your eyes peeled for Don’t Leave Basedworld.

It has been far too long since we’ve posted a screw tape so sit down with a double cup and indulge with me. You know the deal.  Dropping Gems representative Citymouth has jumpstarted a tape series called Any Octave featuring screwed/chopped/slopped/wetted/spyked/psyched tunes that all probably fall under the broad “purple” category. The first tape features Citymouth himself and Seattle’s own DJAO. It’s difficult to pick out what Citymouth plays, but you can peep the individual DJAO screwmixes, including takes on Flying Lotus, Cooly G, Baths and Grimes, over here. If you’re in the Portland area next week, be sure to catch a special late-night screwset from DJAO. Stream and download (name your price) below.

For his latest stunt, friend of the blog and sometimes contributor Will Mitchell aka Riley Lake (formerly Viette) flips Bill Withers’ ubiquitous rainy day anthem into a smooth-as hell-groover. Percussive organic sounds and Julio Sharp’s brilliant jazz guitar allow Mitchell’s beautiful Withers approximation to ride effortlessly over the top, building and relieving tension simultaneously. Refreshing a classic like “Ain’t No Sunshine” is far from an easy task, but Mitchell has shown a penchant for covering classic voices, previously editing Gil Scott-Heron. Oh and Rihanna. Stream below and be on the look out for a very nice collaborative project from Mr. Riley Lake and Wisconsin MC Milo.

As far as supremely talented Los Angeles rappers/producers go, Vince Staples and Michael Uzowuru have flown low over the past few years, opting to to their music speak for itself instead of relying on absurdist antics. Vaguely Odd Future affiliated, the duo makes struggle rap that belies their location in sunny CA. Staples is still not the most polished MC, still engaging in juvenile rape talk and the like, but his monotone flow and come up lyrics reflect contemporary Los Angeles to a T. That Uzowuru’s production sounds distinctly un-LA makes Staples that much more effective. Winter In Prague is a bare bones approach to hip hop that puts the listener in a small room with Staples and Uzowuru. The tape doesn’t feel personal in the sense that Staples is speaking to you (like say Main Attrakionz), more than his raps are so eminently relatable. If you’re willing to take a step back from the hype and overblown production, indulge in Winters In Prague for the next 25 minutes. Stream below and head here to download the whole tape (and here to grab the instrumentals).

Whether he’s ascending above his brethren in the much maligned chillwave category or remixing Tyler, The Creator, Chaz Bundick aka Toro Y Moi has stood alone sonically. With a sound indebted in 80’s pop that sounds nothing like 80’s pop, Bundick has never been one to pigeonhole himself, bouncing from sound to sound. It’s all funky as hell though and his new single “So Many Details” might just be his most polished attempt yet. Off of the upcoming Anything In Return EP (January 22) and a 7″ single due on November 23, “So Many Details” abandons much of the fuzz/washed out vibe that sometimes dominated Bundick’s earlier releases. Oh and I really fuck with the cover art. Love that Keith Haring-esque frame. Stream below.

Remember the days when hip hop party tunes were about having a good time, sippin’ on a cold one and maybe snagging yourself a fine Applebaum? When names like Big Daddy Kane, Redman and The Pharcyde rung true? When Dr. Luke was your endocrinologist and David Guetta was another anonymous floppy haired muppet? The times have changed young grasshopper. If you asked the average teenager what party hip hop is, the answers would probably boil down to a collection of MMG, Young Money and G.O.O.D. Music artists with a Chief Keef or two thrown in here or there. It’s easy to be a golden era yearning curmudgeon after spending a night at a (read: any) club and listening to “Niggas In Paris” and “Ass” on repeat.

We recently enlisted Portland’s own Rap Class aka John Kammerle of Dropping Gems to lay down some tracks for our Guest Mix series and while it is firmly nested in old school hip hop and R&B, it remains decidedly fresh. We tend to focus on “future music” here at The Astral Plane, but even we need to indulge in some nostalgic listening every so often. It is called the “golden era” for a reason. Anyways, my words don’t really do the mix justice so I’ll let John take it away:

This mix, is like, all about my go-to songs. When I DJ out, these are the songs that loosen up the crowd. Some of the songs are from records that I think are rare (maybe?), then some chillers + some original remixes and songs from me. I’m proud of this mix because it represents where my initial love of rap music started, and has taken me. From the beginning, this is where I find myself today.

For more Rap Class music, download Greatest Hits (or buy the cassette) here. As always the mix is up for stream and download. Be sure to give the man behind the art and team member Sam Andrus some love.

As much as I loved the split Mak/Pasteman The Throwback EP, the duo works best when they’re in a collaborative mood as we saw last week in their remix of Cassie’s “Me & U”. Like their take on “Me & U”, Mak & Pasteman (I like the ring of that) take a poppy approach to bass music remixing Debian Blak’s “Hawks & Spies”. Like most Mak & Pasteman releases, this sounds amazing on a big system so don’t skimp on the headphones/speakers. Stream below and pre-order the Hawks & Spies Remix EP here.

It’s a little bit bittersweet posting LOL Boys remixes as the group is no more, but Jerome and Markus both have impressive solo projects well underway and the future is looking up. Looking back for a moment: Todd Edwards! The Garage legend has been a pioneering force in North American House and Garage for the better part of two decades and is really the definition of a living legend. The Friends of Friends camp pulled Edwards in to remix “Changes” (peep the CFCF remix) and the result is brilliant. Disco-tinged House music that is as pleasurable in headphones as it is (I assume) in the club. When I listen to artists like Julio Bashmore, Disclosure and Eats Everything, I can’t help but notice Edwards’ influence and to see him remix one of my favorite cuts of the year is a real treat. Stream below and look out for the full Changes Remixes EP on Tuesday (October 16) via Friends of Friends.

 

It has been incredible to watch Amon Tobin, an accomplished, but fringe member of the electronic music community, gain the critical and popular acclaim that he has over the past two years. Tobin’s ISAM production has taken the world by storm and put other A/V shows to shame. It has also opened a door to hundreds of producers making hip hop music within an ambient framework. Similar to Clams Casino (not in style, but in career trajectory), Tobin has really fathered his own sound that has seen rapid proliferation across the U.S. and abroad. Eyelight, the production duo of The Philosofist and Politishen, are one of many outfits clearly influenced by Tobin and taking his sound in exciting new directions. While much of ambient-esque hip hop can be derided as meandering and pointless, Eyelight have a definite intention to their tunes. Stream and download “20604”, an ode to the 206 (Seattle) and 604 (Vancouver), below.