ansome

It’s been a little while since we’ve touched on the rougher side of techno, but it’s never too late to jump back into everything that is grubby, sooty and linear. Hailing from South London, Ansome has been curating industrial techno through his Discos Dead imprint (Pulsecode, Tenzin, Circula) since late 2012, but it was only recently that his original productions caught our eye. Premiered earlier by Hurfyd, “Smeatons” moves and breaths like a machine. Hydraulics, clanking tools and a persistent, stomping kick drum make up the body of the track, which moans and groans in impossibly dissonant harmony. The track is upcoming on Swiss label File Rec. so keep an eye on their space.

LOGO

It’s 2014. A new year, which means new aspirations, new goals, and a new purview for this “old” music blog. With its genesis in the early months of 2012, The Astral Plane has grown steadily, gained traction and has flourished into the multi-dimensional animal. These past two years have treated us well and now, we find ourselves in the rare position where we have actually begun to realize and surpass our original intent. We have developed an ongoing mix series featuring exclusive content from our favorite producers, interviews that not only showcase transcendent artists, but are also interesting and readable, and have immersed ourselves in a world of forward thinking music that we (and hopefully you) couldn’t fathom not being apart of. Our future is in front of us and it looks really, really good. But, in order to take this blog where we want it to go, we need help.

This is a recruitment letter to anyone hoping to join our little family of music writers here at The Astral Plane. As a non-profit entity, it’s a challenge to churn out original content on a regular basis so we’re looking for writers, visual artists, videographers, web designers and/or general music enthusiasts who are interested in contributing their skills to the blog. While we do cover a rather specific corner of the respective electronic and hip hop spheres, we are always open to expansion and new perspectives. The job is non-paying, but is often rewarded in free shows, promos and ephemeral Internet respect.  If you are interested in contributing your skill set to the team, please send several writing samples (or another example of your work) and a short introduction to gabe@dotheastralplane. There’s always a range of involvement so please don’t hesitate to reach out and we can subsequently figure out the best way for you to contribute! We’ve got love for the crew.

keyboard kid cover artIf you frequent this corner of the internet, you’re almost surely familiar with Greg Phillips aka Keyboard Kid aka WaterGod. Best known for his work with Lil B, Seattle-based producer has reignited the instrumental hip hop flame in recent years, instilling a sense of precocious positivity in the often-times staid community. A Based disciple to the fullest, Keyboard Kid has been churning out an almost insane amount of music over the past several years, releasing esteemed solo tapes on Donky Pitch, Automation and Mezzanine, as well as contributing dozens of (sometimes uncredited) beats to Lil B. Need we say more.

Already busy with a new puppy, the WaterGod let loose 37 minutes of narcotizing, all-original beat work for the 14th Astral Plane Mix. Matching soporific melodies with sharp snares and crackling feedback, Phillips effortlessly matches an off-kilter Based approach with a sleek, sci-fi aesthetic that constantly appears to be on the verge of implosion. The mix is chock full of exclusive material so take a gander at the track list after the jump for a taste of what 2014 has in store.

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The holidays are the one time of year when I appreciate the fact that my Facebook and Twitter feeds are flooded with promotional posts. That’s because the holidays are the time for giving, specifically the time when producers dump all of their bootlegs/edits/unfinished tracks on the unsuspecting masses. The quality is generally a mixed bag, but we’ve received a deluge of heat in the past few days that deserves its fair due. On the raps front, Lil B, King Louie, Fredo SantanaLil Silk and Fabolous have let loose new tapes over the past week or so. All deserve your attention, although save Lil B’s 05 Fuck Em and maybe spend a little more time with Silk and Louie.

The good folks at Mixpak were also kind enough to hand out a bundle of free tracks from their roster and beyond. The Holiday Bundle evokes the grime, dancehall and soca-based riddim culture that Dre Skull has so carefully curated over the past few years. Sudanim, Murlo and Koyote all bring their best to the table.

You’ve likely seen these already as well, but big hitters Flying Lotus, Zed Bias, Ryan Hemsworth Clams Casino all gave bundles of tracks away in the past few days. Casino’s third Instrumental Mixtape is probably the most cohesive attempt of the bunch, but FlyLo’s assorted beats, remixes and bootlegs offer some intriguing insight into the producer and his cohort’s recording processes. The Hemsworth collection is largely edits he’s designed for live play and the “Post-Rock Tears” version of Future’s “Honest” is a real beauty. Two step legend Zed Bias handed over 200 MB of live recording, remixes and production work under both his ZB sobriquet and his Maddslinky nom de plume.

Hit the jump for a jambalaya of free tracks…

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Head here for #50-26…

The following 25 songs are a combination of the most played songs in our iTunes and the songs we most like to play out in the club (ok, living room). It’s also an attempt to condense the dozens of wildly variegated styles we covered this year into something resembling cohesion. Shlohmo & Jeremih come in at number one, but that slot could have easily gone to any other song that precedes it. That being said, there wasn’t a song that we listened to, chanted along with and occasionally cried to more than the inimitable “Bo Peep (Do U Right)”. Without further ado, 25 songs that a few people really enjoyed…

25.) Hysterics – Code Switch (Club Mix) [Night Slugs]

24.) Thundercat – Heartbreaks + Setbacks [Brainfeeder]

23.) Kevin Gates – 4:30 AM [Mixtape]

