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Nine weeks ago, the Sasquatch Music Festival lineup was released to much fanfare. Like all festivals, some hated the lineup while others loved it. For the more levelheaded, it appears to be a very balanced lineup with a deep undercard. From here on out we will be underscoring the lesser-known Sasquatch artists by highlighting a different artist each week. Beyond delving into each artist’s bio, sound, etc., we will attempt to give some insight into what will make their performance at Sasquatch so amazing.

Manchester is England’s 6th largest city, but is referred to by many as its 2nd city culture-wise. The home of Factory Records, the Madchester period, and more recently, the fabled Ware House Project series. One thing the city is not known for is hip hop, or grime for that matter. Whereas grime, and to a certain extent American hip hop, has dominated urban airwaves in London and Bristol for a decade plus, it has not gained much of a foothold in the North of England. It comes as a surprise then that one of the hottest hip hop producers, not just in the UK, but on the face of this earth is Mancunian (by way of Nottingham).

If you read this blog, you’re probably fairly familiar with Darren Williams aka Star Slinger. After releasing the impeccable Volume 1 beat tape in the Summer of 2010, Williams went from complete unknown to The Guardian’s “best new act of the year by miles.” It’s not easy to place Slinger’s sound (he calls it Booty LSD) as it falls somewhere at the intersection between hip hop and UK bass, taking cues from Chicago footwork and UK garage. It would be easy to clump him in with the maximalists of LuckyMe, but Slinger is influenced more by sample mavens The Avalanches and DJ Shadow. Volume One is a journey through chipmunk soul although Williams slightly deviates from the 70’s R&B line that Kanye West and Just Blaze owned over the first half of this past decade. On “Extra Time,” Slinger samples 80’s English alt-rock band Prefab Sprout’s “Wild Horses.” On album standout “Gimme,” he takes a more traditional route, sampling The Staple Singers’ “Let’s Do It Again” to incredible effect.

Stream/Download: Star Slinger – Volume One

While there are hundreds of producers out there producing “Dilla and Premier influenced” tracks (as my inbox informs me), Williams has differentiated himself through an impressive ability to create complex drum patterns. Taking influence from both British and American electronic music, Williams puts the emphasis on the drum machine in the studio. This is most apparent on the spat of remixes he has uploaded to his Soundcloud over the past several years, most successfully on his remixes of Gold Panda’s “Marriage” and Mount Kimbie’s “Before I Move Off.” Slinger’s samples are the most obvious part of his music, but there is an underlying beauty in his attention to detail.

Stream/Download: Mount Kimbie “Before I Move Off (Star Slinger Refix)”

More recently, Slinger has entered the world of American hip hop, enlisting Juicy J and Project Pat and R&B singer Reggie B for “Chain Dumbin,” a banging party cut that wouldn’t be out of place on Hot97 or any other pop radio station. Last week, Slinger dropped “Bad Bitches” featuring everyone’s favorite based martian and fellow The Pack member Stunnaman, a chilled down track perfect for the impending heat of Summer. We can only hope for more MC accompanied tracks as his remixes for Drake and A$AP Rocky are impeccable as well.

Stream/Download: Star Slinger – “Chain Dumbin” featuring Juicy J, Project Pat and Reggie B

Like most of the acts I have covered so far in this series, Star Slinger will be performing in the Banana Shack (dance tent), along with his either an MPD32, SP-404 or a set of decks. Be prepared for a healthy serving of contemporary Southern hip hop, maximalist bass music, as well as older hip hop cuts from the the Wu, Slum Village and more. Williams has a penchant for wild live shows and recently started up his own club night called Jet Jam, which featured British teens Bondax at the first event. Williams bares a slight resemblance to a Sasquatch so I wouldn’t be missing this one Memorial Day weekend.

What a week for new music. To top it off, we have the mysterious Jay Electronica (finally releasing the full version of “Dear Moleskine”. A snippet of this track was released in 2009 with a short video to accompany it (watch here). The slick track was produced by Just Blaze and is predominantly an instrumental track with a short verse from Jay. After following the man for such a long time, you begin to appreciate every little snippet he puts out. That being said, he needs to just drop the album already. Stream the track below and enjoy.

Dear Barak, I know you’re just a puppet, but I’m giving you props. You’re lying to the public, and I just love it. I hope it don’t stop

This is lightyears late in internet time, but how could we pass it up. “Blessed” producer Dave Free (also the president/GM of TDE) on the beat. Ab-Soul and Danny Brown spitting with an intense focus that only a select few (half of whom are on this track) MC’s in hip hop can manage. Jhene Aiko interpolates “Notorious Thugs” with aplomb. Hopefully, this will show up on the next Ab-Soul project that will, in all likelihood, catapult him to level of Kendrick and Schoolboy. Now I’m off to Paid Dues to catch his set. Jealous? You should be. Stream and download below.

There is not another collective out there whose artists complement each other as well as We Did It. Whether it’s Shlohmo remixing Salva, D33J remixing Shlohmo, or in this case, RL Grime remixing Shlohmo, the chemistry between the artists is highly visible. Airhead and D33J have already taken a crack at “The Way U Do,” but this is easily my favorite take. The repetitive synth stabs give the track a nice entrancing feel as it weave in and out of heavy distortion. Even better, the track is up for free download. Look out for RL Grime’s Grapes EP on 4/20.

