Remember the tuba mpet stabs on Hudson Mohawke’s massive “Thunder Bay”? Well another Scott might have just one upped HudMo in the brass department. Today, Abderdeen-based producer Lockah’s When U Stop Feeling Like a Weirdo & Become a Threat EP dropped on Mad Decent’s Jeffree’s. Taking cues from everyone from HudMo to Lone to Samiyam, Lockah is one of the brightest up and comers in the bass/hip hop game. Far less club oriented than the past few Jeffree’s releases (Branko, Baauer, etc.), Lockah opts for intricately composed and overtly triumphant anthems. The southern hip hop influence is palpable, but not in the sense of massive 808’s and/or the “shove as much bass as possible wherever we can” mentality. The four track EP is far more of the head nodder quality than booty grinder.

We’ve been anticipating this release for quite some time now and it doesn’t disappoint one bit. Each of the three originals are distinctly unique and represent different facets of Lockah’s beat making abilities. “The Sour Drink From The Ocean”, is a pensive and measured take on late 90’s Southern hip hop. The track manages to take cues from the trance of yore without falling into any sort of cliche. “Now U Wanna” sees Lockah giving HudMo a run for his money. Big room hip hop at its finest, transitioning between maximal and minimal elements with ease. And that fucking trombone. No one has made a trombone sound this cool since Henry Mancini. “Goons N Roses” feels like an announcement that someone important is arriving.. in the future. Again, I can’t get over the brass, this time triumphant sounding trumpets. Lockah has arrived in high style and should be joining the big boys in no time. Like all Jeffree’s releases, When U Stop Feeling Like a Weirdo & Become a Threat is available for free download.

I’m surprised we haven’t featured Jaw Jam aka Will DiMaggio yet on this site. DiMaggio, currently a student at Oberlin College, has spent much of 2012 filling his Soundcloud with smooth hip hop and R&B remixes high in the sex appeal department. The good folks over at Live For The Funk have signed him up for the first installment of their Our Sounds series, due at the end of the month. To celebrate, DiMaggio let loose a new R. Kelly sampling slow jam “Chop N Screw It Like”. Robert Kelly’s “Number One”, no slouch of a baby making anthem itself, is chopped into a  funky bass production. Stream the track below and look out for Jaw Jam’s Untitled EP on LFTF later this month.

One of these days I’m gonna post about something substantive, something beautiful. But 2 me, making a club banger is becoming more and more important these days and is an art form in itself. I’m a little late to the party, but this track has been making some serious waves on the cloud of sound, and for good reason.  Lunice’s rework of Flosstradamus and Danny Brown has all that I need on the dancefloor: a deeeep 808, snares/claps/whoops that stutter along perfectly with a nasty hook of a vocal sample, and some dark, wavy vibes. This is the kind of track that a casual listener might write off as cheap and dirty, but I see it as careful and focused. It’s focused on a subject material and sound that would immediately scare off most listeners over 25, but as far as something that fits into the hip-hop/club tradition, I love this track. It’s out now as a remix track on Flosstradamus’ Jubilation 2.0 EP, released through Fools Gold Records.

Cot damn! Blown away by this one. The new Melé joint sounds like a deranged Lex Luger beat circa Summer 2010. The requisite 808 kicks and “go” shouts are bigger than ever on “Gold Casio” reminiscent of the new TNGHT EP (catch a preview here). The 19 year old Liverpool native has been all over the map with his recent productions, foraying into house and techno at times with varying degrees of success. “Gold Casio”, off of a yet unnamed beat tape “that will be out soon”, sees the young producer take on big room hip hop beats with aplomb You know, just another creative excursion for the young producer. Expect big things from this guy.

Stavrogin was one of the first artists we featured and interviewed way back in March. Since then, the Lewes, UK native has continued to progress as a producer and raise his status in the bass music community. His newest tune comes in the form of a remix London “post trip-hop trio” Charleston’s “Provocateur”. The Portishead influence is palpable in the original and Stavrogin more or less maintains the Florence-esque female vocals. With the beat simplified to a smooth rumble, the guitar takes on a hypnotic quality over the dense atmospherics developing via strong, simple percussion.

