kowton

Besides London, Bristol might be the most musically innovative city in Britain. Known for expansive grayscales and unrepentant low end, the Bristol sound isn’t singular by any means, but it’s far more close-knit and interconnected than anything London (or even Glasgow or Manchester) has to offer. Recently, Julio Bashmore and Kowton (who come from opposite sides of the Bristol spectrum) got together in the studio and came up with the razor sharp “Mirror Song”, a track that splits the difference between Kowton’s refreshingly grating riddims and Bashmore’s increasingly pop-oriented house anthems. Debuted by (everyone’s favorite) Jackmaster on his BBC 1 show, “Mirror Song” will see a release on Bashmore’s Broadwalk Records in the near future.

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When we first heard Shlohmo’s remix of Jeremih’s “Fuck U All The Time” back in October of last year, we were admittedly more than a little giddy to hear one of our favorite producers (and a transcendent talent) take on one of the most dynamic bedroom tracks from one of the best albums (fuck a mixtape) of 2012. When we heard that the two were actually collaborating though, lawdy lawdy did our jaws drop. Coming together as part of Yours Truly’s Songs From Scratch series, Shlohmo and Jeremih got together at Daddy Kev and Nocando’s brand new Cosmic Zoo studio in Los Angeles for a session and produced the immaculate “Bo Peep (Do U Right)”. Beyond the absolutely brilliant melody and shmanging production, the most remarkable aspect of “Bo Peep (Do U Right)” is that neither artist is forced to bend or change their style one bit. The track could have easily fit on Shlohmo’s recent Laid Out EP and even more fittingly on Jeremih’s Late Nights tape. Shlohmo’s dense, dissociative beat work and jarring percussion meshes instantly with Jeremih’s soaring falsetto and longing choruses and the results are as emotive as anything we’ve heard from the R&B realm in the past few years. Anything short of a full length collaboration between these two would be a travesty. Before we get to that though, you can stream and download “Bo Peep (Do U Right)” below and catch the two performing in San Francisco and Los Angeles next weekend (April 5 and 6.

mount kimbie

First debuted by Ben UFO on the Hessle Audio Rinse.FM show, the long-awaited first single from Mount Kimbie’s sophomore LP has finally come in a swirl of clicking four on the floor madness. More than that, we now know the title (Cold Spring Fault Less Youth) and exact release date (May 27) for the album. If that isn’t enough for you, “Made To Stray” is up for free download at this very moment. That’s right, brand new Mount Kimbie at your fingertips for no cost whatsoever. Long time listeners might be a little surprised at the direction Dom and Kal have taken on “Made To Stray”, but if you checked out our interview with the London duo, then the use of analogue drum machines and the steady kick drum should be a welcome addition to the use pot and pan percussion and elastic vocal work. “Made To Stray” also heavily features a vocalist and while the track certainly falls outside of the standard pop realm, it’s about as traditional an effort as we’ve seen from the duo. Then again, one of the major concepts behind Kimbie’s music has been to insert dubstep/house/garage/techno sensibilities into a more traditional song structure, something made abundantly clear on “Made To Stray”.

lapalux

When I heard my first Lapalux track, he had just signed to Brainfeeder as their first UK artist. His style was being called “post-dubstep”, which suggests that he heard dubstep, and thought “I should make music too”. The story doesn’t quite go like that. Stuart Howard  was a student of sound before dubstep and ‘beat scene’ were even ideas. You can hear it in his 2008 Forest EP, his first release. It’s a world of texture, waves of emotion, and frenetic disorientation that was informed by an intense study and absorbtion of sound aesthetics, with music production being more a means to an end and this pure expression being the end in itself. He creates his boundary crushing sound through a century-spanning sonic palette, always focused on the character of his sound sources and how they work together. With each release leading up to March 25th’s highly anticipated debut LP “Nostalchic”, his fusion of R&B melodic and harmonic motifs with neck-breaking beats and meticulously nuanced textural movement has fully taken shape, as has his mastery over the most dense yet lucid sound-world in modern electronic music. Lapalux doesn’t use these influences because they’re chic, he does so because his life’s work is to reconcile all these sounds into something beautiful.

