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And just like that, it happened. I usually take some time to listen to a release through and through before posting it, but well, it might be worth it to get caught up in the hype machine every once in a while. The tape features instrumentals of tracks by A$AP Rocky (“Wassup”, “Bass”, “Leaf” and “Palace”), Mac Miller (“One Last Thing”, “Angels”), Lil B (“I’m God”, “Unchain Me”), as well as remixes of Lana Del Rey, Washed Out and XV. It’s extraordinary how much more palatable the Mac Miller instrumentals are  than their originally unbearable incantations. Two brand new tracks, an original mix of The Weeknd’s “The Fall” off of Echoes of Silence and an unreleased Clams joint called “Human” are also on the tape. Roll one up, grab your double cup and do what you do. Download below.

Download: Clams Casino – Instrumental Mixtape 2

Every once in a while, a song comes along that puts you on your ass, not because of its wobble bass or snare rolls, but because of its immense beauty and utilization of silence. Los Angeles by way of Wisconsin producer Viette, also known as our very own Will Mitchell, has done just that and more with his cover of The Wallflowers “One Headlight”. Before I self-combust, I’ll get this out of the way; James Blake blah blah blah; Mount Kimbie blah blah blah. Yeah, Mitchell utilizes emotive vocals. Yeah, he does it at an unconventional tempo. Yeah, this cover is fucking beautiful. The vocals strain to be at the forefront as percussion entirely built via Mitchell banging assorted shit on his desk percolates below the surface and Jakob Dylan’s guitar wallows in the foreground. For someone who’s been “bangin Mannie Fresh since age 13” though, “One Headlight” is just one side of Viette’s production dichotomy. “The Funk” represents the  stark other side. Once you get passed the fact that it samples Old Gregg (I’m not sure I have), “The Funk” is a stripped down trap cut that quivers and belches as much as it bangs. That’s a good thing. Comparing “One Headlight” with “The Funk” is like comparing apples and orange. Fuck that, it’s like comparing a Wallflowers cover to an Old Gregg sampling trap track. Whichever one tickles your fancy more, we love both, watch out for this kid and stream/download “One Headlight” and “The Funk” below.

As distraught as it makes me, the majority of the hip hop listening populace holds a certain disdain for the instrumental tape. In my opinion, this is because a lack of respect for the production side of the bidness, but it’s also because instrumental tapes are so often monotonously clunky. Despite these reservations, the instrumental tape is exactly where Pennsylvanian LyteSho excels. The Chainsaw EP, LyteSho’s fifth release of 2012, is yet another fastidious release from the 19 year old Wilkes-Barre resident. Coming in at just under 16 minutes, the tape is long enough to give you a taste of the direction the young producer is moving without boring you with the asinine details. A remix of Shlohmo’s “Birthday Beat” breaks the tape up nicely, without breaking the flow. Chainsaw is not a mixtape, but moves in enough of a quietly controlled manner that it might as well be. LyteSho removes some of the sticky gauze that has both aided and weighed down previously releases, resulting in a more clear-eyed, down to earth product. The EP is probably his most true to form collection of straight up hip hop beats. Like all of his previous releases, Chainsaw is available for free on Bandcamp. Stream and download below.

We’ve mentioned the perils of an artist appropriating musical styles from far away locales several times at The Astral Plane. There are obvious pros and cons and whether the artist is successful or not more or less comes down to their ability to pay attention to detail. That’s not to say that an artist needs to follow a specific blueprint, but they do need to take into account the historical implications of their work. The old informs the new just as much as the new informs the old. When I listened to Dublin producer/DJ Frank B’s “Chain Of Fools” Chicago House was all I could think about. The vocals, kick and funky bassline all seemed straight of The Warehouse. I’m no Chicago House aficionado by any standards, but I can recognize the classic sound.

As much as I enjoyed the track right off the bat, that association worried me, probably due to my naïveté. Why should I care that a track with such quality, tight production is informed by another city’s genre? Well, eventually I got over the silly distinctions that plague my mind and learned to enjoy “Chain Of Fools” for what it is; one of the best house tracks to come out in quite some time. Beautifully entrancing and hard hitting at the same time on a classic The Juan Maclean tip. It makes me sad that music like this is so often overlooked while… I’m sure sure you know where I’m going with this so end rant. Anyways, give the track a rinse below and head over to XLR8R for a free download.

Drop it to the flo

Balam Acab says this track is a joke. I say otherwise. It seems like everyone has been hopping on the “trap” wagon, that is southern hip hop drums mixed with more traditional dance music genres. “Ass Pop” is heavy. Real heavy. And might just be one of the best songs to define the burgeoning sound. It comes off as club music at first, but this shit is just dripping in Balam’s experimental style, dipping in and out of the listeners mind as it bubbles and glistens. Broken faucet dance music right here. Stream “Ass Pop” below.

Frenchman Brodinski is known by most for his electro chops and eclectic DJ sets, but what many don’t know is that he’s also one of the foremost purveyors of chopped and screwed jams. The Best Of Everything mixtape featured some of the best in bass and club tunes from the likes of French Fries, Dubbel Dutch and Bok Bok and The Chopped & Screwed Mixtape brings his interests full circle. Always impressive when an artist can adeptly show their chops in a genre that is not even remotely alike to what they usually produce. Long live DJ Screw. R.I.P. Pimp C.. H-Town Down.

