Archive

Mixes

Photo by Nighstar

This has been a long time coming. For months, we’ve worked to get a mix series of our going and it’s finally here. Mixes From The Astal Plane will be an every-so-often feature highlighting our favorite DJ’s and the music they love to rinse. Our first mix comes from our friend and San Francisco native Yesh. He brings the perfect mixture of bass, hip hop and club cuts to keep everyone satisfied. Jam City, French Fries and 123Mrk are all prominently featured. As this is our first stab at this sort of thing, we would love and appreciate any and all feedback. If you’re an aspiring DJ who wants to get involved, hit us via email. We’re (usually) friendly people. Last but not least, give our boy Yesh some love in the comments. Find the tracklist below.

Tracklist

I Told Ya – Daniel Klauser
German Clap – Modeselektor
The Don (Hot City Hype Mix) – Nas
Ecstacy (Jam City Refix) – Endgames
If U Want Me – Deadboy
Little Things Like That – Untold
Into You (French Fries Remix) – Greenmoney
Blood of a Slave (Cedaa remix) – Myrryrs
Magic Drops – Jam City
Warp 1.9 – Steve Aoki+The Bloody Beetroots
Yo Vogue (House Edit) – French Fries
Cooler Couleur (AC Slater Remix) – Crookers+Yelle
Got U (Canblaster & Berou Bonus Remix) – Nguzunguzu
Delight In Delaware – Karma Kid
The Lick – Dark Sky
Basement Party – The Cool Kids
Original Don – Major Lazer
Thrill – 123Mrk
Hugz – French Fries+Bambounou

There’s been a lot of discussion over the past few years about the appropriation of regional sounds by members outside of those respective scenes. The truth is that this has been happening for years. In the 80’s, Chicago House and Detroit Techno were appropriated by everyone. More recently, UK Bass has infiltrated the American hip hop market on Drake’s back. The internet has obviously sped up this phenomenon, democratizing music in general and opening localized scenes to national and international attention. Jersey Club music has been the latest craze to hit the blog world and Frenchman Sam Tiba of Club Cheval has taken notice. Last Fall, Tiba debuted his Jersey Club Music and in the months since, the scene has ascended to new heights in creativity as well as national exposure. Tiba, ever impressive for his skills as a member of Club Cheval, has really outdone himself with these volumes, encapsulating the frenzied, style-heavy Jersey style. Volume 3 features over 80 tracks in half an hour. This shit goes. Our favorite Jersey son DJ Sliink shows up quite a few times as do scene stars Nadus and DJ Jaystar. Tiba edits quite a few tracks himself to keep the mix flowing properly. If you are uninitiated to the Jersey Club sound, this is great place to start. Far from a definitive take on the Club sound, but more than an adequate introduction. The mix was concocted in collaboration with the Pelican Fly label. Stream and download below.

Not only is Seattle’s own Keyboard Kid the Basedgod’s main producer (a feat in its own right), but an ever improving DJ as well. In March, we saw him join forces with DJ Darwin to craft the “808’s and Space” mix and it looks like he’s collaborated with the Mad Rad representative once again. The two are featured in this week’s Mixmag’s Mix of the Week — quite an honor. If I had to guess, Darwin handles most of the mixing while KK takes on song selection. I could be wrong though. Like “808’s and Space”, the mix features a mixture of KK originals and fuzzy, hip hop oriented bass tunes. The MΔRRI$ tune (“Different Girl”) is especially nice. Like everyone else (not a bad thing), Baauer appears in the mix. Dude is quickly making a name for himself. Stream and download below and find the tracklist after the jump.


Read More

Whatsgood blogworld, I hope everyone is having a beautiful weekend and enjoying the spring weather. For me, and probably alot of others reading this, it’s crunch time for finals. This means that I need to find the perfect mix to jam too while getting ready for finals. This mix changes throughout the course of the year and today I revisited one of my favorite mix’s of all time, Brainfeeder’s take over of BBC Radio 1 last year. The live set includes performances from Matthew David, Teebs, Flying Lotus, Austin Peralta (pictured above), TOKiMONSTA, Samiyam, and even Thundercat. I hope just seeing that list gets you thoroughly stoked. To add even more incentive, Austin Peralta (keys), Gene Coye (drums), and Thundercat (bass) do an amazing improve jazz set. These guys then collaborate with Flying Lotus to top off the end of the mix with style. Needless to say, this mix needed to be in our archives and accessible for our readers. You can stream the mix in it’s entirety below.

Over the past several months, the Los Angeles based Body High record label has grown into one of the foremost forces in American electronic music. The roster is highlighted by DJ Sliink, Todd Edwards and DJ Dodger Stadium (Jerome Potter of LOL Boys and Samo Soundboy), and trends towards Club music, but you would be remiss to label it a Club label. We’ve witnessed Sliink’s impressive ability to synch standard Jersey Club with multitudes of other dance sub-genres and his label mates have a similar dexterity in their productions. Elements of acid house are prevalent in numerous DJ Dodger Stadium tracks while Myrryrs often utilizes the beloved cracking percussion of Southern hip hop. Last week, label head Samo Soundboy featured in The FADER’s mix series and did an excellent job of introducing the Body High roster over the mix’s 40 minute run time. Samo rolls out plenty of exclusives including a Jim-E Stack track off of a future Body High release. The mix wraps up with a well-placed screwed and chopped take on Miguel’s “Adorn,” one of the frontrunners for R&B track of the year. Stream the mix below and download it right over here (left click).

