druture out of towner

As the last trickles of Grown Folk music comes out and the project is laid to rest, our attention now turns to Drew Kim (now producing as Druture) and Brendan Neal’s (now producing as Motions) respective solo projects. Yesterday, Druture released the long-awaited labor-of-love project Out Of Towner Vol. 1, his ode to Chicago rap. The tape features some of the most innovative artists to come out of the Windy City over production from Druture himself as well as Ryan Hemsworth and up-and-coming British producer Little Cloud. It’s a quick listen and spans a wide-range of vibes, but Druture’s vision is clear and, while far from cohesive, Out of Towner is a tantalizing look into contemporary Chicago rap and Internet production tropes (melding drill and grime/jungle). Head over to LiveMixtapes to download Vol. 1 and/or hit the jump for a few choice selections.

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spooky

Next week, Big Dada will release Wiley’s “Born in the Cold” single, a track that certainly falls more on the pop/hip hop side of the Wiley spectrum. There’s nothing inherently bad about the original (it’s actually a quite functional track), but there’s something about the interloping piano melody and Andreena Mill’s vocals that comes off as a little bit heartless. Maybe to add a little heart (probably not), our favorite remix-tician Spooky threw an “Even Colder” rub on Wiley’s original, adding a few key eski signifiers and adding more space to the vocal performance. As he’s shown in the past, Spooky knows just how much pepper to throw on his edits/remixes, toeing the line between reinvention and reinterpretation and almost always falling on the correct side of the divide. The East London-based producer has no idea if the edit will ever see a release, but considering how most of his work sees the day of light sooner or later I wouldn’t hold my breath.

druture out of towner

At some point in the weeks/months Druture (former 1/2 of Grown Folk) will release the DJ Victoriouz-hosted Out of Towner Vol. 1, a collection of collaborative tracks featuring mostly Chicago rappers/vocalists and producers from all over the globe. Today we received “Spotless”, a deeply collaborative effort featuring stunning performances from Sasha Go Hard and Tink over spotless, feel-worthy production from Canada’s own Ryan Hemsworth and London-resident Little Cloud. The full mixtape will likely feature a number of similar collaborations (YB, Lil Bibby, Rampage), as well as production from Druture himself. The project has been a labor of love for Druture and should not be slept on under any circumstances.

nguzunguzu

if there was one proper criticism of Los Angeles-based duo Nguzunguzu entering their latest Skycell EP, it was their relative lack of restraint when compared to some of their compatriots (Jam City, Slackk, Visionist) in the grime/club music world. There was (and occasionally still is) a certain balls-to-the wall quality in the music of Asma Maroof and Daniel Pineda that surely ingratiated the duo to their fans, but after a long period of releases, their tracks tended to sometimes lull this particular listener into a  daze. Of course, that perception was crushed alongside expectations with Skycell (out now on Fade To Mind), a masterful collection of tracks that are far more sparse and mechanical than anything they’ve released in the past. Not ones to let momentum slip away, Asma and Daniel recently contributed a remix to Darkstar’s HD7 EP (out now on Warp) and the results are breathtaking. The juxtaposition of an almost trance-like chord progression with percussion more typical of Nguzu’s recent output (and the output of much of the F2M/Night Slugs fam) is something I wouldn’t mind seeing more of in the future. Stream/download the remix below and cop the EP here.

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If you’ve ever attended a concert at Orange County’s The Observatory, you know that the suburban venue is not the ideal place to witness dance music. The three tiered floor, segmented by walls and steps leads to inconsistent crowd movement, awful vantage points and a disconnect between performer and crowd. I knew all of this as I entered the Santa Ana venue on Monday night (November 18), but pushed it to the back of my mind as I primed myself for a night that would feature buzzing rapper Chance (The Rapper) and footwork pioneers DJ Rashad and DJ Spinn. Dubbed the “Social Experiment” tour, the three performers (plus Chance’s three man band) had been on the road since October 25 and had played 17 shows in only 24 days. With all of the performers hailing from Chicago, the night promised an air of cohesion that few touring acts can fulfill.

At first glance, the selection of DJs Rashad and Spinn as openers might be confusing, but the decision makes all too much sense when you consider that Chance has evoked his reverence for Chicago’s juke/footwork scene on multiple occasions in the past. Rashad and Spinn’s lightning fast, syncopated rhythms might come off as at odds with Chance’s gospel-infused hip hop, but one only has to examine the Windy City’s long history of dance music with hip hop leanings and vice versa. The crowd at The Observatory might not have been ready for the 160 beats per minute flurry that Rashad and Spinn would throw at them, but Chance knew what he was getting into when he brought the two artists along with him.

