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MIKE G COVER ART

Steeped in millennial culture and bred on East Coast club sounds, Austin-based DJ/producer Mike G draws lines between the Internet, insular regional scenes and the ears of young listeners. It would be impossible to place Mike, born in Los Angeles, in any particular genre or sub-genre, his music instead evoking everything you’d want from the “bass” music genre without any of its pedantic proclivities. You know him via releases on Car Crash Set, Freshmore and B.YRSLF Division, but Mike’s remixes, bootlegs and one-offs might just have garnered him even more attention. Maybe you heard his “Code Switch”/Divoli S’vere edit on the Night Slugs/Boiler Room event or saw his Thomas White remix burning up the web. It might have been his collaboration with Falcons that caught your eye, released through the wide-gazing Mad Decent. Gathering up breakbeats, horn stabs and volatile “ha” samples, from across the avant-garde of yore, Mike has developed a sound in both his DJing and production that is always accessible, but never pandering. It’s as implacable as it is fun, fully existing in the prosperous nether-region of the Internet, without crossing over into self-indulgent fapping. Mike’s Astral Plane Mix elicits all of the above, a genre smashing affair, pedal-to-the-metal affair that actively refuses to be boxed in. In a simple sense, the mix and Mike G’s musical output in general offers up a quintessential progressive spirit, constantly striving for  change and apotheosis. Stream/download below and hit the jump to peep the track list.

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GLACIAL SOUND ART

If you’ve been following the deluge of “new wave” grime round-ups in recent months, the name Glacial Sound will be quite familiar at this point. Often lumped in with fellow upstart outposts like Goon Club Allstars, Coyote Records and Liminal Sounds, the Dublin-based imprint only has two releases to its name to date, but label-head Paul Purcell has flipped a keen eye for talent and an adoration for vinyl into a groundswell of UK and international support. Launched last June via Rabit’s now scene-defining Double Dragon EP, Glacial Sound is nominally a grime label, but if you’ve spent any time with the aforementioned Rabit release or Murlo’s highly touted Last Dance EP, you’ll know that Purcell’s vision far surpasses anything that could traditionally be dubbed grime. Double Dragon is a spacious effort that derives much of its sound palette from Wiley’s Devil Mixes, but exists in a protean universe of wildly twisting melodic content that defies its influences. Hailing from Houston, Rabit exists far from grime’s epicenter, but has managed to funnel some of its most left-field elements into a final product that eschews the more stultified components of the original product.

Whereas Rabit has developed and maintained a sound that is mutually exclusive in its own right, Murlo has synthesized the bright sound palettes and skittering rhythms of Caribbean music like soca and dancehall into an ornate, fully original byproduct. More than just about any other producer, Murlo’s music, especially Last Dance, mirrors the multi-cultural, multi-denominational  nature of contemporary London.

Both Double Dragon and Last Dance have created a sustainable platform for Glacial Sound and the future seems bright with an upcoming Rabit & Logos white label in store. In a remarkably short time, Purcell has attained what most labels struggle over for years: an idiosyncratic identity. For Astral Plane Mix 018, we asked Paul to showcase Glacial Sound and to give our readers a taste of what he’s listening to at the moment. The result is a whirlwind journey through the kaleidoscopic sounds of London and grime’s various mutations. We also asked Paul what he likes to listen to when he’s on the go as there is a certain sense of movement (or lack thereof) that is inherent in the Glacial Sound aesthetic. Check out Paul’s addition to our guest mix series below and hit the jump for his on-the-go selections and track list.

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LOGOS MIX ART

Dusk & Blackdown’s Keysound Recordings label functioned as a home for experimentation and left-field recordings for the past several years, churning out more than their fair share of seminal records. With the recent spate of grime “revivalists” (sorry) in mind, the label has released the likes of Visionist, Rabit, Moleskin and others, preferring a sub-freezing, enveloping take on the traditional sounds of Wiley, XTC and Musical Mob. While their are more than enough examples to choose from, Logos‘ 2012 Kowloon EP exemplifies the brittle, yet protean sound that the aforementioned producers, Keysound and, especially, Slackk’s monthly mixes have come to exemplify. Crystalline in nature, Kowloon has been compared to the piano compositions of Phillip Glass, relying more on wispy melodies than on machinegun snare bursts or patois banter. 2013’s Cold Mission LP (also on Keysound) acts as an apogee of this sound, an exquisitely constructed 11 song album with several collaborations and out-of-nowhere interruptions to keep the listener on edge.

