Archive

Author Archives: Gabe Meier

shlohmo

If you were lucky enough to catch Shlohmo on his recent, (relatively) unpublicized West Coast mini-tour, then you were treated to an hour of mostly unreleased remix work that looks to be some of the Wedidit representative’s best and most elegiac work to date. Remixes of Electric Guest’s “Bate”, Laura Mvula’s “She” and Samo Sound Boy’s “Your Love” have already made there way onto the web and this weekend brought about a similarly entrancing re-contextualization of Haerts’ bubbling cut “Wings”. If you’re still criticizing Shlohmo for using a similar sound palette on the majority of his remixes then you either “don’t get it” or can’t “feel it”. The man born Henry Laufer has managed to turn relative nostalgia (TLC and Aaliyah remixes for the millennial generation), an on-point and comprehensive audial/visual aesthetic and a nearly unmatched hustle into a massive, ever-growing fan base. Yeah we’re unabashed Henry stans in these parts, but why shouldn’t we be? Stream/download below and hit the jump for a taste of the “Your Love” remix.

Read More

jam city

As one of the kingpins of the Night Slugs empire, Jam City has been given a lot of leeway in the past to experiment and to postulate on a number of different sounds and concepts. His debut album, Classical Curves, was a dense and often difficult to digest, but after multiple listens, a largely rewarding listening experience. For his most recent Night Slugs release, Club Constructions Vol. 6, Jam City dispensed of much of his conceptual arsenal and instead turned in five straightforward-as-hell drum tracks that just might be the most impressive of the series. It’s some of the best club music of the year and has endless playback qualities, not an easily attained combination. “Bells” is a track that (somehow) didn’t make the cut for Vol. 6. Like the other five tracks, “Bells” is a stripped down drum track, accented by charm-like synthesized bells. It’s also currently up for free download so listen below and head here to snag the track.

spark master tape

And if they hate me when they see my face/you’ll forgive me for the time I spent up on the grind/feel like every day

Spark Master Tape is all pastiche, an internet-era Houston disciple with an ear for schmaltzy samples, a penchant for misogyny and violence, and a willfully obscured personality. For the uninitiated, he’s an easily ignored product of a section of hip hop that should have never been given the due it’s been given. What differentiates SMT and his “Paper Platoon” from the Sprite slurping masses though is its try hard functionality and the fact that the rapping, well, actually deserves respect. SMT effortlessly switches between half and double-time flows over some of the most irregular beats and song structures in hip hop. Whoever is behind SMT’s music, it’s readily apparent that they care, something that can’t be said about the many Yung Leans creeping out of the internet woodwork. “Picture In My Coffin” is the first track off of SMT’s third project and is produced by Paper Platoon.

gorgeous children sour

Most Vangelis/Blade Runner-sampling hip hop songs don’t work. Neither do most hip hop releases on Canadian boutique electronic music labels. But then there’s Gorgeous Children’s upcoming mixtape/EP on Jacque Greene’s ever-picky Vase imprint. With Gorgeous Children’s resident producer Gila Monster taking a good helping of synth whirls from Vangelis’ soundtrack and adding a solid amount of hi hat/snare-based percussion, Face Vega takes us home with a few sharply executed, fuck the-world verses and a surprisingly chant-able chorus. The tape is called ICE and will be upon us soon. If you forgot, the group is Gila Monster and Face Vega. Expect big things.

dj sharda murlo

If you checked out Murlo’s recent contribution to Truants’ “Functions of the Now” mix series (or any of his other recent mixes), you’re privy to the London-based producer’s body moving, eclectic mixing style. Murlo operates in a number of unique spheres in both his production and DJ work, placing soca’s bright, airy melodies across grime’s spacious infrastructure and utilizing American hip hop and R&B to tie the whole affair down. Never one to hide away DJ secrets, he recently let loose a sublime blend of Kevin Gates’ “Arms of a Stranger” and Meleka’s “Go”, superimposing the latter’s aching vocals over the former’s (S1 produced) trance-informed melodies. The blend is a wonderful DJ tool and elicits quite a few feels as an original in and of itself. It’s also free so give it a listen below and jumpstart those creative engines.

figgy

Taking a step back from his usual slow house structure, Figgy’s latest remix of Justin Bieber’s “Hold Tight” falls somewhere between woefully nostalgic and perspective-altering re-imagination. As we’ve noted before, pitching down R&B isn’t exactly a new science at that point, but that doesn’t mean it can’t be done in a functional, effective manner. Figgy’s turning down of Bieber’s vocals works in tandem with twinkling synth work and refreshingly bouncy percussion, never settling down for a simple “screwed” effect. It’s not the most innovative remix on the block, but we’re glad Figgy took the reigns and not another less-gifted producer.

gangsta boo

By most estimations, last months Sinjin Hawke + Gangsta Boo collaboration, “Yea Hoe”, was a resounding success, providing the former with an established, well-respected MC and the latter with some of the best club collaboration the world over. That being said, I don’t think anyone is mad that we’ve received an alternate/remix version of the song in the form of he “Devils Daughter Mix”. Whereas the original was all braggadocious horn work and Greek Tragedy wails, the new mix strips all of that away (for portions of the song), relying on reverberating, over-the-top synth drums and strapping hi hats. If the original was a club track, then this is a club track. It’s hard to choose between the two, but considering that both are free, expect to hear both in abundance over the coming weeks and months. Stream/download below and catch the original mix after the jump.

Read More

nadus

There are a lot of producers (from the Northeast and elsewhere) that are making incredible Jersey club right now, but few manage to transcend the sub-genre, twist it around their finger and subject it to their will quite like Newark’s own Nadus. Whether’s he’s trending more towards the aggressive, breakbeat-led end of the club spectrum or whipping out a more subdued, feels imbuing sound, Nadus is straight quality, turning out a steady stream of new music and rarely faltering. His remix of Drake’s “Furthest Thing” certainly falls into the latter camp with a dream-like atmosphere, subdued kicks and drug-haze inducing synth-work. With all these varied remixes, we just have one question: where’s that Pelican Fly EP yung Nadus? We’re all waiting.

midland graded

Midland’s hazy club contortions have been lighting up Britain for years now and it wasn’t until I caught the London-based producer at Decibel Festival last month that I completely understood why. Not that I didn’t enjoy his music, but as with many producers, it was difficult to put it in context until I heard it in a club setting. That’s not to say that Midland’s tunes can’t make good home music. In fact, his music functions on a plane that many others in his class cannot and can play the role of headphone music quite well. The alien squelches and rounded percussion of “Diving Bell (Drum Dub)” make for excellent club fair, but their slightly dissonant, off-kilter nature also turns out an interesting solitary listen. That being said, go see Midland if you get the chance. And look out for the digital and vinyl release of the Diving Bell EP (November 25 on Graded). You won’t regret it.

dubbel dutch

Dubbel Dutch’s upcoming Cloud Cub EP (out November 12 on Mixpak) has either been completely mistimed (unless you live in the Southern hemisphere), or the man born Marc Glasser is just supremely confident in his music’s uplifting abilities. Belying the trend towards icier, cold, minimalist music come wintertime, Glasser has turned out his most effervescent track to date, the Ce’Cile covering “Inevitable”. Soca, dancehall, Jersey club and UK funky are all invoked on this riddim, but it’s the trampoline drums and nearly over-the-top, tinkling synth melodies that make the track a Dubbel Dutch riddim. It’s fair to say that there are few producers I would trust to turn out something so overtly poppy, but Glasser has turned in an incredible tune that might just light the dark months. Stream below and pre-order the Cloud Club EP here.