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Remixes

Hello loyal readers. We regret the lack of action over the past week, but two thirds of the team has been at George, WA at Sasquatch. We learned a few things over the weekend; slow and steady wins the race; Jack Black shouldn’t be allowed near children; and most importantly, you should all learn to do the Larry David. In all seriousness, Sasquatch is an incredible festival in one of the most breathtaking natural settings one could imagine. Before we get to our coverage of the festival though, we have to catch up. It was an incredible weekend for bass/beat music so I’ll just get right into it.

Everyone and I mean everyone has eagerly been anticipating the release of the TNGHT (Hudson Mohawke x Lunice) EP on July 23, but before we bestow the duo with the crown, another Lunice side project needs to be fairly recognized. Nouveau Palais, made up of three Montreal-born beatsmiths, Lunice, Ango and Prison Garde, entered our airspace yesterday with the Avant Gang EP. Despite being named after a  Montreal comfort food eatery, the trio’s music is far from cozy as it coyly bounces from futuristic takes on garage to hip hop to house. As an added bonus the EP features remixes from Canblaster & Sinjin Hawke, Salva, Monolithium and more. Oh yeah, it’s free courtesy of Red Bull Music Academy. Don’t sleep, pick the EP up right here.

Jonwayne has made quite the name for himself as an outspoken internet critic, sparring with fans on his various social networking profiles. He has also made a name for himself by unexpectedly releasing quality material via those same social networking profiles. The verbal diarrhea can get tiring at times, but then he’ll release something like Jonwayne Fucks Disney. Crafting using only an “SP-404 SX, an iPad used to access Youtube videos, and a Zoom H2 to bounce sounds to”, the 8 track beat tape is a testament to the La Habra producer’s dexterity behind the boards. Straying from his usual palette of 8-bit samples, the tape gets weird with a number of Disney samples from DumboAlice In Wonderland and more. This one is not for the faint of heart. Also, a free download. Get it here.

Everyone and their mommas (us included) have had their panties in a bunch over a new school of MC’s  made up of the likes of Danny Brown, the Black Hippy crew and A$AP Rocky. Nacho Picasso is another member of what SPIN called the “New Underground”, but has inexplicably received less praise than his compatriots. Exalted is Nacho’s third album of this year in collaboration with Blue Sky Black Death and it might just be their best output yet. It’s blunt music for the party. A hip hop take on The Weeknd in some sense, investigating the emotional gaps between the party and the after party, the dose and the overdose. Nacho’s lyrical output has improved with every album and Exalted is no different. Production-wise, BSBD has never been better, outgrowing their roots in instrumental hip hop long ago and growing into one of the premier forces in hip hop. This one isn’t free, but I can’t imagine you’ll find a better way to spend five dollars. Cop it here.

Haleek Maul, learn the name Internalize it and wait for his rise. The 15 year old Barbados via Brooklyn MC has been making some waves on the internet recently and “88”, produced by Chicago duo The-Drum, further solidifies himself as one of the most exciting MC’s to come out of the woodwork in a long, long time. My words aren’t a proper testament to this track so just give it a spin.

Only because of lack of time, I’ll speed through these last few. New Daedelus Fact Mag mix. Dark Ages EP on Salva’s Frite Nite. Jacques Greene did a mix for oki-ni. Hopefully this makes up for our lack of activity. Check back in a few hours for the first few installments of our Sasquatch coverage.

What to say about this one… it’s a mashup of an edit of an edit; in other words, Ryan Hemsworth has done it again. This time, he took Nicolas Jaar‘s remix of Shlohmo‘s staple track “Rained The Whole Time,” and threw in a little (just kidding, it’s a lot) of R. Kelly’sNumber One.” Not all that surprisingly, coming from musical masterminds like these, the combination is quite effective.

Stream and download the track below.

Shabazz Palaces have added a little (or a lot) of their crazy magic to a track off Philadelphia rapper and producer Lushlife’s recent Plateau Vision release. The track, “Hale-Bopp Was The Bedouins,” features Das Racist’s Heems along with Fly Guy Dai and Thadillac. Shabazz Palaces’ own Palaceer throws down a verse in the remixed version as well. Check out the remix (and the original below) right here:

Well this is a pleasant surprise. One of 2011’s quickest risers, New Orleans by way of San Francisco producer Jim-E Stack threw up a brand new heater to his Youtube page last night. Stack brought the revitalized garage sounds of London to A$AP Rocky’s seminal “Purple Swag” last year to break into the scene and cemented his place as one of the most promising young producers via the Come Between EP. Stack puts the emphasis on percussion on this one, letting the sinewy vocals float in and out over quiet synth pads. An understated banger if I’ve ever heard one.

