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New Music

jacques greene - on your side

After proving he has the ability to work with vocalists on “Painted Faces” (with Tinashe), Jacques Greene is back with the How To Dress Well-assisted “On Your Side”, a song that toes the line between cheese-y pastiche and genre bending brilliance. While they don’t sound a lick alike sonically, it’s fair to file “On Your Side” alongside relatively new work from the likes of Duke Dumont, Disclosure, or even the pop-oriented fair of Omar-S’ latest Thank You For Letting Me Be Myself LP, in that it prominently features an established vocalist and is heavily hook-driven. This movement in feature-heavy house somewhat mirrors the late-90s explosion of garage in the United Kingdom that operated under the auspices of “bringing the women back into the club”. It’s no surprise that this trend is arising in the aftermath of the dubstep explosion (Disclosure have gone so far as to address that directly, also check out Blackdown’s apt response), and while a fresh breath of air in some respects, it’s trending away from tactful collaboration and  towards effete cornball antics. Regardless, holy fuck, how good do Greene and Tom Krell sound together?! If you can get past Krell’s often questionable lyrics, “On Your Side” is easily in the running for lights off anthem of the year. “On Your Side” is off of Greene’s upcoming LuckyMe EP of the same name and will see respective June 3 digital and July 1 physical releases. Stream the radio edit below.

maribou state

The fact that Fatboy Slim endorsed Maribou State to officially remix his 1999 hit “Praise You” probably doesn’t mean all that much to our readers (and honestly, it doesn’t mean much to anyone on a critical level), but it does represent the leaps and bounds that the London duo has grown since the release of the Scarlett Groove EP last November. The remix transforms Slim’s original from big beat mediocrity to a moody house groover that has become one of the act’s biggest hits to date in less than a week. These guys are on the brink of something huge and we can’t wait to hear the next incantation of their sound. Stream below and look for a release on Skint soon.

eprom

Let’s take a break from our regular programming to bring you something stupid hype. For the past few months The Motherfucking Gaslamp Killer has been rinsing an unknown remix of Kendrick Lamar’s “M.A.A.D. City” and absolutely detonating dancefloors across the world. Today, Eprom has let the remix loose on the general public and madness has ensued. This is an unadulterated “banger” so step off if you give fucks about something like “subtlety”. Stream below and download here.

djrum

Sometimes it’s really difficult to respond to a piece of music critically, or with any other response than “hey, this is really pretty”. That was my reaction after hearing Djrum’s remix of Haraket’s “Taint” and it still hasn’t changed. It’s easy to get caught up in the mesmerizing kicks, the melancholic chords and the wafting found sounds (and that isn’t necessarily a bad thing), but Djrum offers a real depth (check out his Seven Lies LP if you haven’t already) that most “beat” and/or “electronica” producers rarely attain. Instead of using percussion as a means of propping up a vocal performance, Djurum’s drums pulsate and mutate, drawing as much attention as the angelic vocals. Stream below and look out for Haraket’s upcoming single/12″.

nosaj thing x chance the rapper

Since arriving last Tuesday, Chance The Rapper’s Acid Rap tape has dominated the hip hop conversation, drawing almost universal praise from both critics and fans. Drawing from Chicago’s rich musical history and capitalizing on hip hop’s current predilection for left field flow/cadence(s), Acid Rap is easily one of the most impressive “mixtapes” of the year and will probably be the start of an extended debut album hype tour. “Paranoia” was originally a secret track at the end of “Pusha Man”, but has now been liberated as a solo track via another excellent “Songs From Scratch” collaboration from Yours Truly. With Nosaj Thing behind the boards, “Paranoia” is about Chicago’s gun violence, but that’s a simplification. “Paranoia” is about the ability (or lack there of) to live out a proper childhood. It’s about the disparity between media coverage of black on black versus black on white or white on white violence. It’s about escapism and youthful abandon. It’s about the basic fear of living in a neglected, destitute environment. Nosaj Thing’s floating, California sunset-esque production seems like an odd selection at first, but the spaced out soul makes all too much sense as the beat progresses.  It doesn’t happen often anymore, but when”conscious” rap transcends basic political facsimiles and expresses the essence of a situation, it is truly special. There is no download link for “Paranoia” yet, but expect one soon and download Acid Rap in the meantime.