I had the great honor of catching up with the man himself in February to talk about what it means to be releasing his first full length album, working with vocalists, and his creative process.

Continued after the jump…

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bok bok fade to mind

In anticipation of a slew of exciting upcoming shows, Night Slugs co-boss Bok Bok has, well, gone the fuck in on the third edition of the Fade To Mind mix series. It’s an all exclusives everything affair here and if brand new Jam City, L-Vis 1990 and MikeQ is your kind of bidness, jump on this mix immediately. Almost more exciting than Bok Bok’s transcendent mixing and the heap of exclusives is a  more coherent taste of Kowton’s remix of Jeremih’s still simmering “Fuck U All The Time”. The remix entered our collective consciousness through a few shoddy live videos, but Bok Bok has offered it up in all of its rude boy glory. Because really, Kowton has no business remixing this track. But he does. And it’s so beyond everything else coming out right now that it might just be the most anticipated track of the yung year. Stream and download below.

dro carey

Despite living nearly 10,000 miles apart, Sydney’s Dro Carey and Montreal’s Grown Folk have more in common than you might be lead to believe. For one, they’ve both released quality choons on Australian imprint Templar Sound and have a fondness for the rougher edges of hip hop. Carey produces under a number of pseudonyms and traverses the worlds of hip hop, grime, house and techno with effortless aplomb while Drew and Brendan of Grown Folk have cut their teeth as Main Attrakionz’ tour DJs. “Limbo Limbs” draws from all corners of the three prodigious producers’ vast range of influences, but can safely be called grime and is certainly an ode to the genre’s roughneck origins. Stream “Limbo Limbs” below and download it here.

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Are rave bitches the new ratchets?

In which London’s The Purist and The Hybrid meld old school electro and classique Detroit techno with some of the most shots fired worthy lyrics you’ve heard in quite some time. There’s a Notorious B.I.G. sample and the first shout out to J.J. Reddick in, well, ever. The video nods to Seapunk, VHS, old school rave and karaoke chic. The track is off of The Purist’s Tr-ill EP, which can be streamed in full here. Don’t get too jealous.

eprom

Since the release of his breakout hit “Regis Chillbin” last year, Eprom has made a name for himself producing frantic dance tunes that aren’t beholden to any one tempo or frame of reference. They’re loud, garish and eccentric, straying from the populist strands of house and garage that dominate the underground. The West Coast representative’s latest entry comes in the form of a remix of Rhye’s “Woman”. The remix sees Eprom at his most restrained, covering the original’s wispy vocals in understated hi hats and a simple chord progression melody. It’s simple and trance-inducing, far from the seizure-inducing sound of the Metahuman LP. Stream below and download here.

south london ordnance

From the onset of South London Ordnance’s recent 40 minute set at the Boiler Room, a distinct tone is set. That tone is of unremitting deepness and an unforgiving attention toi detail. There’s a reason why the young DJ is being lauded as one of the best in all the lands and in only 40 minutes, he manages to establish a remarkably consistent groove that caresses the listener into a dancing frenzy. Midland, Jon Convex and Boddika are all present, but it’s not so much the individual tracks that SLO plays out as it is the order sublime order they’re placed in. If you have the opportunity to see this prodigious  producer anytime soon, don’t sleep.

ryan hemsworth

Hi haters, Lana and Ryan in the building. If nothing else, Ms. Del Rey is great remix fodder and it’s actually something of a surprise that Halifax’s own hasn’t taken a stab at her much maligned crooning. While Hemsworth has dilly dallied in straightforward four on the floor stuff as of late, his best work has consistently come in the hip hop and R&B realm. I’ve never listened to “Summertime Sadness” before (and probably never will), and while Del Rey’s vocals are still fairly grating, Hemsworth still manages to flip it into yet another soundtrack worthy clapper, full of austere synth work and clipping hi hats. All hail the Hemsworth. Stream below.