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helix

Photo via Resident Advisor

Grime/techno/jungle hybrids have become all the rage in the UK over the past few months with producers like Peverelist, Girl Unit, Tessela and more striving to make their tracks as bare-bones and percussive as possible. Of course, Hessle Audio (specifically Pearson Sound) has been pushing this sound for years and has received many plaudits for it, but its recent popularity has opened the floodgates for experimentation. Of those dipping his toes into the mix, Atlanta-based Helix has produced some of the most engrossing results, starting with “Drum Track” off of Night Slugs Allstars Vol. 2 and continuing with Club Constructions Vol. 4. The young producer’s tracks are skeletal and, at times, harsh, but also retain a certain euphoric quality that resonates in his brief, but tactful synth work. On Helix’s remix of Chits’ “Looking So Good” (out now on Astro Nautico), the stomping kick drums are the clear focus, but percolating chord arrangements keep the track from fomenting into industrial madness and it’s this balance of mid-range tones and deep low end that allows the remix to function as something more than a DJ tool. Stream the remix below and look out for the vinyl release on 11/26.

SHUTTERBUGCOVER

2012 saw Los Angeles-based label Body High transition from minor local outpost into one of the foremost names in left field club music. In 12 months, Jerome LOL and Samo Sound Boy’s label released massive tunes from the likes of Todd Edwards, DJ Sliink, Jim-E Stack and many more. While 2013 hasn’t been quite as splashy for the BH crew, it has been an equally huge year with the label doubling down on its existing roster, stylizing one of the most known brands in American dance music (Body High shirts are a constant at high class functions), and touring the country incessantly (most recently with Juan Atkins, Anthony Shakir and DJ Pierre). Before 2013 comes to a close though, it looks like we’re going to receive another huge release from BH in the form of a new DJ Funeral single. “Shutterbug” is predictably huge and is another track in the growing procession of sort of-but not quite Bmore mutations that have erupted in recent years. Stream “Shutterbug” below and hit the jump for info on DJ Funeral’s upcoming tour!

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mumdance

If you haven’t noticed, break beats are becoming quite a trend these days. 2013 is quite a far toss from the jungle heyday of approximately ’94-6, but if producers like Tessela, Om Unit, Special Request (Paul Woolford) and the legions of Bmore/Jersey/Philly clubbers have anything to say about it, the sound is about to see a creative resurgence. And after listening to Mumdance and Logos‘ “Wut It Do”, it’s not that difficult to imagine massive crowds going mental (once again) to this sort of junglist hybrid tune. The sound is angry, snarling and immediate, but as Tessela showed us with “Hackney Parrot”, can also be utilized to mobilize populist dancefloors. “Wut It Do” is off of Mumdance & Logos’ upcoming Genesis EP, which will be released in early November on Dusk & Blackdown’s Keysound Recordings. Expect more junglist madness, but also a good deal of the spacey, eski-derived grime that we heard on the Kowloon EP.

lil durk

Lil Durk, like many of his Chiraq brethren, generally splits attention among the rap listening public. On the one hand, Durk has a knack for story telling and his hooks are always on point, not to mention his impeccable beat selection, but if you can’t get past the warbling use of autotune and sometimes lackadaisical technical ability, his music might be difficult to delve into. We count ourselves in the firm believer camp and the Englewood-bred MC has only solidified that sentiment with his latest tape, Signed To The Streets. Of the tape’s 15 tracks, the Zaytoven produced “Who Is This” was the first to immediately catch us. The track is a harrowing cinematic tale of government officials, phone taps and dope that, despite some fairly blatant plot holes, is one of the more interesting mob tales to come out of the hip hop canon in a minute. Stream “Who Is This” below and download the entirety of Signed To The Streets here.

t&a records unruly records

It’s an unfortunate fact, but most people my age first came into contact with Baltimore club and its various offshoots because of Diplo and Mad Decent. It happened. We’re over it now. Next week (October 22), T&A Records (in conjunction with Unruly Records) will release a compilation of Bmore classics to the tune of DJ Class’ “Tear Da Club Up”, Scotty B’s “Niggaz Fightin” and the one that started it all, Blunted Dummies’ “House For All”. Like that isn’t enough to keep us salivating for months, the good people at T&A have wrangled some talented young folk (DJ Sliink, Sam Tiba & MYD included) to update these classics and give them a modern, internet age spin. For our money, it wasn’t any of these new chaps who stole the show though. That honor goes to scene legend KW Griff of “Bring in the Katz” fame who took on “House For All” and clearly has not lost his ability to impart madness on everything he touches. Stream and download Griff’s remix below and hit the jump to stream Sliink, Sam Tiba & Myd’s efforts.