naphtaAfter piquing interest with a Sun Raw remix EP last month, Red Bull Music Academy alum and (apparent) R&B mega-fan Naphta is back with another remix package. This time around, the Polish producer has put forth his oddly slurred take on some of the most critically acclaimed R&B cuts from the last year, drawing from Autre Ne Veut, Shlohmo & Jeremih, and Tinashe. Naphta also draws quite a bit of his sound from regional American staples like Jersey Club and Three 6 Mafia-style, hi hat heavy beat work. The package is highly entertaining, if not spectacular, but few remix packages are at that. Stream two choice cuts from the EP below and download the entire thing here courtesy of Freshmore.

mikeq

Jersey Ciub and Ballroom are often referenced in the same sentence. Whether that’s due to their geographic proximity, organic development, or relative insularity, I don’t know, but it’s undeniable that both sub-genres have taken off in recent years and are very much in the public eye today. MikeQ is one  of the most prominent Ballroom artists having founded Qween Beat Productions and released an EP on Kingdom’s Fade To Mind imprint. J Heat is an up-and-coming Club artist out of Sea Side Heights who’s already getting love from esteemed Pelican Fly boss DJ Slow. Recently, the two got together to meld their respective styles and take on Rocko’s “U.O.E.N.O”, an early candidate for track of the year despite the “controversy” surrounding Mr. Rozay’s verse. To say that the sleepy original is infused with a blast of energy is an understatement as J Heat’s signature Jersey vocal chops are combined with the off-kilter house stylings of MikeQ. It’s brilliant, it’s free and it’s sure to get any and every dancefloor moving.

unknown to the unknown

Ever since hearing DJ Haus’ “Thug Houz Anthem”, we’ve been eagerly awaiting the upcoming Unknown to the Unknown compilation Thug Houz Anthems Vol. 1 and today we got another taste of what’s to come. “Feel It” is a collaboration between UTTU boss DJ Haus and Matrixxman (of 5kinandbone5) and is exactly the pulsating, roughneck brand of garage that we’ve come to expect from each artist. While UTTU generally trends towards the garage realm, their recent output has shown a propensity for hardware-driven house music that has also really hit on a lot of levels for us. If Thug Houz Anthems Vol. 1 combines those two ethos, it’s going to be a special set of tracks.

dro carey

“Burglar Loops” represents Dro Carey’s (as Tuff Sherm) return to Will Bankhead’s Trilogy Tapes imprint and we could not be more overjoyed that the relationship has been rekindle. Although no release date has been announced yet, a new Tuff Sherm EP is on the way and if “Burglar Loops” is any indication, it will see the man born Eugene Hector melding the grime and hip hop influences present in his work as Dro Carey with the house and techno of Tuff Sherm. Stream below and look out for the Burglar Loops EP in the not too far future.

pearson sound

It’s been quite some time since David Kennedy abandoned dubstep and the London-based musician has been producing increasingly house-oriented music, under both his Pearson Sound and Ramadanman pseudonyms, ever since. On May 13, Kennedy will release PEARS24, a self-released white label that should see him continue to explore sparse, hard-hitting unremitting dancefloor madness. It’s difficult to put a Pearson Sound record into context with short previews like this, but this is the type of preview we just can’t pass up. The B1 track especially, “Figment”, is tantalizing as it’s about as far from the Kennedy’s previous output as one can expect. At the end of the preview, it hints at morphing into something more upbeat, but then it ends. Tantalizing to say the least. Stream previews below and look out for more release info in the near future.