Last July, Clams Casino was featured in FACT Mag’s mix series. The mix was released around the time that Clams’ buzz was growing to a deafening level, following the release of the Rainforest EP. Despite the overwhelming love for his original productions, Clams’ mixing skills were obviously lacking and the mix came off as terse and uninspired. A lot has changed. Last night, the New Jersey producer hit up Benji B’s Exploring Future Beats Show on BBC Radio One (we love our future beats) and proceeded to play a spattering of “VERY rare instrumentals” and UK bass cuts. The inclusion of tracks from across the pond like Jai Paul’s “Jasmine”, Girl Unit’s “Ensemble” (off of the upcoming Club Rez EP), and Hudson Mohawke’s remix of Battles’ “Rolls Boyce” shows not just improved track selection, but a newfound level of respect. Like many have said in the past, Clams is more than a hip hop producer. The mix also includes some love for LA via Mono/Poly’s “Los Angeles”, a new Omar-S track, a little Spaceghostpurrp, a little Evian Christ, and once again, plenty of “RARE” beats. The mix is titled “The Evolution of Clams Casino,” a name that couldn’t be more apt. Stream the mix over at BBC and download here. Find the full tracklist after the jump

Read More

The good folks over at Night Slugs have been unstoppable in the month of April. Kingdom’s US imprint Fade To Mind debuted its LA party to celebrate the first release from Rizzla. Label head L-Vis 1990 featured in the brand new “Club Constructions” series, featuring “tracky material aimed straight for the dancefloor.” L-Vis and Bok Bok have released a number of remixes including an excellent take on Surkin’s “Gold Island.” Today, the label introduced a new mix series, each volume acting as a sort of  “DJ’s manifesto.” Bok Bok is the first featured DJ and predictably trends to the grimier side of the Night Slugs catalogue. The mix is Night Slugs heavy, but who ever said that was a bad thing? Stream and download the mix over at Night Slugs headquarters.

Delving into the ever changing landscape of bass music can be an imposing task if you don’t know where to start. Hundreds of labels seemingly release thousands of tracks a day, which can honestly get fairly overwhelming. For the uninitiated, Night Slugs or Hessle Audio are both excellent places to start, both maintaining diverse rosters and deep catalogues. You really can’t go wrong with either. Another great place to start is deep in the bowels of London’s Boiler Room. The now legendary event has helped launch the careers of SBTRKT, Om Unit and Lunice, and featured superstars of contemporary electronic music, James Murphy, Jamie XX and Rustie. There just isn’t another weekly event with as much clout and influence out there and it has recently expanded to Berlin and Los Angeles. It is no small feat then that Face+heel, the boy/girl duo out of Cardiff laid down one of the best sets at the East London affair in quite some time.

With a style reminiscent of Mount Kimbie’s darker, more emotive tunes, the Welsh youngsters possess a gripping elegance that is difficult to mark down. The recent Warm Records signees debuted as Face+heel in Summer 2011 and have been unstoppable ever since. The duo’s bass oriented take on deep house and classic garage is not what caught my eye, that’s been done before. Instead, it is the deep, heartfelt sadness evoked by the distant vocals on “No Stars.” It’s the crisp percussion in the second half of the haunting “One Hundred Years Deep.” Both tracks are off of the upcoming No Stars EP on Warm and are just the most recent examples of the duo’s impressive production acumen. Look out for No Stars on May 7 and stream “No Stars” and “One Hundred Years Deep” below. Check out their near flawless live set at the Boiler Room here.

There is always an onslaught of blunted out anthems on April 20th. Some are better than others. For example, that new Curren$y joint is on point. On the other hand, the new Belly/Snoop track manages to fulfill almost every hip hop cliche in under five minutes. Quite a feat. Anyways, the point is that you have to wade through a mountain of shake and clippings to find that perfectly spun grape swisher. Lucky for us, the good folks over at Astro Nautico have made it easy in the form of Volume Two of their Atlantics series. The first Volume came out way back in 2009 and the label/crew has come quite some way since. The self-described “flick-to-the-balls, balls-to-the-wall, whopping, whapping 40+ track (including intro, outro, interludes and bonus tracks) compilation album” has something for everyone. Featuring exclusives from Astral Plane favorites Baauer, Abel and Zackey Force Funk, the compilation ranges from out and out club bangers to experimental ambient tunes. Like I said, there’s something for everyone. It’s also free, and should be, along with a solid helping of Lord Quas, Spitta and K. Dot, the soundtrack to however you partake in today’s festivities.

Missed this one when I was out Coachella’n over the weekend. The fine folks over at FACT Mag got Battles for the 325th edition of their mix series and it is quite a doozie. The New York threesome has gotten ever so weird since the departure of Tyrondai Braxton back in 2010 and it has suited them well, taking the band to a new level. Their most recent output, the Dross Glop remix tape featured Hudson Mohawke, The Alchemist, Kode 9 and more, and this mix borrows heavily from these artists as well. Not only does the mix feature HudMo, but three, yes you heard that right, three unreleased gems from the Glaswegian maximalist. The mix was admirably taken on by drummer John Stanier and features a more dance/pop vibe than most Battles fans are probably used to. Don’t be afraid venerable avant-garde enthusiasts, there is plenty of off-the-cuff esoteric shit in here to satiate your needs. Stream and download the mix below courtesy of FACT.