If you follow major media outlets, electronic dance music is all the rage nowadays. It has all the makings of a major news story: money, fame, drugs and overblown egos. Up here in the Pacific Northwest though, we have our own spirit of electronic music spearheaded by the Dropping Gems collective/label/production company. Made up of 10 artists/groups spread from Portland to Seattle, DG is one of the foremost purveyors in forward thinking electronic music, not just in the Northwest, or on the West Coast, but across the globe. For those of you unacquainted to the DG sound, you can check out (and download) the impeccable Gem Drops and Gem Drops 2 compilations.

We were lucky enough to have a conversation with label head Aaron Meola and Seattle-based DJAO about a wide range of topics. We spoke on DG’s DIY ethos, electronic music as an innovating force, psychedelia and more. We learned that DG is a tight knit community of artists with an admirable, envelope pushing mindset regarding performance, community in music and friendship. Catch the whole interview after the jump. It’s well worth your time to dig into the minds of two of the most interesting figures in music.

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Unorthodox releases are a rarity in the digital age. This is not a knock on sites like Soundcloud and Bandcamp, we adore both, but it’s undeniable that creativity is oftentimes lacking in contemporary releases. Famous Eno and Mixpak Records are hear to end that trend. An ode to London’s long history of legendary FM radio, All Good FM is an amalgamation of London’s many sounds from grime to dancehall to funky. From the press release:

London has many a legendary FM radio station, from Kool to Kiss, Rude to BBC. This summer, Famous Eno adds yet another to the mix: All Good FM. With this release, the London DJ/producer (formerly half of rhythm gangsters Warrior One) explores all the best qualities of pirate radio: surprise, variety and the unadulterated sound of the underground.

On top of that, MC Stitch plays radio DJ, lacing Famous Eno’s beat with rhymes, shout outs and general debauchery. On top of that, the EP features remixes from Famous Eno himself, Arvene and Misk and Dj Sliink. Yeah, that DJ Sliink. Stream previews from the EP below and get it yourself over at Juno.

Photo by Patti Miller

Most of the music we feature on this site falls outside of traditional genre limitations. This is partially a conscious choice on our part and partially just an observation on the overall music landscape. Open-minded, envelope pushing artists generally buck tradition whether that means mixing genres, sounds, or whatever else tickles their fancy. The best releases though aren’t necessarily the most mind-numbingly challenging, but the ones that evoke a simple, yet profound, response. San Francisco’s devonwho did exactly that with his newest release, Perfect Strangers Vol. 1. Tagged as “future funk”, the tape relies heavily on 8 bit samples, but unlike fellow video game sample enthusiasts Groundislava and Jonwayne, the beats on Perfect Strangers contain an airy, welcoming quality that bely their synthetic nature. devonwho also does manage to invoke an undeniable amount of funk into the tape. Even at its crunchiest moment on “taurus/shorty”, the 8 bit noises impart the phonk over some expertly programmed skittering drums. Stream Perfect Strangers Vol. 1 below or cop it for $6 (well worth it).

I feel like a little kid on Christmas morning and this isn’t even the full release. First impression; holy fuck the world is not ready. For the uninformed, TNGHT is the pairing of Glaswegian Hudson Mohawke and Montréalais Lunice, both distinguished members of the LuckyMe Collective. These two have been making some of the foremost experimental hip hop/bass music/whatever you want to call it for years and this collaboration will probably end up tearing some sort of hole in the time space continuum, or at least my sanity. The EP is set for a July 23/24 release on Warp Records. A vinyl tracklist is attached to the video, which surprisingly doesn’t include the uncompromising “R U Ready”. Nonetheless, it’s not like either artist to sit on genius material, so I would expect the track to be on the digital version, or a second (!) TNGHT release. Get all the goodness below.

Vinyl Tracklist:
A1. Top Floor
A2. Goooo
A3. Higher Ground
B1. Bugg’n
B2. Easy Easy

Got out of the woods for my summer job and came back to a multitude of exciting releases including new Oddisee, Evil Needle, some posthumous Dilla, Hypnotic Brass Ensemble, Blockhead, Sonnymoon, and this fresh new BadBadNotGood cover of Yeezy‘s “Mercy”. Like always, BBNG provide a fresh new interpretation of the track with knocking drums and transformational solos to boot. BBNG took a new approach for this performance and have many of the verses laid over their instrumentation. Watch the video below and let it tide you over until we the next release from the Toronto threesome.