Don’t know how I missed this one. The ever-Based Young L took a stab at Tomas Barfod’s “Broken Glass” and damn the results are beautiful. The original’s droning vocals are chopped to bits over shuffling drums and wallowing synths. Young L has never been shy about straying from his comfort zone to sample the likes of Wye Oak and Yeasayer and by the looks of it, he’s not going to stop. Who woulda thunk that the guy who produced this could make something like this. I’m not complaining. Anyone who can make ignant bangers as well as heartfelt coasters is good in my book. Stream and download Young L’s remix below and be sure to give Barfod’s Salton Sea LP a listen.

Imagine a montage of poolside parties, splashing waves and scantily clad women. Now press play below. Everyone loves airy, lighthearted Summer songs and Groundislava just made the perfect soundtrack to kick off your festivities. Off of the upcoming TV Dream EP, “Weekend In The Tropics” is all timely claps, bright synths and a sweet and simple bassline. While not the most groundbreaking track, it has just enough oomph to get jiggy with and enough laidback shine to accompany the most sanguine of barbecues. TV Dream is set for a late June release on Friends of Friends. Stream and download below.

Hello loyal readers. We regret the lack of action over the past week, but two thirds of the team has been at George, WA at Sasquatch. We learned a few things over the weekend; slow and steady wins the race; Jack Black shouldn’t be allowed near children; and most importantly, you should all learn to do the Larry David. In all seriousness, Sasquatch is an incredible festival in one of the most breathtaking natural settings one could imagine. Before we get to our coverage of the festival though, we have to catch up. It was an incredible weekend for bass/beat music so I’ll just get right into it.

Everyone and I mean everyone has eagerly been anticipating the release of the TNGHT (Hudson Mohawke x Lunice) EP on July 23, but before we bestow the duo with the crown, another Lunice side project needs to be fairly recognized. Nouveau Palais, made up of three Montreal-born beatsmiths, Lunice, Ango and Prison Garde, entered our airspace yesterday with the Avant Gang EP. Despite being named after a  Montreal comfort food eatery, the trio’s music is far from cozy as it coyly bounces from futuristic takes on garage to hip hop to house. As an added bonus the EP features remixes from Canblaster & Sinjin Hawke, Salva, Monolithium and more. Oh yeah, it’s free courtesy of Red Bull Music Academy. Don’t sleep, pick the EP up right here.

Jonwayne has made quite the name for himself as an outspoken internet critic, sparring with fans on his various social networking profiles. He has also made a name for himself by unexpectedly releasing quality material via those same social networking profiles. The verbal diarrhea can get tiring at times, but then he’ll release something like Jonwayne Fucks Disney. Crafting using only an “SP-404 SX, an iPad used to access Youtube videos, and a Zoom H2 to bounce sounds to”, the 8 track beat tape is a testament to the La Habra producer’s dexterity behind the boards. Straying from his usual palette of 8-bit samples, the tape gets weird with a number of Disney samples from DumboAlice In Wonderland and more. This one is not for the faint of heart. Also, a free download. Get it here.

Everyone and their mommas (us included) have had their panties in a bunch over a new school of MC’s  made up of the likes of Danny Brown, the Black Hippy crew and A$AP Rocky. Nacho Picasso is another member of what SPIN called the “New Underground”, but has inexplicably received less praise than his compatriots. Exalted is Nacho’s third album of this year in collaboration with Blue Sky Black Death and it might just be their best output yet. It’s blunt music for the party. A hip hop take on The Weeknd in some sense, investigating the emotional gaps between the party and the after party, the dose and the overdose. Nacho’s lyrical output has improved with every album and Exalted is no different. Production-wise, BSBD has never been better, outgrowing their roots in instrumental hip hop long ago and growing into one of the premier forces in hip hop. This one isn’t free, but I can’t imagine you’ll find a better way to spend five dollars. Cop it here.

Haleek Maul, learn the name Internalize it and wait for his rise. The 15 year old Barbados via Brooklyn MC has been making some waves on the internet recently and “88”, produced by Chicago duo The-Drum, further solidifies himself as one of the most exciting MC’s to come out of the woodwork in a long, long time. My words aren’t a proper testament to this track so just give it a spin.

Only because of lack of time, I’ll speed through these last few. New Daedelus Fact Mag mix. Dark Ages EP on Salva’s Frite Nite. Jacques Greene did a mix for oki-ni. Hopefully this makes up for our lack of activity. Check back in a few hours for the first few installments of our Sasquatch coverage.

Beat Connection just dropped a new cut for us today off of their upcoming Palice Garden LP. The “Palace Garden, 4am” is the first official single for the LP. This is a killer track with otherworldly synths, upbeat bass, catchy vocals, and some interesting high frequency bird chirps…Give it a whirl and if you’re one of the lucky ones who can go to Sasquatch this weekend, get excited for some new material during their show! The album is set to come out on June 19th and for now, you can stream the single below.