Tag Archives: Innovative Leisure


Nosaj Thing is arguably the second most well-known producer (Flying Lotus first of course) to work within the general confines of Los Angeles’ “beat scene”. As a result, the man born Jason Chung has spent the past few years touring the world and selling out large-scale shows across Americaland. It also means that his music is covered by large magazines and other media outlets, a largely positive trend that will hopefully lead to the wide-spread proliferation of his complex, moody sound. “Snap” is our second taste of Chung’s sophomore album Home, due on January 22 via Innovative Leisure (!). Unlike “Eclipse/Blue”, which is driven by dreamy vocals from Kazu Makino, a quick tempo and a blunt kickdrum, “Snap” is more akin to Chung’s past work in hip hop production. The percussion is sharp and understated, providing a rubric for ghostly synths to weave their exploratory magic. After witnessing the incandescent visuals that accompanied “Eclipse/Blue”, one can only imagine the optical magnificence in store for “Snap”. Stream and download below.

Back in 2008, a video popped up on youtube featuring a then unknown Lunice popping, locking and dropping (it) to a then relatively unknown Lazer Sword‘s “Gucci Sweatshirt”. The video became moderately popular at the time, making its way around various social circles and then fading into black like every other video from 2008 (except for this one). The song offered a sort of glitchy pre-amble to Lazer Sword’s later work, but is almost indistinguishable from Memory, the duo’s latest album. “Gucci Sweatshirt” was officially released in October of 2009 as the first release on Stones Throw employee Nate Nelson’s new imprint Innovative Leisure. Influenced by his time at Stones Throw and hardcore labels like SST and Dischord, Nelson set off to institute Innovative Leisure as a driving force in North American electronic music.

“Gucci Sweatshirt”‘s idiosyncratic mash of hip hop and off-kilter electro was a fitting start, launching Lazer Sword as a force to reckoned with. By the end of 2010, Innovative Leisure was firmly entrenched and had hosted releases from Mexicans With Guns, Hanni El Khatib, Nguzunguzu, Machinedrum and, strangely enough, Freddie Gibbs. In November of the same year, Lazer Sword released their debut self-titled LP through Innovative Leisure, pushing Low Limit and  Lando Kal into international stardom. The release also solidified Innovative Leisure as a bastion of the most dynamic forms of North American electronic music.

2011 was a relatively quiet year for Nelson’s label, but saw it expanding into new territories and laying out an impressively variegated roster. That was the year Innovative Leisure trotted out bluesy as fuck whiteboy Nick Waterhouse‘s “I Can Only Give You Everything”, arguably the label’s biggest release to date. The Huntington Beach-native brought a brand new dimension to Innovative Leisure, one grounded in Motown and Van Morrison, far from the club-oriented music the label had peddled to that point. Not that club-oriented music is bad of course, but Waterhouse’s signing distanced Innovative Leisure from the hundreds of internet labels out there and gave it a distinct home in Southern California.

Without getting it too much, the first 11 months of 2012 have been absolutely massive for Innovative Leisure, seeing the label break the ultra-hyped Rhye and release Nosaj Thing’s first originals since 2009’s Drift. In just three years, Nelson’s label has gone from relatively unknown club outlet to one of the West Coast’s most divergent, groundbreaking labels. As a sort of celebration (culmination?), the label enlisted Low Limit to compile tracks from Innovative Leisure artists and associates. The result is Ouroboros, a 10-track opus that is as good of an indicator of North American electronic music as any release you’ll hear all year.

If names like Clicks & Whistles, Braille, Anenon and Obey City get you wet (not to mention the aforementioned Low Limit and Machinedrum) then this compilation is for you. If you have no idea who any of the involved artists are or what they sound like, but want delve deeper into North American electronic music, this compilation is for you. If you’re at a party and don’t know what to play, but want people to think that you’re hip to the newest trends (because, you know, that’s all that matters), this compilation is for you. So yeah, give it a spin below and grab that hard wax from the Innovative Leisure website.

Machinedrum’s latest effort, “Whatnot”, sees the Berlin-resident retreating to the territory he occupied with the Room(s) LP, a restrained, emotive sound that I believe is his most engulfing. It’s not as loud or dance-able as the club sounds found on SXLND or his Halloween anthem, “Diablo”, but “Whatnot” is a richly textured groover that has enough bass weight to carry a dancefloor. The track is a part of Low Limit’s (of Lazer Sword) Ouroboros compilation, which will also feature Obey City, Ghosts on Tape and Clicks & Whistles. The tape will be released on November 27 via Low Limit’s Innovative Leisure imprint. Stream and download below.