As the last trickles of Grown Folk music comes out and the project is laid to rest, our attention now turns to Drew Kim (now producing as Druture) and Brendan Neal’s (now producing as Motions) respective solo projects. Yesterday, Druture released the long-awaited labor-of-love project Out Of Towner Vol. 1, his ode to Chicago rap. The tape features some of the most innovative artists to come out of the Windy City over production from Druture himself as well as Ryan Hemsworth and up-and-coming British producer Little Cloud. It’s a quick listen and spans a wide-range of vibes, but Druture’s vision is clear and, while far from cohesive, Out of Towner is a tantalizing look into contemporary Chicago rap and Internet production tropes (melding drill and grime/jungle). Head over to LiveMixtapes to download Vol. 1 and/or hit the jump for a few choice selections.
Remixes
Spooky Remixes Wiley’s “Born in the Cold”
Next week, Big Dada will release Wiley’s “Born in the Cold” single, a track that certainly falls more on the pop/hip hop side of the Wiley spectrum. There’s nothing inherently bad about the original (it’s actually a quite functional track), but there’s something about the interloping piano melody and Andreena Mill’s vocals that comes off as a little bit heartless. Maybe to add a little heart (probably not), our favorite remix-tician Spooky threw an “Even Colder” rub on Wiley’s original, adding a few key eski signifiers and adding more space to the vocal performance. As he’s shown in the past, Spooky knows just how much pepper to throw on his edits/remixes, toeing the line between reinvention and reinterpretation and almost always falling on the correct side of the divide. The East London-based producer has no idea if the edit will ever see a release, but considering how most of his work sees the day of light sooner or later I wouldn’t hold my breath.
Nguzunguzu Remix Darkstar’s “Timeaway”
if there was one proper criticism of Los Angeles-based duo Nguzunguzu entering their latest Skycell EP, it was their relative lack of restraint when compared to some of their compatriots (Jam City, Slackk, Visionist) in the grime/club music world. There was (and occasionally still is) a certain balls-to-the wall quality in the music of Asma Maroof and Daniel Pineda that surely ingratiated the duo to their fans, but after a long period of releases, their tracks tended to sometimes lull this particular listener into a daze. Of course, that perception was crushed alongside expectations with Skycell (out now on Fade To Mind), a masterful collection of tracks that are far more sparse and mechanical than anything they’ve released in the past. Not ones to let momentum slip away, Asma and Daniel recently contributed a remix to Darkstar’s HD7 EP (out now on Warp) and the results are breathtaking. The juxtaposition of an almost trance-like chord progression with percussion more typical of Nguzu’s recent output (and the output of much of the F2M/Night Slugs fam) is something I wouldn’t mind seeing more of in the future. Stream/download the remix below and cop the EP here.
Shlohmo Remixes Haerts’ “Wings”
If you were lucky enough to catch Shlohmo on his recent, (relatively) unpublicized West Coast mini-tour, then you were treated to an hour of mostly unreleased remix work that looks to be some of the Wedidit representative’s best and most elegiac work to date. Remixes of Electric Guest’s “Bate”, Laura Mvula’s “She” and Samo Sound Boy’s “Your Love” have already made there way onto the web and this weekend brought about a similarly entrancing re-contextualization of Haerts’ bubbling cut “Wings”. If you’re still criticizing Shlohmo for using a similar sound palette on the majority of his remixes then you either “don’t get it” or can’t “feel it”. The man born Henry Laufer has managed to turn relative nostalgia (TLC and Aaliyah remixes for the millennial generation), an on-point and comprehensive audial/visual aesthetic and a nearly unmatched hustle into a massive, ever-growing fan base. Yeah we’re unabashed Henry stans in these parts, but why shouldn’t we be? Stream/download below and hit the jump for a taste of the “Your Love” remix.
