
When I heard my first Lapalux track, he had just signed to Brainfeeder as their first UK artist. His style was being called “post-dubstep”, which suggests that he heard dubstep, and thought “I should make music too”. The story doesn’t quite go like that. Stuart Howard was a student of sound before dubstep and ‘beat scene’ were even ideas. You can hear it in his 2008 Forest EP, his first release. It’s a world of texture, waves of emotion, and frenetic disorientation that was informed by an intense study and absorbtion of sound aesthetics, with music production being more a means to an end and this pure expression being the end in itself. He creates his boundary crushing sound through a century-spanning sonic palette, always focused on the character of his sound sources and how they work together. With each release leading up to March 25th’s highly anticipated debut LP “Nostalchic”, his fusion of R&B melodic and harmonic motifs with neck-breaking beats and meticulously nuanced textural movement has fully taken shape, as has his mastery over the most dense yet lucid sound-world in modern electronic music. Lapalux doesn’t use these influences because they’re chic, he does so because his life’s work is to reconcile all these sounds into something beautiful.
I had the great honor of catching up with the man himself in February to talk about what it means to be releasing his first full length album, working with vocalists, and his creative process.
Continued after the jump…
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