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When I write, I usually try and avoid words like “vibe” and “groove”. Not because they don’t fit the music we post here at The Astral Plane, but because they don’t really tell the listener anything they don’t already know. God damn though this new Skips heater takes vibin’ and groovin’ to another level. Everyone knows Johnson, Hawkins, Tatum & Durr’s classic “You Can’t Blame Me”, but not like this. With every new release, the Leeds native shows another side of his already impressive repertoire. This dude is most certainly on the up and up. Stream and download the remix below.

Seamonster make the sort of engaging, sunny pop music that usually isn’t all that difficult to get behind, but doesn’t have too long of a shelf-life. The brainchild of Adrian Todd Webb, the Virginia Beach band has a far more exploratory approach to the standard indie-pop fair. Their latest album is named after renowned found photography artist John Baldessari and Webb has stated that the album is directly influenced by his work. If you’re not familiar with Baldessari, his work involved the use of words and images he collected and pasted or painted onto canvass. To call the final project a collage would be shortchanging it. A collage usually carries the connotation of unoriginality, or at least misdirected appropriation. Baldessari is a collage only in the most general form of the word, “an artistic composition made of various materials.”

The album’s individual components are familiar, the melodies and instruments not being especially innovative. The levels of distortion used throughout the album aren’t especially common, but they aren’t especially new either. Where the album excels is at that intersection where experimental and pop music collide. Like Animal Collective, Deerhunter and others before them, Seamonster straddle the perilous divide to perfection. On “Normandy Landscape”, Webb’s arrangement nearly falls into cliched Fleet Foxes-esque territory, but avoids the pitfall with a subtle flute melody and perfectly arranged percussion. The songwriting is simple enough to be accessible, but doesn’t become trite after a few times over. Webb manages to compile found influences from across the experimental pop landscape and throw them onto his canvass with a seemingly careless precision. A solid remix package tops off the album, a little bit of found art in itself. This is rare album that is simultaneously a simple, enjoyable listen and a demanding sonic voyage.

Baldessari was released digitally back in August and is still available for download at name your price, but you can also pre-order the easter yellow 12″ now.

It’s been far too long since we’ve posted a TeamSupreme tape. It blows my mind that Dane and Preston’s little project started 21 weeks and is still gaining steam and influence. Love the new graphics as well. Volume 21 features mainstays Papi, Kenny Segal, Colta, Nalepa and Nobody as well Trap Arnold (of M|O|D), Gypsy Mamba and Black Actors. If I had to choose, and it’s tough this week, I would have to say I’m deferential to Snorlax and Trap Arnold’s collaboration. For more info on the TeamSupreme beat cyphers, check out our interview with Dane and Preston. As always, stream the video and hit the download link below.

Download: TeamSupreme Vol. 21

Todd Terje’s “Inspector Norse” was released back in January, but the bouncy house anthem soon became synonymous with the sweltering Summer months. Terje looks to reclaim some of the magic on his remix of Hot Chip’s “How Do You Do”, off of their newest effort In Our Heads. The track sounds similar to “Inspector Norse” but that’s not a bad thing in our books. Stream below.

 

Say what you will about Main Attrakionz, but they have the best taste in beats. In the last year alone, Squadda and Mondre have worked with Ryan Hemsworth, Supreme Cuts, Friendzone, Beautiful Lou, Keyboard Kid, Spaceghostpurrp, Jam City and Clams Casino. If that list doesn’t make you drool, get out. For their latest cut, the Oakland duo have enlisted New York native Harry Fraud (who helmed Curren$y’s latest project). “Do It For The Bay” is decidedly more straightforward than the stream of consciousness flow and hazy instrumentals that the duo have become synonymous, but Fraud’s triumphant horns allow Squadda, Mondre and DaVinci to wax poetic about the Yay Area. At this point is it suitable for Bay Area tributes to make a comeback? “Do It For The Bay” is off of Main Attrakionz’ next project, Bossalinis & Fooliyones, due out October 22 on Young One Records.

Special Vinyl Edition

Since our inception back in January, London phenom Stavrogin has been making major moves within the world of UK Bass and House music. Think Disclosure. Think Addison Groove. Think Julio Bashmore. That’s high company for a young man with only a few releases under his belt, but don’t be surprised if you hear the next buzz act being compared to Stavrogin in a few months. We were lucky enough to pull the Lewes native in for an exclusive mix that has not and will not leave the rotation for a long while.

Like so many niche forums on the internet, the debate about electronic music has taken a nasty and acerbic turn as of late. I’m curious, do y’all like getting into senseless, roundabout arguments about DJ’s and buttons and whatnot? I didn’t think so. As a result, the newest contribution to our Guest Mix series transcends the debate. That’s right, vinyl. Wax. You feel that well of happiness opening up in the deepest recessions of your body? That’s nostalgia right there. No one can argue with vinyl.

