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Author Archives: Gabe Meier

It’s hard not to mention the age of Marcel Everett, better known as xxyyxx, when speaking to his music. The 16 year old Orlando native has been releasing tracks to his Soundcloud and Bandcamp page since last Summer and has garnered a venerable online following. In march, he released his self-titled debut on Orlando label Relief in Abstract Records, a reverb heavy romp through contemporary R&B and hip hop. xxyyxx sounds a little like Balam Acab’s minimal chamber music sampling cataclysm’s, but is far more direct. He doesn’t make outright hip hop beats like Clams Casino, although he does share some sonic similarities, opting instead for winding tales of hi hats, pitched vocals and yes, plenty of reverb. These are not beats that any MC could rap over. Not satisfied with the success of xxyyxx, Everett has released several projects including his most recent, a two track EP titled DOLOR. The EP is short in length, but not lacking in quality and should serve as a nice stopgap between xxyyxx and his next full length. Stream and download below.

I’s been an incredibly busy day in The Astal Plane’s “office”. This morning, we let Volume 2 of our Mixes From The Astal Plane series loose on the public and as far as we know it’s bringing the ruckus somewhere uptown. While we believe our mix is indisputably the mix of the day, several other esteemed acts have released mixes of their own for consumption by the general public. Instead of writing three separate posts, I’m going to take the easy way out.

First off, we have LA duo and consonant enthusiasts Nguzunguzu bringing the heat with this month’s FACT mix. The duo of Asma Maroof and Daniel Pineda come through with an expertly curated selection of bass, Jersey club and pop tunes to get your bood flowing. Short, sweet and simple, Nguzunguzu splay 20 tracks over the mix’s 35 minute runtime, opting for effective/pragmatic mixes over thunder and lightning. Head over to FACT to listen/download.

Our second mix is actually a live as opposed to a pre-recorded deal and comes from Warp and LuckyMe representative Hudson Mohawke. Live from Livin’ Proof in East London, HudMo displayed a masterful grasp of American hip hop new and old. Head over to the BBC and skip to 2 hour 9 minutes to catch the Glaswegian’s set.

If I told you that a certain Brooklyn-based producer laced BBC with a VIP edit of breakout hit “Harlem Shake”, you probably wouldn’t be interested right? Well, it’s true. Baauer was on Radio 1Extra’s Diplo and Friends program over the weekend and laced the world with a series of tarp-y tracks. There was some new Ryan Hemsworth, a little Salva/RL Grime, a little ƱZ. Again, you’re probably not interested. Head over to BBC and skip to the second hour to catch Baauer’s antics.

Go To Hell!

Open Mike Eagle has been making waves in the weirdo Los Angeles hip hop community for years as a solo MC and a member of Hellfyre Club. On une 26, Mike will drop a new album, 4NML HSPTL, on Fake Four. I’ve heard Mike’s music called nerd rap, avant-garde, and a number of other silly titles. We prefer good hip hop. “Cobra Commander” is the first track off of 4NML HSPTL and features Danny Brown. It’s funny, wonky and oddly intellectual. Stream and download below.

After a slight delay, one of our most anticipated releases of the year has hit the web. Haleek Maul let loose his debut Oxyconteen EP through Merok Records earlier and oh what a debut it is. Macabre in subject matter, production and aesthetic, Oxyconteen is a beautifully disturbing introspective into the mind of the 15 year old MC. Some might be quick to label it horrocore or another similarly disparaging label, but a quote from our interview with Haleek illustrates the EP far more aptly:

Whether or not I should be the good guy or the bad guy, the addict or the straightedge, etc. goes on forever. I kind of realized it was stupid to subscribe to a title. You usually let yourself down anyway by setting those types of goals that restrict your personality. All of that is in me and it makes me the unique person I am.

Haleek projects his insecurities into his music and therefore into your mind. Like he says on “Gully”, “I am not a person, I’m just voices stuck inside your head.” You won’t find a more self-aware release than Oxyconteen this year. Combine that with production from Supreme Cuts, King Britt, EPLP, The-Drum and Strat Carter and this debut will stay in the deck for many months to come. Just give this shit a listen. It’s free. You really don’t have an excuse. Stream below and grab the whole EP right here.

If you follow us on the various modes of social media we frequent, you’ve probably noticed that we have a little bit of a crush on Claire Boucher aka Grimes. Ever since reading the tail of Boucher’s Tom Sawyer-esque houseboat adventure down the Mississippi, we were stricken by the dreamy vixen. That haircut, the fact that she’s from our corner of the woods and her obsession with Blawan all speak directly to our hearts. If you frequent this blog, you are probably also aware of our infatuation with Jersey Club kingpin, and recent tarp purveyor, DJ Sliink. Yesterday, Sliinky Sliink upgraded his Soundcloud (free downloads for all!) and uploaded a brand new remix of Grimes’ standout track “Oblivion” as a sort of symbolic champagne shower (at least in our minds). Honestly not Sliink’s best rework, but fuck it, Grimes + Sliink should make everyone happy. Stream and download below.