At this point, we’ve left it to other, more talented writers to espouse the venerable qualities and inherent frigidity of Cold Mission, so instead we reached out to the man himself (born James Parker) and asked for a contribution to our guest mix series. After a few months of emailing back-and-forth, we wrangled the following 30 minutes of hazy techno, forceful drum tracks and 90s Memphis rap. The track list has been left intentionally vague, but if you’ve been following us, you’ll surely recognize a few choice cuts and will surely recognize more as they emerge (or not) in the future. Enjoy.

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southern hospitality fact mixSouthern Hospitality is a blog, party, label and crew promoting the very best in hip hop and club music, preferably the bombastic land where the two meet. Rob Pursey and Davey Boy Smith have been imprinting the Southern Hospitality name on just about everything over the past several years, whether that means throwing the best damn rap party in London or releasing wild collaborative efforts from Danny Brown and Darq E Freaker. FACT Mag decided to grab Rob and Davey for their 420th mix and the result is the synthesis of the Southern Hospitality way. Essentially a list of what you should have been listening to over the past year and what you will be listening to over the next, this mix won’t be leaving the rotation for quite some time.

ASL SINGLES CLUB ART

With their feet firmly set in Vancouver and their sights set high, the fledgling ASL Singles Club label/clothing line is one of the most inspiring outfits operating today. Headed by Vancouver residents 8prn, Heartbeat (s) and Chef, the label has already released a series of impressive singles from Nick Wisdom, Autem and Rook Milo. We were lucky enough to grab 8prn for a quick conversation about ASL and ended up roping the mysterious Mr. Chill into contributing a guest mix on the part of the label. Mostly 4/4 fare, the mix features upcoming ASL material from Prison Garde and Sleepyhead as well as a few well-placed unreleased jams from the likes of Motions (formerly of Grown Folk) and the Amsterdam-based Presk.

Who is Mr. Chill and who makes up the ASL family? Is it mostly a Vancouver-based thing or more of a global affair?

ASL is run by Chef, 8prn and Heartbeat(s), with some help from Mr. Chill, an older dude who invests in us. The fam extends to the artists who release with us as well; Rook Milo, Autem, Nick Wisdom, Sleepyhead and more to come. At the moment we are majority Vancouver based, although we have releases lined up from artists in other cities and countries; Montreal, NYC, and London.

Hit the jump for full interview and track list…

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TRAP DOOR ARTTrap Door doesn’t make trap — which is, well, a good thing. Instead, Manchester-based Connor Shepherd constructs exquisite club compositions while applying a stripped down, retro aesthetic to contemporary dance music. As part of the Gang Fatale collective alongside the likes of past Astral Plane mixer Neana, Ra’s Al and Georgia Girls, Trap Door is at the forefront of the percussive, linear club music that draws from both sides of the Atlantic. At times, Sheperd sounds like he’s channeling the spirit of Arabian Prince, infusing euphoric synth melodies into a melange of abrasive kicks and snares. Other times, he’s clearly looking to the Atlantic seaboard, utilizing vocal cuts, “ha” samples and kick patterns from Baltimore, Philladelphia, Jersey and New York. The Trap Door sound is decidedly fresh and new, but always emits a cool, calm and collected attitude that transcends the ephemeral qualities of the club trax format.

For his Astral Plane Mix contribution, Shepherd condensed the essence of Trap Door into a single, easily digestible document. The mix exists in a world where Drake spends most of his time driving up and down I-95 in a wretched, hydraulic-laden abomination and gun fingers are the common currency. If the think breaks don’t rile you up, the “ha” samples surely will and the calls for bad mind and worst behaviour will finish off the job. Hit the jump for a look at the track list (you might just discover a few gems) and stream/download below.

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Jay R Neutron

MikeQ’s Qween Beat outfit has been an influential East Coast force since its inception in 2005, but despite its reputation as a ballroom/vogue icon, the label only has a handful of official releases to its name. Along with Beek and Divoli S’Vere, Jay R Neutron is one of the key cogs in the Qween Beat machine, installing his Baltimore sensibilities into the traditional ballroom sound. Earlier today, Jay R let loose “The Bey Mix”, a nearly hour long mix comprised of ecstatic Beyonce edits. As if one or two think break laden, “ha” sampling Beyonce edits wasn’t enough, Jay R went full marathon on us, chopping up the full album into a complexly constructed club dominatrix. No download at this point, but this listener wouldn’t mind a few of these edits seeing the light of day as individual units.

keyboard kid cover artIf you frequent this corner of the internet, you’re almost surely familiar with Greg Phillips aka Keyboard Kid aka WaterGod. Best known for his work with Lil B, Seattle-based producer has reignited the instrumental hip hop flame in recent years, instilling a sense of precocious positivity in the often-times staid community. A Based disciple to the fullest, Keyboard Kid has been churning out an almost insane amount of music over the past several years, releasing esteemed solo tapes on Donky Pitch, Automation and Mezzanine, as well as contributing dozens of (sometimes uncredited) beats to Lil B. Need we say more.