After wading our way through The Observatory’s outsized parking lot, we made our way into the venue and took our place among the hordes of Chance fans chomping at the bit to shower their hero with love and reverence. Overwhelmingly Caucasian and college aged, the crowd was, by and large, dressed in the Southern California norm of street wear brands, 5 panel hats and lots and lots of camouflage. Chance came on promptly after we arrived, joined on stage by a drummer, keyboardist and trumpet player. Over the next hour, Chance would lead the crowd through most of his recent Acid Rap tape in an expansive performance that straddled the line between hip hop show and performance art.

Hit the jump to read the full recap…

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rustieAt first, Rustie might come off as an odd choice of artist to contribute to a compilation benefitting children in southeast India. That being said, the Danny Brown collaborating, rave-loving Glaswegian producer recently contributed a track (with the help of Light of Love Children’s Choir) to the Everything Is New Campaign and his involvement suddenly makes a lot more sense. Without the social context, most would probably assume that “Boatsss” is just another massive Rustie cut (one that will inevitably be played into the ground), what with its churning snare rolls and brighter than thou layers of synth work. After all, music is universal and Rustie’s music is especially uplifting/undeniably bright. Maybe he’s just the perfect benefit concert artist for 2013.

visionist

If you thought Visionist was going to end his 2013 back in September with I’m Fine EP (out on Lit City Trax), it wouldn’t have been a naive prediction. The EP seemed to sum up the London-based producer’s year quite aptly, offering a wildly melodic ride that managed to get repeatedly stuck in this writers head without ever coming off as “catchy”. Later this month though, Visionist will release the “M”/”Secrets” single on Ramp Recordings and based off of the a-side, it’s a continuation of the sound he’s been pimping all year. Besides Logos, there isn’t a producer out there who creates the sense of wide-open space quite like Visionist and that’s readily apparent in “M”‘s deep sub bass and bottomless synth work. The single will be released via 12″ on November 25 and you can stream “M” below.

evian christ

The last time we heard from Evian Christ, he was hanging out that national park loving fellow in Paris hotel rooms and cavorting around the globe performing at posh night clubs. I was lucky enough to catch EC at Decibel Festival back in September and while the soundsystem and crowd might have been lacking, the performance showed a new side of the Kings and Them producer and saw him trending towards both the jagged edges of the Warp Records catalogue and the big room sounds of his new contemporaries in the rap music world. In early 2014, Christ will release a new EP, titled Waterfall, on Tri Angle, an effort that will likely get exponentially more attention than his first effort on the label did. “Salt Carousel” is representative of the bolder textures, more pronounced drums and all around larger sound that EC will probably take into the future. Expect big things in realms beyond popularity come 2014.

jerome lol

Yesterday, Los Angeles-based imprint Body High released the Work Volume 1 compilation, an eclectic collection of club tracks from the likes of Cedaa, Grown Folk and Myrryrs. Of course, it comes as no surprise that two of the tape’s absolute highlights come from Body High label bosses Jerome LOL and Samo Sound Boy. Samo’s contribution comes in the form of “Your Love” from the EP of the same name, a beautifully composed acid number that has outpaced the rest of the house music pack. Jerome turned in a brand new track in “Alma”, a harmonically complex gem replete with pipping vocals, a slightly swung rhythm and plenty of reverb. As always, Jerome brings out the most of what might come off as a dour sound palette, working melancholic melodies and a wispy female vocalist into an absolute head-nodder. Stream “Alma” below and cop the compilation here.

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It’s always interesting to witness disparate (in both a stylistic and geographic sense) musical scenes interacting, referencing and building off of each other. It’s also no surprise that we’re big fans of collaboration and intertextuality in these parts so you can imagine how pleased we were when Trax Couture bossman Rushmore agreed to contribute to our guest mix series. On his own time, the London-based producer makes machine music pure and simple. Rushmore’s tracks are industrial in nature, drawing on London’s ‘nuum fascination to bring together grime, dubstep and techno. He also draws much inspiration from Chicago and New York, specifically the sharp, linear lines of ghettotek and the lewd abrasiveness of ballroom, both of which are clearly apparent in his productions and mix work.

Lucky for all of us, his second 12″ (also the second in Trax Couture’ss HOT series) will be released in early December. You might recognize “Bloodlines” from Neana’s guest mix last week and the rest of the EP follows similar contours, repeatedly throwing jagged rhythms and undulating sub bass at the listener. To celebrate the EP release, the House of Trax folks (Rushmore and Fools) are throwing a party in London with Georgia Girls. The function will occur on December 6 at Birthdays and is sure to feature plenty of choice cuts from the HOT crew. Stream/download Rushmore’s mix below and hit the jump for a full tracklist.

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