Hit the jump to continue reading our favorite twenty five songs…

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2013 was a year. A year that saw quite a few of our favorite artists release the best work of their careers. As a blog that (purports) to cover the hip hop and electronic music worlds, we here at The Astral Plane faced a deluge of quality releases on a nearly weekly basis and while we disappeared for long stretches of time, we still attempted to keep up with the boundary pushing best we’ve come to revere and expect. The following songs and releases will hopefully act as a time capsule for what was covered in 2013 and for the direction that some of our favorite artists/genres/ambiguous sounds are trending in. In our estimation, music got weirder and more angular in 2013, as club music became more sparse and percussive and hip hop flows took on an alien, supernatural quality. A good amount of the following songs/releases made it on here because they sounded right as we drove around in the sun on Los Angeles’ web of freeways. Others made it because we couldn’t stop chanting their chorus’. Others transported us to protean, subterranean universes we’ll likely never see in reality. All in all, 2013 was an impossibly fun year, one that reiterated the lack of limits and talent out there and repositioned the roll that popular music plays in our daily lives.

50.) Zora Jones – Money Cat [Pelican Fly]

49.) Dark Sky – Voices [Mister Saturday Night]

48.) Nils Frahm – For (Max Cooper Remix) [Self-Released]

47.) P-Lo – Going To Work [Mixtape]

Hit the jump to continue reading our arbitrary as ever fifty favorite songs of 2013…

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As we witnessed in his recent Astral Plane mix, Neana and his Gang Fatale collective are more than willing to take club sounds to their starkest, deepest extent. “Ha Braque Got Jawbroken” sees Neana and fellow Gang Fatale don Ra’s Al (as NeanRa) taking ballroom into the gutter, churning the “ha” sample over a dense melange of dense arrangement of percolating percussion. The duo has also thrown up “42 Dunjunz” for free download, another must have for any trax enthusiast. Stream the former below and hit the jump to stream/download the latter.

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ghost mutt artIn a 2011 interview with Knowledge Magazine, Ghost Mutt refers to the process of falling backwards into hip hop and R&B, a process that is likely relevant to many of our readers. Instead of listening to new jack swing in its heyday (he was 10 years old after all), the Brighton-based producer took a roundabout route that involved deconstructing two step and garage tracks and searching out their sample sources. He took a similar approach to hip hop, ingesting Four Tet’s Madvillain remixes before delving into the vast remainder of the genre. This deconstruction-based approach is readily apparent in Ghost Mutt’s music today, a rollicking, technicolor fun fest that touches on dozens of genre motifs without ever settling on one. A member of the eclectic Donky Pitch party crew/label, he makes music (ostensibly) for club play alongside producers like Slugabed and Lockah, bouncing between trans-Atlantic reference points with the confidence of someone who fully understands the material he’s regurgitating, but doesn’t have the patience to focus on any singular sound.

“3310” is the standout track from Ghost Mutt’s recent Rumble Pak EP (his third on Donky Pitch) and encapsulates his kaleidoscopic approach to music better than any track he’s previously released. You’ll hear Lex Luger’s signature build up, a bed spring sample and reverberating bass drum hits. You’ll recognize a brief Lil Wayne sample and the extensive use of vocals from Blackstreet’s “U Blow My Mind”. The track starts, stutters and stops, contrasting wildly percolating melodies on top of each other in reckless fashion. In the end, the only coherent components of the song are the heavily pitched down vocal  asking “what’s all the commotion about?”. It’s a beautiful mess that works not because of the chaos of its individual components, but despite it.

Despite touching on an unspeakable number of styles and genres, Ghost Mutt’s Astral Plane mix actually comes off as more cohesive than his individual productions. There’s no point in listing off the names involved as Astral Plane readers will likely recognize many of them, but in effect, the mix trapezes itself across the modern club landscape, involving a number of producers who also invoke a scatter-blast ethos in their music. After running through the mix’s 60 minutes, you won’t remember where you began and likely won’t have any semblance of an idea of where you finished. It’s discombobulated entertainment that is beyond definition and summarizes Ghost Mutt and Donky Pitch’s anti-monolith attitude. Stream/download the mix below and hit the jump for a look at the track list.

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Iglooghost has been making quite a bit of noise in 2013 with a number of Brainfeeder-esque edits and originals. With a preternatural work ethic and a long list of influences (check out his Hyponik guest mix), the Irish teenager offers a refreshing take on the sometimes stale instrumental hip hop format. In January, he will release the Treetunnels EP/album on Error Broadcast (think Shlohmo, Pixelord), a 17-track opus that should elevate him into the public consciousness. “Teatunnels” is our first taste of the release, a Jitwam-assisted vocal cut that sounds something like a more clairvoyant Lapalux. Treetunnels will feature several Astral Plane faves so keep a lookout for new tracks!

strict faceStrict Face has been hinting at the third edition of his Birthday Riddims series for quite some time and was kind enough to drop it off for us loyal denizens over the weekend. Comprised equally of sharp, metallic drum workouts and beautiful synth landscapes, the Adelaide-native has capped off 2013 in perfect style, presenting everything we love about the project while simultaneously presenting new, more robust sounds. Take “Dem Traps”, a percussive attack that matches the cold futurism of eski with the percussive splendor of roughneck techno. Stream and download below and be sure to hit the jump to peep a Miss Modular remix of “Creep Zone II”.

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