In which Astral Plane fave Stavrogin continues to mesh abstractly abrasive sounds with understated synth work. It’s difficult to place “Idle Moments” within a specific context, but it has a way of creeping its way into your ear canal and staying there. It’s not a catchy song in the traditional melodic/harmonic sense, but its fizzling percussion and distorted organ sounding synths work in perfect tandem. As much as we like these Stavrogin one offs, something more substantial would be the perfect way to bring us out of the winter doldrums. Stream below.
Author Archives: Gabe Meier
New Samoyed – “Sloe Eyes”
In the past few years, Scottish producer Samoyed has amassed a wealth of quality dancefloor releases that belie his relatively low-key stature in the dance music world. He was making throwback, shuffling house music years the likes of Bicep and Ejeca made it the thing to do and has released tunes on Glum, Astro:Dynamics and Flask. On February 18, Samoyed’s most high profile release to date, the Sloe Eyes/Guts single, will hit us in 12″ form. A-side “Sloe Eyes” features signature rave synths and a hyper 4×4 rhythm, but retains a moody atmosphere due to the subdued refrain of “into my arms.” The track features all of the tension of late rave jawns, but without any of the drug-induced madness, opting instead for gleaming soul. Stream “Sloe Eyes” below and grab the single on February 18.
Stream Local Natives’ Sophomore LP In Its Entirety
There’s been a lot of talk about the decline in quality “indie” music since the grand output of 2009, but honestly we’re not all that interested in that kind of talk… especially with Local Natives’ Hummingbird LP on our minds. The Los Angeles-based band broke onto the scene in 2009 with the impressively cohesive Gorilla Manner and immediately garnered an impressive fan base via their oddly harmonic compositions. Four years later and the band is releasing their second album and based on a first listen, it sees the group striving for a more expansive sound. The first half of Hummingbird is decidedly upbeat, while the second half features a lot of sad piano weak that heavily features vocalist Taylor Rice’s range. This dichotomy isn’t totally consistent, but check out “Heavy Feet” and “Colombia” below for a prime example of how the album is devised. Hit the jump to stream the entirety of Hummingbird, which is out now on Frenchkiss/Infectious.
New Short Stories (Koreless & Sampha) – “Let It Go”
Today marks the release of Sampha (of SBTRKT fame) & Koreless’ collaborative effort On The Way/Let It Go on Young Turks. Coming together as Short Stories, the duo have made waves via their lush take on modern garage and are primed to transcend their respective solo ventures. You’ve probably already heard “On The Way” at this point, but “Let It Go” only surfaced today with the single’s release. Eschewing garage’s traditional structure, both Sampha (in beat work) and Koreless’ (in the vocal sampling) sounds are quite apparent and complement each other in a brilliant fashion. The way the off-kilter percussion meshes with the repeated refrain of “Let It Go” is as unsettling as Sampha’s vocals on SBTRKT yet oddly comforting in a hypnotic fashion. Stream below and cop On The Way/Let It Go here.
Body High Mix For BBC Radio 1
There isn’t a hotter label functioning at the moment than the Jerome LOL and Samo Sound boy helmed Body High. The Los Angeles-based imprint is about as influential as a label can be and have broken down more than a few barriers via releases from DJ Sliink, Myrryrs and Todd Edwards over the past twelve months. If you ever (unfortunately) get into a debate with some anglophile about the viability of American electronic music, just toss a few Body High releases their way and put on your most derisive smirk. But you probably already knew that. Anyways, Jerome and Samo recently graced Diplo’s weekly BBC show and laced it with an all Body High everything mix. It’s (predictably) full to the brim with dancefloor burners and traverses the width of the Body High sound. Stream and download below.