Your bitch got beauty, but mine’s from London

There has been a lot of hysteria over the new Kanye track and the new G.O.O.D. Music track over the last couple of days so I’ll quickly address both here. On “Theraflu” it was nice to hear Kanye own a track as an MC. Haven’t seen him go in like that in years. And.. nevermind. Fuck “Mercy.” Maybe I’m too stuck in my ways, but why can’t Pusha T rap like he did circa 2004? Not even HudMo’s “additional instruments” (whatever that means) can save this one. Now onto some real shit.

Back in February, I wrote that I was coming around to the Spaceghostpurrp hype. Well, now I’m firmly placed on the bandwagon. The Carol City MC/producer and Rvdxr Klvn kingpin sounds like Dungeon Family wrapped in gauze and dipped in acid. It’s crude, misogynistic and antagonistic to just about anything and everything. Matching A$AP Rocky bar for bar on “Purple Swag Pt. 2” certainly helped pushed him into the spotlight, but it is the mixtapes, Blvcklvnd Rvdix 66.6 (1991) and God of Black that really epitomize the Rvdxr Klvn aesthetic. “Lustful ’97” is a love song. Sort of. The chorus of “you want me, I want you” signifies that, but Spaceghost is a pretty vile character so his fairytale isn’t gonna play out like yours. Moans occasionally cut through the clanging beat to signify the presence of some female counterpart, but she never really materializes making the chorus even more distant and vague.

“Lustful ’97” isn’t for everyone. It doesn’t fit into the sub-three minute parameters of radio rap. Spaceghost’s vocals are put through multiple filters and beat is dark and grimy. It’s music for outcasts. For the angry youth. And that’s why I’m on the bandwagon. Stream “Lustful ’97” below and download it here.

Teen Daze just released “The Future” off of his upcoming album, All of Us, Together. The album is set to come out on May 22nd. Like most Teen Daze tracks, “The Future” is blissful electro pop that has proven to be his forte. Teen Daze is a master of making these feel good dance tracks. Stream the track below and check out another track off the album from our previous post here.

Keyboard Kid has released seven beat tapes on his Bandcamp since last June, but today brings us first “official release.” “BasedExorcism” is off of the five song Transition EP set to be released on Brighton label Donkey Pitch, home of Slugabed and Arp101, in early May. The track doesn’t deviate from the standard Keyboard Kid line all that much. Lo-fi crackling synths. Barely decipherable wails. Some nice sub bass. The track speeds up and slows down at its own pace, giving off the sense that an MC would  only be an ancillary asset. Stream the track below and lookout for Transitions in early May.

Star Slinger has been making some serious inroads into the American hip hop world. The Mancunian producers last single, “Chain Dumbin,” featured Juicy J, Project Pat and Kansas City-based singer Reggie B and he has remixed the likes of A$AP Rocky and Wiz Khalifa. He has quickly made a name for himself as the UK’s best hip hop producer (not grime, mind you) and is on a steep upward trajectory. For his second official single, Star Slinger has enlisted the help of half of legendary Berkeley crew The Pack. Lil B’s rise to fame has made the days of “In My Car,” “Booty Bounce Bopper” and “Touch Me Like A Phone” seem like a distant memory, but who doesn’t want more of this. So Star Slinger hit up the West Coast this time, enlisting Lil B and Stunnaman for “Bad Bitches.” Haven’t had a chance to listen to this one yet because of certain formal education obligations, but based on the artist’s pedigrees (at least two out of the three… or one), it’s sure to be a banger. Stream and download below.

Amid all the chaos provoked by the emergence of Odd Future, a number of young LA MC’s, affiliated, or at odds with the crew were brought into the spotlight, Casey Veggies being the most prominent. Vince Staples, although not affiliated with the crew, has appeared on numerous OF releases, including EARL, and despite a childish tiff with Tyler towards the end of last year, appears to be back in the graces of the collective. Staples’ Shyne Goldchain Vol. 1 was one of 2011’s best mixtapes and featured a youthful rage more focused than most OF releases. Producer Michael Uzowuru has also occasionally collaborated with OF and his beat tape Paisley Palm Trees was one of 2011’s seminal instrumental hip hop releases. Staples and Uzowuru have worked together before, but their newest track, “Matlock,” might be their best yet. The track clocks in at under two minutes, but featured Uzowuru at his stripped down best and Staples getting down and dirty with some complex wordplay. Don’t sleep on these dudes.

Stream/Download: Vince Staples – “Matlock” (Prod. Michael Uzowuru)

You know that sensation you get deep inside your brain when you realize you’ve found something big. When a movie, meal, song or any other type of creative inspiration hits you in the dome with an unexpected force. That’s the feeling we got when we first came upon Brooklyn-based producer/DJ Baauer’s Soundcloud. It is no secret that we love our hip hop-influenced, maximalist bass music, nor that we have a soft spot for some ignant Southern shit. Baauer represents the perfect intersection between the two. So we reached out to him for an interview and couldn’t be more pleased with the result. For years, Baauer was a 4/4 house and electro DJ going by the name CapnHarry, “a joke name to match the music I was making.” Around six months ago, he switched up his style to hip hop and Baauer was born. He didn’t abandon the dance music ethos he had established as CapnHarry. Instead, he translated it into hip hop, making the biggest, most souped up beats imaginable. Taking cues from Southern hip hop and UK bass, as well as his brethren at Brooklyn-based collective Trouble & Bass, Baauer has gone from virtual unknown to having his tracks played out by Lunice and Hudson Mohawke. This interview has a few gems in it thanks to a quirky coincidence and will give you the inside scoop on an artist that has been making waves from small clubs outside of Los Angeles to the streets of London. Check the full interview after the jump.

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