Murlo Blends Kevin Gates & Meleka On Latest Bootleg
If you checked out Murlo’s recent contribution to Truants’ “Functions of the Now” mix series (or any of his other recent mixes), you’re privy to the London-based producer’s body moving, eclectic mixing style. Murlo operates in a number of unique spheres in both his production and DJ work, placing soca’s bright, airy melodies across grime’s spacious infrastructure and utilizing American hip hop and R&B to tie the whole affair down. Never one to hide away DJ secrets, he recently let loose a sublime blend of Kevin Gates’ “Arms of a Stranger” and Meleka’s “Go”, superimposing the latter’s aching vocals over the former’s (S1 produced) trance-informed melodies. The blend is a wonderful DJ tool and elicits quite a few feels as an original in and of itself. It’s also free so give it a listen below and jumpstart those creative engines.
Figgy Remixes Justin Bieber’s “Hold Tight”
Taking a step back from his usual slow house structure, Figgy’s latest remix of Justin Bieber’s “Hold Tight” falls somewhere between woefully nostalgic and perspective-altering re-imagination. As we’ve noted before, pitching down R&B isn’t exactly a new science at that point, but that doesn’t mean it can’t be done in a functional, effective manner. Figgy’s turning down of Bieber’s vocals works in tandem with twinkling synth work and refreshingly bouncy percussion, never settling down for a simple “screwed” effect. It’s not the most innovative remix on the block, but we’re glad Figgy took the reigns and not another less-gifted producer.
New Sinjin Hawke & Gangsta Boo – “Yea Hoe (Devil’s Daughter Mix)”
By most estimations, last months Sinjin Hawke + Gangsta Boo collaboration, “Yea Hoe”, was a resounding success, providing the former with an established, well-respected MC and the latter with some of the best club collaboration the world over. That being said, I don’t think anyone is mad that we’ve received an alternate/remix version of the song in the form of he “Devils Daughter Mix”. Whereas the original was all braggadocious horn work and Greek Tragedy wails, the new mix strips all of that away (for portions of the song), relying on reverberating, over-the-top synth drums and strapping hi hats. If the original was a club track, then this is a club track. It’s hard to choose between the two, but considering that both are free, expect to hear both in abundance over the coming weeks and months. Stream/download below and catch the original mix after the jump.
Nadus Remixes Drake’s “Furthest Thing”
There are a lot of producers (from the Northeast and elsewhere) that are making incredible Jersey club right now, but few manage to transcend the sub-genre, twist it around their finger and subject it to their will quite like Newark’s own Nadus. Whether’s he’s trending more towards the aggressive, breakbeat-led end of the club spectrum or whipping out a more subdued, feels imbuing sound, Nadus is straight quality, turning out a steady stream of new music and rarely faltering. His remix of Drake’s “Furthest Thing” certainly falls into the latter camp with a dream-like atmosphere, subdued kicks and drug-haze inducing synth-work. With all these varied remixes, we just have one question: where’s that Pelican Fly EP yung Nadus? We’re all waiting.
DJ Kiff Remixes Planet Rock’s “Sarah Palin”
There’s something to be said for senselessly repeated phrases in American club music and while I can’t exactly back it up with a cultural studies lexicon of terms and theories, I can say that it has become one of the defining features of the Baltimore, New Orleans Jersey and Chicago sounds. On it’s own, a repeated Big Sean line is annoying to the point of inflicting self-harm, but in the context of DJ Kiff’s remix of Planet Rock’s “Sarah Palin” it takes on new, hypnotizing function. Vocal repetition might not offer any deeper meaning into life, but it often makes for damn effective dance music. Stream Kiff’s remix below and cop a free download here.
Jim-E Stack Remixes Hyetal’s “Jam The Network”
Ever since he jumped onto the scene with a few well-timed remixes, San Francisco-born producer/DJ Jim-E Stack has been on an impeccable streak of releases. At some point between his transition from San Francisco to New Orleans, and most recently New York, Stack has developed one of the most refined sounds in the American club music game. First came the Come Between EP on Good Years, then Body High released his Bubble Boy single, all while Stack continued to spit out quality remixes. For his latest feat, Stack has taken on buzzing Bristolian Hyetal’s (of Velour and Modern Worship fame) “Jam The Network”, reducing the throbbing, riffy original into a calm, collected piece of slow house mastery. It’s almost too easy to fall into the slightly moody air of the remix, it’s pulsating rhythm growing ever more persistent without seeming to force the issue. Stack’s sense of pacing is just so on point at times that you forget that the listener forgets that they’re listening to dance music.