Stream Two New XXXY Songs Off Of Upcoming Rinse Recordings EP
Not to belabor the point, but Rinse.FM are fucking awesome. If you live outside of the UK, have a smartphone and don’t have the Rinse.FM app, then you’re slipping. There just isn’t a more consistent, boundary-pushing radio station than Rinse. As of late, the London outpost has upped their curatorial output, releasing originals from he likes of T.Williams, Roska and Royal-T. On February 4, the imprint will release XXXY’s Got Me So EP, a somewhat surprising foray into the world of soulful house jams. Of course, XXXY focuses as much on his delicate samples as he does on punishing low end making the arrangement more fitting. Stream “Studio 9 (Just Like That)” and “Got Me So” below and cop the whole EP on the 4th.
New Salva – “Drop That B”
In a recent interview/feature in LA Weekly, Frite Nite boss and BBC Radio One DJ Salva opined that “It was only last year when I realized that I’m a hip-hop DJ and producer who likes dance music, not the other way around.” The difference between the two approaches might seem like semantics to some people, but the results are drastically different. Take the difference between a guy like Bird Peterson and, say, Ryan Hemsworth. They both purportedly make hip hop-informed dance music, or the other way around if you prefer, but the results are dramatically different. Hemsworth is part of the Green Ova click (Main Attrakionz, Shady Blaze) and has been producing for hip hop artists for years. On the other hand, Peterson essentially makes synth-heavy house music with hip hop samples. Two different approaches, two entirely different outcomes. On February 12, Salva will release the Odd Furniture EP on FoF Music and important step for a producer/curator who has opened huge new pathways for himself and his cohorts over the past few months. “Drop That B” is the first taste from the EP and, like Salva’s recent collaboration with Brenmar, borrows heavily from the ghetto/bass club music varieties of the late 80’s/early 90’s. The track is definitely a departure from the house-informed tones of 2011’s Complex Housing LP, but is also far more subtle than the “Mercy” remix that has become synonymous with his name. We’ll let you decide which approach he took on it. Stream below and cop Odd Furniture on February 12.
Astronomar Is The Untrapper
According to Sir Issac Newton’s laws of physics, every action has an equal and opposite reaction. In the world of overblown dance/rap hybrids, this is especially true. With the whole trap bidness jumping the shark a long time ago, an equal and opposite response appears to be simmering below the surface. The response won’t come in the form of stodgy remarks about the trend’s viability, but in a reversal and re-appropriation of its best elements. Seattle-resident Astronomar has taken the first stab at this task via a series of three “Untrapped” edits. Astronomar takes on track’s by Baauer, UZ and Etc! Etc! & Brillz and removes them from their dubstep approximation roots. UZ’s “V6” is transformed into a piece of rollicking techno while Baauer’s “Harlem Shake” falls into the as-of-yet-to-be-defined category of North American club music championed by Body High. The elements of each track will be familiar to revelers at college parties and rave festivals, but Astronomar adds some much needed flair and innovation to each edit. Stream and download below.
Karenn (Blawan & Pariah) Remixes Kowton’s “TFB”
Are you down with “TFB”? Well you should be. The prevailing trend in techno over the past few months has been to go as big, chunky and dark as possible, but few can pull off the analogue sound quite like Kowton…. Well expect for Karenn, the collaboration between Blawan and Pariah. All three of them on the same cut is kind of like Hannukah come early (l’chaim). For now, we’re stuck with short previews of the original and remix, but there’s something to be said for allowing anticipation to bubble up. These cuts are not for the weak of heart so stay away if you don’t think you can stomach them. Stream Kowton’s “TFB” and Karenn’s remix below.
New Dauwd – “And”
Dauwd has inexplicably flown under our radar for quite some time now, but with the Heat Division EP upcoming on Ghostly International (in conjunction with Pictures Music), it’s time to give the man some well-deserved praise. “And” is the first offering from the aforementioned EP and represents the best of moody garage while still managing some heavy nod-ery. Most artists become heavy-handed when they make attempts at moodiness, but Dauwd handles the task with aplomb, weaving acid warped acid tones into some fairly standard garage percussion. Stream below and cop Heat Division on March 12.