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victoria kim

Victoria Kim have made a name for themselves via slightly gimmicky, but highly effectual remix work and their latest effort, a direct, club-oriented remix Rihanna’s “Diamonds” is no different. “다이몬드스”  (diamonds in Korean) relies on stomping kick drums, undulating sub bass and RiRi’s original vocals with a result that falls somewhere between Hysterics’ (Girl Units) contribution to the Night Slugs Club Constructions series and Objekt’s technically proficient techno. Wouldn’t be surprised at all if this one starts showing up in some heavy hitter DJ sets in the coming weeks.

8prn

As Canada’s western-most metropolis, Vancouver is generally ignored in the electronic music debate, but recently a crop of producers have begun to demand more attention. Of that crop, few are making creative inroads quite like Heartbeat(s) (Markus Garcia of LOL Boys fame) and 8prn, the sometimes collaborators and always R&B auteurs. They don’t make R&B in a traditional sense, but if you listen to their new collaboration “Wait”, the Timbaland influence is strong and the framework for light night club play is certainly there. And really, what is R&B production anymore? With Bok Bok, Nguzunguzu, Jam City and more contributing to Kelela’s tape, Shlohmo working with Jeremih and Ty Dolla Sign/TeeFLii putting out tapes with DJ Mustard, the traditional R&B archetype has been all but destroyed. Stream “Wait” below and download here.

darq e freaker

Darq E Freaker’s profile has risen dramatically over the past 12 months, in no small part thanks to several Danny Brown collaborations. While most people in the States know him as the “Blueberry” and “Handstand” producer, Freaker has been a known entity across the Atlantic for a minute now, turning out some of the most fun, in your face grime around. On Freaker’s latest cut, titled “Psychosis”, bouncy synth work is punctuated by piercing 909 snares that really set off the slightly off-kilter, paranoid yet triumphant sound that the British producer continues to impress with. “Psychosis” will appear on Amada, an upcoming All City compilation curated by NTS Live’s own Mamiko Motto. Obey City, SCNTST, Dorian Concept and more will also appear on the comp, which is set for an October 22 release date. Stream “Psychosis” below and hit the jump for the compilation’s full track list.

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nguzunguzu

“Forthcoming on Fade To Mind” has become one of my favorite phrases in recent years as Kingdom’s label has transitioned from Night Slugs’ little brother to an idiosyncratic conveyor of all good things in American dance music. When that phrase is paired with “new Nguzunguzu“, the proverbial gasket is blown. On November 5, the duo of Asma Maroof and Daniel Pineda (who just released the massive XTREME TREMBLE EP through Fade To Mind) will release the seven song Skycell EP (check out Kingdom’s cover art after the jump), the duo’s second on the label. “Mecha” is our first hint at the EP, a growling, mechanical grime track that is as delusional pretty as it is powerful. The sound will be familiar if you’ve seen Daniel and Asma play out recently (us Angelenos are spoiled) and the remaining six Skycell tracks cannot reach our ears fast enough.

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dj sharda murlo

We all know Murlo as one of the smoothest operators in the intersection of grime and dancehall, but the man can also include his work as DJ Sharda, bassline extraordinaire, to his ever-growing resume. As Sharda, the London-resident releases popping, pneumatic bassline cuts that rarely offer much in the way of subtly. These are out and out party starters, especially when matched with Murlo’s impeccably melodic sense, and their intention is nothing but obvious. That being said, there is a certain beauty to the aggressively direct symmetry of a successful club track. ” U Don’t Know Me” has actually been floating around for a few months now, but the Don’t Watch That TV crew was kind enough to free the track in anticipation of an upcoming bill with DJ Q in Manchester on Saturday. Stream below and download here.