We’ve written extensively over the past few years on the growth of Jersey Club from beloved regional dance genre to global phenomenon and have been lucky enough to feature a few of our favorite producers from Jersey. Kayy Drizz and DJ J Heat have turned in two of our absolute favorite Astral Plane mixes to date and today, we’re lucky to have $JAYY in the mix. For the unfamiliar, $JAYY has gained notoriety through consistency and work rate, pushing out edits and originals through his Soundcloud with startling efficiency. To boot, he’s experimented with everything from slouched, stoned out hip hop to frantic footwork for labels like TAR and Like That and, most recently, self-released an album of edits and original work called Acid Club. Those familiar with artists like UNIIQU3, TRICK$, SWISHA and Ase Manual, all of whom $JAYY has collaborated with, will find comfort in his full force drum arrangements and uncanny touch with samples, which, as far as we’re concerned, has set the pace for Club music at large.
His mix contribution, recorded in the midst of a busy finals week, encapsulates everything we love about Jersey Club, running the gamut from hyped up, stripped back floor burners to more restrained, melodic ideas. Familiar dance moves and call-and-response can be found throughout, as can the requisite edits of a huge chunk of the past year’s rap hits. Several collaborations with Gutta and DJ Tray punctuate the mix nicely, as does an unreleased Mike Gip track and material from DJ Sliink, Ase Manual and DJ Jayhood. At 34 tracks in just 40 minutes, it’s a kinetic mix, but it’s hard to imagine Jersey Club mixed any other way and the frenetic pacing is met by quality at every turn. Grab a download of the mix here and check out more $JAYY here.
“he’s this lil 16 yr ol lad called kai who comes from the same tiny shitty town as me & hangs out w my little brother. i don’t ever rlly do this w ppl’s music but i honestly believe in this dude.”
The above is a Facebook message we received in March 2016 from an artist we’ve worked with in the past. The Kai in question is Kai Whiston, a young British producer who has since debuted with the Houndstooth EP on Los Angeles’ TAR label and captivated critics and fans with a clattering, grime-adjacent production aesthetic. By the end of 2016, Whiston was marked as an up-and-comer in the world of Internet dance music, partially due to his age (he’s now 17), but mostly due to the genuinely striking nature of his debut and the radio appearances that followed, most recently his own Atrophy FM show on Radar Radio. Utilizing everything from familiar grime vocals to the sort of noisy sound design favored by labels like PAN, The Death of Rave and Editions Mego, Whiston essentially jumped out of the gate with a fully formed vision and the mix and radio appearances have only solidified those credentials, painting a map of influences and contemporaries that range from Sega Bodega and Food Man to John Cage, Nathan Fake and Death Grips. Whiston brings an eclecticism that not only comes across as genuine, but is also distinctly strange, a cataclysmic mixture that defies expectation from moment to moment.
Its that quality that consistently draws responses like the one above and with a forthcoming release on a larger label on the way there’s a good chance Whiston’s music will incite similar responses in a much wider audience. In the meantime, there are two TAR releases to delve into and the aforementioned radio appearances, all must listens in our book. We grabbed Whiston for Astral Plane mix 143 and he delivered us a delirious, genre-averse blend of avant-garde classical experiments, mosh-y punk and gorgeous contemporary beat work. It’s mostly devoid of Whiston’s own work, but his eclectic production approach abounds and it’s not difficult to see the threads he might be grabbing at on future releases.
Originally tipped off by Brainfeeder don Iglooghost, we’ve been looking forward to Kai Whiston‘s debut for the past few months and local Los Angeles outlet TAR will be letting it all out on June 17. Teenager producer narratives are overwrought, but the fact that Whiston is only 16 is unavoidable, especially considering how fully formed the Houndstooth EP is. Iglooghost’s manic take on beat scene, rap and grime tropes is certainly a reference point on Houndstooth, but tracks like “Spick & Span” (debuted by Mary Anne Hobbes a few months back) and “Melville” have a sound all their own, submerging oddly familiar vocals under dense miasmas of reckless noise, framed by outsized building block percussion. We’ve got “Melville” on premiere today, the EP closer and the most delicate track on Houndsooth, matching reverb-heavy piano with swirls of what sounds like planes taking offs, dense feedback loops and a distant ragga vocal. Whiston’s songs aren’t easily appraisable on first or second listen, but after running through Houndstooth five or six times the vocals feel familiar even through the dense matrix of reverb and samples layered over the top.
For our latest session on Radar Radio, we grabbed Kai Whiston and Hunni’d JAWS for the guest mix slots, the former a prodigious artist with a mystifying forthcoming release on TAR and the latter one half of Berlin Community Radio’s indomitable Call Dibs show. Despite coming from very different places, both mixes fit together really nicely, drawing from a range of industrial-tinged club music and drawing lines between everything from MC Bin Laden and M.E.S.H. to FIS and GAIKA. In the first hour, the Astral Plane DJ Team laid out some of our favorite recent and forthcoming tracks from the likes of Terribilis, x/o, Air Max ’97 and DJ Tiga, as well as some tracks from Nunu’s forthcoming Astral Plane release. Look out for news on that very soon. If you’re in Los Angeles, you can catch the Astral Plane DJ Team at CyberSonicLA this Saturday (5/28) alongside Kush Jones, Jeremiah Meece b2b Schwarz, Swisha and residents Sha Sha Kimbo and Swelta. Not one to miss. We’ll back on Radar on June 27. Thanks for listening.
Having already debuted on PBDY’s TAR outpost with the 45°34°50° EP in 2014, Brussels’ Le Motel is back on the Los Angeles label with Ripples, a three track effort that shows off the producer’s beatific, textural approach to footwork rhythms. Having released dozens of one offs, remixes and collaborations over the past few years, touching on a number of styles throughout the footwork canon, Ripples functions as a calm distillation of his aesthetic, touching on classic Chicago tropes while working in the field recordings and swarming noise that make his work so unique. “Blood” is the most unique track on the record, a moody record perfect for winter and with just enough ambiguous menace to unsettle the mind and body. Check out more of Le Motel’s work here and be sure to grab Ripples this Friday (January 8).