Astral Plane contributer, Producer, and DJ Viette put together this mix full of tunes to thoughtfully get you turn’t up in the Summer of 2012/Summer of Trap. Check the tracklist below, there are some bangers nestled in there.

http://soundcloud.com/viette-2/summer-nights-mix-for-astral

  1. Runnin’ – Jessie Ware (Disclosure Remix)
  2. Bubble Di Sistem – Phat Deuce
  3. Van Vogue – Machinedrum
  4. Watch Her – C L I E N T E L L E
  5. What To Do – French Fries
  6. Original Don – Major Lazer (Flosstradamus Remix)
  7. Flaunt It – LOL Boys
  8. The Lick – Dark Sky
  9. Sketch On Glass – Mount Kimbie
  10. Beserk – Jonwayne
  11. Coffee & Swishers – Dro Carey
  12. Wildfire – SBTRKT ft. (Little Dragon)
  13. One Kiss – MORRI$ & Sinjin Hawke
  14. Test Me – Flosstradamus & DJ Sliink
  15. Goin In Hard – Branko Ft. Dominique Young the Unique (Beatacue Remix)
  16. Yo Vogue – French Fries (Leroy Peppers Remix)
  17. Harlem Shake – Baauer
  18. All 4 Tha Hustlers – Tyler Tastemaker & Quarry
  19. DumDum – Baauer
  20. Drop – BoeBoe
  21. Komodo – Salva
  22. Rained The Whole Time – Shlohmo (Nico Jaar Edit)
  23. Crew Love – The Weeknd (Shlohmo Remix)

Remember the tuba mpet stabs on Hudson Mohawke’s massive “Thunder Bay”? Well another Scott might have just one upped HudMo in the brass department. Today, Abderdeen-based producer Lockah’s When U Stop Feeling Like a Weirdo & Become a Threat EP dropped on Mad Decent’s Jeffree’s. Taking cues from everyone from HudMo to Lone to Samiyam, Lockah is one of the brightest up and comers in the bass/hip hop game. Far less club oriented than the past few Jeffree’s releases (Branko, Baauer, etc.), Lockah opts for intricately composed and overtly triumphant anthems. The southern hip hop influence is palpable, but not in the sense of massive 808’s and/or the “shove as much bass as possible wherever we can” mentality. The four track EP is far more of the head nodder quality than booty grinder.

We’ve been anticipating this release for quite some time now and it doesn’t disappoint one bit. Each of the three originals are distinctly unique and represent different facets of Lockah’s beat making abilities. “The Sour Drink From The Ocean”, is a pensive and measured take on late 90’s Southern hip hop. The track manages to take cues from the trance of yore without falling into any sort of cliche. “Now U Wanna” sees Lockah giving HudMo a run for his money. Big room hip hop at its finest, transitioning between maximal and minimal elements with ease. And that fucking trombone. No one has made a trombone sound this cool since Henry Mancini. “Goons N Roses” feels like an announcement that someone important is arriving.. in the future. Again, I can’t get over the brass, this time triumphant sounding trumpets. Lockah has arrived in high style and should be joining the big boys in no time. Like all Jeffree’s releases, When U Stop Feeling Like a Weirdo & Become a Threat is available for free download.

I’m surprised we haven’t featured Jaw Jam aka Will DiMaggio yet on this site. DiMaggio, currently a student at Oberlin College, has spent much of 2012 filling his Soundcloud with smooth hip hop and R&B remixes high in the sex appeal department. The good folks over at Live For The Funk have signed him up for the first installment of their Our Sounds series, due at the end of the month. To celebrate, DiMaggio let loose a new R. Kelly sampling slow jam “Chop N Screw It Like”. Robert Kelly’s “Number One”, no slouch of a baby making anthem itself, is chopped into a  funky bass production. Stream the track below and look out for Jaw Jam’s Untitled EP on LFTF later this month.

Cot damn! Blown away by this one. The new Melé joint sounds like a deranged Lex Luger beat circa Summer 2010. The requisite 808 kicks and “go” shouts are bigger than ever on “Gold Casio” reminiscent of the new TNGHT EP (catch a preview here). The 19 year old Liverpool native has been all over the map with his recent productions, foraying into house and techno at times with varying degrees of success. “Gold Casio”, off of a yet unnamed beat tape “that will be out soon”, sees the young producer take on big room hip hop beats with aplomb You know, just another creative excursion for the young producer. Expect big things from this guy.

Stavrogin was one of the first artists we featured and interviewed way back in March. Since then, the Lewes, UK native has continued to progress as a producer and raise his status in the bass music community. His newest tune comes in the form of a remix London “post trip-hop trio” Charleston’s “Provocateur”. The Portishead influence is palpable in the original and Stavrogin more or less maintains the Florence-esque female vocals. With the beat simplified to a smooth rumble, the guitar takes on a hypnotic quality over the dense atmospherics developing via strong, simple percussion.