Scion A/V continues their run of putting out incredible releases (check out Nick Hook’s debut here) by getting behind the new EP from Daedelus. Set to drop tomorrow as a free download, Daedelus let loose the title track before the release. “Looking Ocean” features the handy work of Brainfeeder pianist, Austin Peralta, over Daedelus’ jarring percussion and synths. Peralta’s live instrumentation on the piano blissfully rises above the heavy synthesizers  and are wonderfully juxtaposed against Daedelus’ production. Stream “Looking Ocean” here and another track off the EP, “Platforming”, below.

Whether he’s ascending above his brethren in the much maligned chillwave category or remixing Tyler, The Creator, Chaz Bundick aka Toro Y Moi has stood alone sonically. With a sound indebted in 80’s pop that sounds nothing like 80’s pop, Bundick has never been one to pigeonhole himself, bouncing from sound to sound. It’s all funky as hell though and his new single “So Many Details” might just be his most polished attempt yet. Off of the upcoming Anything In Return EP (January 22) and a 7″ single due on November 23, “So Many Details” abandons much of the fuzz/washed out vibe that sometimes dominated Bundick’s earlier releases. Oh and I really fuck with the cover art. Love that Keith Haring-esque frame. Stream below.

Remember the days when hip hop party tunes were about having a good time, sippin’ on a cold one and maybe snagging yourself a fine Applebaum? When names like Big Daddy Kane, Redman and The Pharcyde rung true? When Dr. Luke was your endocrinologist and David Guetta was another anonymous floppy haired muppet? The times have changed young grasshopper. If you asked the average teenager what party hip hop is, the answers would probably boil down to a collection of MMG, Young Money and G.O.O.D. Music artists with a Chief Keef or two thrown in here or there. It’s easy to be a golden era yearning curmudgeon after spending a night at a (read: any) club and listening to “Niggas In Paris” and “Ass” on repeat.

We recently enlisted Portland’s own Rap Class aka John Kammerle of Dropping Gems to lay down some tracks for our Guest Mix series and while it is firmly nested in old school hip hop and R&B, it remains decidedly fresh. We tend to focus on “future music” here at The Astral Plane, but even we need to indulge in some nostalgic listening every so often. It is called the “golden era” for a reason. Anyways, my words don’t really do the mix justice so I’ll let John take it away:

This mix, is like, all about my go-to songs. When I DJ out, these are the songs that loosen up the crowd. Some of the songs are from records that I think are rare (maybe?), then some chillers + some original remixes and songs from me. I’m proud of this mix because it represents where my initial love of rap music started, and has taken me. From the beginning, this is where I find myself today.

For more Rap Class music, download Greatest Hits (or buy the cassette) here. As always the mix is up for stream and download. Be sure to give the man behind the art and team member Sam Andrus some love.

As much as I loved the split Mak/Pasteman The Throwback EP, the duo works best when they’re in a collaborative mood as we saw last week in their remix of Cassie’s “Me & U”. Like their take on “Me & U”, Mak & Pasteman (I like the ring of that) take a poppy approach to bass music remixing Debian Blak’s “Hawks & Spies”. Like most Mak & Pasteman releases, this sounds amazing on a big system so don’t skimp on the headphones/speakers. Stream below and pre-order the Hawks & Spies Remix EP here.

It’s a little bit bittersweet posting LOL Boys remixes as the group is no more, but Jerome and Markus both have impressive solo projects well underway and the future is looking up. Looking back for a moment: Todd Edwards! The Garage legend has been a pioneering force in North American House and Garage for the better part of two decades and is really the definition of a living legend. The Friends of Friends camp pulled Edwards in to remix “Changes” (peep the CFCF remix) and the result is brilliant. Disco-tinged House music that is as pleasurable in headphones as it is (I assume) in the club. When I listen to artists like Julio Bashmore, Disclosure and Eats Everything, I can’t help but notice Edwards’ influence and to see him remix one of my favorite cuts of the year is a real treat. Stream below and look out for the full Changes Remixes EP on Tuesday (October 16) via Friends of Friends.

 

It has been incredible to watch Amon Tobin, an accomplished, but fringe member of the electronic music community, gain the critical and popular acclaim that he has over the past two years. Tobin’s ISAM production has taken the world by storm and put other A/V shows to shame. It has also opened a door to hundreds of producers making hip hop music within an ambient framework. Similar to Clams Casino (not in style, but in career trajectory), Tobin has really fathered his own sound that has seen rapid proliferation across the U.S. and abroad. Eyelight, the production duo of The Philosofist and Politishen, are one of many outfits clearly influenced by Tobin and taking his sound in exciting new directions. While much of ambient-esque hip hop can be derided as meandering and pointless, Eyelight have a definite intention to their tunes. Stream and download “20604”, an ode to the 206 (Seattle) and 604 (Vancouver), below.

 

Full disclosure: attending Boiler Room is something of a dream of mine (hayyy organizers) that has yet to be fully realized. I’m currently abroad and I heard about the Decibel Festival x Boiler Room events in my hometown of Seattle I nearly broke down in tears. Similarly, I have been unable to attend any events in Los Angeles where I spend most of the year. That’s why it kills me to see an apathetic crowd like the one at the Daphni/Four Tet curated Boiler Room earlier this week. Sure it’s awkward to be on camera, but at least act like you want to be there. IT’S FUCKING CARIBOU UP THERE. Ok, deep breath. Rant over. Performing as Daphni (read our Jiaolong review here), Dan Snaith ran through disco, acid and deep house numbers that clearly influenced the album. There aren’t many DJs out there who can meld the sounds of the 80’s, 90’s and 2000’s so effortlessly, but Snaith excels in a uniquely timeless manner. Stream the mix above.

Alright so Mr MFN eXquire and Gucci Mane are nice and all but that dude El-P? Continuing to improve and expand upon his revised Bomb Squad sound, El Proucto has revitalized his career as of late and risen like a phoenix out of the Def Jux carcass. Actually, fuck that imagery. “Telephuck” is mean and raunchy, two traits eXquire and Gucci excel at, but they really don’t have to do much over this tempestuous production. The track will appear on eXquire’s Power & Passion EP, out November 6.

London duo Maribou State have spoken repeatedly in the past about a necessity for vocal cuts in their music. While they work primarily within the general bass music sphere, Maribou State’s past few EPs are far more suited for headphone listening than any sort of club play. Their latest track, “Summerfolds”, continues that trend with a pitch-perfect vocal assist from Nubiya Brandon and a mellow vibe despite a persistent kick. The track will appear on Maribou State’s upcoming Scarlett Groove EP, which you can cop on November 12 via Southern Fried Records. Not sure if this is just a snippet or what, but stream two minutes of “Summerfolds” below.

Taking a step back from his usual output of blunted hip hop pâte, Keyboard Kid released ComputersxDrugs earlier, a mixtape that is about as close to the label “laptop music” as anything out there. Nary an organic sound on this tape. A lot of ComputersxDrugs is pretty uncomfortable in the sense that I can’t really imagine an appropriate time to indulge it. It’s part techno and part noise, but there are moments of inspiration, particularly on “R@!53d0n8B1t”. Stream below.