Already busy with a new puppy, the WaterGod let loose 37 minutes of narcotizing, all-original beat work for the 14th Astral Plane Mix. Matching soporific melodies with sharp snares and crackling feedback, Phillips effortlessly matches an off-kilter Based approach with a sleek, sci-fi aesthetic that constantly appears to be on the verge of implosion. The mix is chock full of exclusive material so take a gander at the track list after the jump for a taste of what 2014 has in store.

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ghost mutt artIn a 2011 interview with Knowledge Magazine, Ghost Mutt refers to the process of falling backwards into hip hop and R&B, a process that is likely relevant to many of our readers. Instead of listening to new jack swing in its heyday (he was 10 years old after all), the Brighton-based producer took a roundabout route that involved deconstructing two step and garage tracks and searching out their sample sources. He took a similar approach to hip hop, ingesting Four Tet’s Madvillain remixes before delving into the vast remainder of the genre. This deconstruction-based approach is readily apparent in Ghost Mutt’s music today, a rollicking, technicolor fun fest that touches on dozens of genre motifs without ever settling on one. A member of the eclectic Donky Pitch party crew/label, he makes music (ostensibly) for club play alongside producers like Slugabed and Lockah, bouncing between trans-Atlantic reference points with the confidence of someone who fully understands the material he’s regurgitating, but doesn’t have the patience to focus on any singular sound.

“3310” is the standout track from Ghost Mutt’s recent Rumble Pak EP (his third on Donky Pitch) and encapsulates his kaleidoscopic approach to music better than any track he’s previously released. You’ll hear Lex Luger’s signature build up, a bed spring sample and reverberating bass drum hits. You’ll recognize a brief Lil Wayne sample and the extensive use of vocals from Blackstreet’s “U Blow My Mind”. The track starts, stutters and stops, contrasting wildly percolating melodies on top of each other in reckless fashion. In the end, the only coherent components of the song are the heavily pitched down vocal  asking “what’s all the commotion about?”. It’s a beautiful mess that works not because of the chaos of its individual components, but despite it.

Despite touching on an unspeakable number of styles and genres, Ghost Mutt’s Astral Plane mix actually comes off as more cohesive than his individual productions. There’s no point in listing off the names involved as Astral Plane readers will likely recognize many of them, but in effect, the mix trapezes itself across the modern club landscape, involving a number of producers who also invoke a scatter-blast ethos in their music. After running through the mix’s 60 minutes, you won’t remember where you began and likely won’t have any semblance of an idea of where you finished. It’s discombobulated entertainment that is beyond definition and summarizes Ghost Mutt and Donky Pitch’s anti-monolith attitude. Stream/download the mix below and hit the jump for a look at the track list.

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akito art FINALIt’s not always easy to decipher the intention of a piece of electronic music. Sometimes, a vocal sample  (e.g. “jack”) or the basic structure of a song gives it away, but sometimes four-on-the-floor beats and grueling sub-bass timbres deceive. That being said, Sub Skank boss and London-resident Akito’s music is very clearly, specifically focused on the dancefloor. Whether the context is a push club, a derelict warehouse, or a manic house party, there will be no head-bobbing or shmoozing while an Akito joint is played out. Like many of his contemporaries, Akito takes a little from the video game sound palette of Eski, a little percussion from jungle and/or Jersey/Bmore and mutates it into a pounding, dancefloor beast. It’s foot stomping, wyle out music that is at once easily accessible and eminently strange. Maybe it’s the ballroom “ha”s or the or occasional patois vocals, but despite the innate heaviness of Akito’s productions and mixes, it all seems like a rather fun, approachable affair.

This certainly manifests itself in Akito’s Astral Plane mix, one of the most effortlessly fun collections we’ve featured to date and a rare taste of what Akito the producer has in store on his upcoming Metamessage EP. With a peppering of originals and tracks from Astral Plane favorites like Neana, Rushmore and Jam City, the mix summarily hits a near-perfect club music sweet spot, offering something to nearly every brand of discerning listener. Stream/download below and hit the jump for the full track list.

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