If you like piano crescendos, soaring falsettos or Calvin Harris, this mix probably isn’t for you. If you tend to go for stripped down bass music from the likes of Untold, Ben Klock and Stickman, jump on the party bus. It might get a little smoky. If anything, this mix should make some Stavrogin vinyl seem like a really, really good idea. Record labels, the ball is in your court. Like always, stream and download below and don’t be afraid to gives us some feedback.

Trackiist

WNCL – Coming on Strong [WNCL Recordings]
Gerry Read – Legs [Fourth Wave]
Throwing Snow – Shadower [Sneaker Social Slub]
Tommy Four Seven – Ratu [CLR (2)]
Untold – Little Things Like That [Clone Basement Series]
Stickman – If You Stay [Mindset Records]
Martyn feat. Spaceape – Is This Insanity? (Ben Klock Remix) [3024]
Untold – Bones (Rockwell Remix) [SSSSS]
Wax – No. 30303 (Shed ø San Remix) [Wax (4)]
The Chain – Suffer For Your Art [R&S Records]

A few weeks ago, I saw British phenoms Disclosure (or at least one half of the duo) bring down the house at a festival in Germany. Besides being delighted by the performance, I couldn’t help thinking about another up-and-coming British youngster, Stavrogin. The green tea organic percussion, slow-burning synths and effortless vocal manipulation is readily apparent in both act’s brief discographies. “i love…that you know” could easily be a Stavrogin track and vice versa, “Chicago ’46” could easily be a Disclosure creation. Granted, the Lawrence brothers have a little bit more pop accessibility in their repertoire, but the two sound eerily similar at times. Stavrogin’s newest attempt, “Expiration”, is yet another brilliant adventure in patience. The track doesn’t quite build as much as it slinks along underneath the radar in the most engrossing way possible. It’s smooth as hell, but doesn’t give an inch in the bass category. It is bass music after all. Stream “Expiration” below and look out for the exclusive Stavrogin mix in the coming weeks.

Been a little slow to get this one up here, but that happens when you work out in the woods for the summer. Peaking Lights dropped what is, in my opinion, one of the best albums of 2012 so far.  Peaking Lights have been emerging onto the scene since the release of their debut album, 936, in 2011. Composed of Aaron Coyes, and Indra Dunis, the duo have already established a a huge following with two lp’s under their belts and a 936 Remixed project. The remixed project features artists Dam Funk, Damu, and Main Attrakionz reworking some of the classic tracks.

The duo capitalizes on hidden guitar riffs and synths interspersed with vocals from Indra. “Lo-Hi” is a perfect example of the smooth production that has been integral to Peaking Lights’ success. Even with the vast conglomeration of sounds on the track, “Dream Beat”, the duo blends these assorted sounds flawlessly.

I highly recommend giving this album a spin and it can be found on the Weird World Record Co’s soundcloud page here along with the 936 album and the remix project. The 936 remixed album also has some gems on it, like this remix from Main Attrakionz. Check out that entire project here.

 

 

Since we interviewed Haleek Maul back in May, the young Barbadian has been on an absolute tear. In June, Maul’s debut Oxyconteen EP put his tattered mental state on blast, giving fans new and old one of the rawest listening experiences they’ll have in a long minute. What we’ve really been waiting for though has finally emerged today. Back in May, Maul spoke on an upcoming mixtape with Chicago production duo Supreme Cuts who are leading the back when it comes to viscous hip hop bangers. Chrome Lips finally emerged today, featuring 17 originals from one of the most uncouth minds in contemporary music. Maul’s eclectic, dexterous flow allows Supreme Cuts to dip and dive from the airiest peaks to the dankest dungeons of their production dichotomy. Verses from Deniro Farrar, MondreMan and Squadda B offer short respites from Maul’s often severe flow, vastly improving the overall flow of tape. Mishka is giving away the tape for free as they’re known to do and you would be making a mistake not to snatch this one up right now. Another high profile mixtape dropped today, but Chrome Lips is the one that people are going to remember (no shots). Stream and download Chrome Lips below.

When Lunice and Hudson Mohawke came out swinging at the American hip hop consensus, many assumed (myself included) they were aiming their fine-tuned WMD at the Southern hip hop conglomerate. Their first remix of Flocka’s “Rooster In Rari” reinforced that assumption and the EP was even pigeonholed by some as an extension of the trap phenomenon. Oh how we underestimated the project. When Lunice and HudMo hinted that they had MC’s lined up for every track on the EP, I assumed the features would be a menagerie of well-known Southern MC’s with maybe an A$AP Rocky or Danny Brown thrown in for good measure. This though? They have certainly outdone themselves Captain Murphy: you probably know the name by now. He sounds a lot like a pitch shifted Tyler/Earl combination. “Shake Weight” involves the Captain going the fuck in over the bubbling, immense heap of braggadocio that is “Bugg’n”. The doors are wide open folks. I’m looking forward to Canibus throwing his next paranoid rant down over “Gooo”. Fuck, and this video? I jokingly posted a while back that we were just going to become TNGHT stenographers, but would that really be such a bad thing? Grab the free download below and watch the video above (preferably under a controlled substance).

Download: Captain Murphy – “Shake Weight”