Over the weekend, the prodigal son of Jersey Club, the one and only DJ Sliink, by dropping not one, not two, but three new reworks up on his Soundcloud. While the renowned Newark producer has expanded beyond his Club roots, these three tracks harken back to the subgenre in its purest form. Taking on Bone Thugs N Harmony’s “Thuggish Ruggish,” M.I.A.’s “Paper Planes” and the Beastie Boys’ “No Sleep Till Brooklyn” doesn’t seem like the most forward-thinking venture, but it harkens to the essence of Jersey Club. The staggered chopped vocals and shuffling drum patterns are apparent from the get go and Sliink manages to infuse just enough of his unique flare to make the tracks worthwhile. These tracks aren’t going to revolutionize Club music, but they serve as another notch in the belt of one of the East Coast’s most promising young producers.

There is always an onslaught of blunted out anthems on April 20th. Some are better than others. For example, that new Curren$y joint is on point. On the other hand, the new Belly/Snoop track manages to fulfill almost every hip hop cliche in under five minutes. Quite a feat. Anyways, the point is that you have to wade through a mountain of shake and clippings to find that perfectly spun grape swisher. Lucky for us, the good folks over at Astro Nautico have made it easy in the form of Volume Two of their Atlantics series. The first Volume came out way back in 2009 and the label/crew has come quite some way since. The self-described “flick-to-the-balls, balls-to-the-wall, whopping, whapping 40+ track (including intro, outro, interludes and bonus tracks) compilation album” has something for everyone. Featuring exclusives from Astral Plane favorites Baauer, Abel and Zackey Force Funk, the compilation ranges from out and out club bangers to experimental ambient tunes. Like I said, there’s something for everyone. It’s also free, and should be, along with a solid helping of Lord Quas, Spitta and K. Dot, the soundtrack to however you partake in today’s festivities.

Mario’s mid 2000’s hit “Let Me Love You” probably is nothing more than a footnote in the annals of bad pop music, but to a number of pubescent teenagers at the time, it was a major benchmark in their sexually driven minds. Granted, I was not one those kids, being too wrapped up in the Def Jux back catalogue (for better or worse). Still, the song was unavoidable and was on replay on Seattle’s KUBE93 for months. It’s fitting in this day and age that Brainfeeder beatsmith Lapalux would take on the track and give it a little reconstruction. The smooth original is smashed to pieces here, vocals pitched up and down, thrown across the length of the song and layered throughout. Percussion both dominates and adds a subtle hue to the track, which along with scattered synths, brings the song into the Essex native’s futuristic realm. Stream and download the track over at XLR8R.

While I sit around feeling sorry for myself because I’m not at Coachella, here are a few musical gems from the past week. We’ve got several great remixes and a couple new originals as well. If you’re missing out on Coachella this weekend, avoid sinking into a deep depression by checking out some of the live stream on YouTube.

Download: A$AP Rocky & Theophilus London – “Big Spender”

Stream/Download: Tycho – “Dive” (Memoryhouse Remix)

Stream/Download: Rainbo – “Sand Man”

Stream: Lianne La havas – “Lost and Found” (Lapalux Remix)

Stream: Frank Ocean – “Whip Appeal” (SBTRKT Edit)

Stream/Download: Louis Blaise – “Love And Gwalla” (Phillip D Kick Remix) 

Stream/Download: Kanye West – “Mercy” (RAJA Remix)

Stream/Download: Machinedrum and FaltyDL – “Give In 2”

For those of you who are missing out on Coachella this weekend, here’s a little something to brighten this rainy LA morning. The name Joyce probably doesn’t ring a bell. It’s the new moniker under which Katherine Fussey, niece of acclaimed guitarist Mick Ronson, has released a catchy, echoy-instrumental single, “Keep The Lights On.” It’s an enjoyable track in and of itself, with its head-bobbing rhythms, simple synth melodies, and bright, exclamatory vocals. But as we have seen thus far, it is very difficult to find a piece of music that cannot be improved upon through a little rework by our dear friend Clams Casino. He has preserved Joyce’s bubbly vocals, as well as the ease and abandon she displays in the original track, but at the same time he manages to throw in all of his trademark humid cloudiness, as though “Keep The Lights On” got lost in the rainforest or on a deserted island, and never had any desire to leave. It’s smooth with just enough crunch. There’s a lot going on in this remix, but it’s far from overwhelming; it’s the perfect balance of complication and repetition. Stream Clams’ remix here, and head to Joyce’s SoundCloud to hear the original track.

On Monday, I wrote about Jersey Club up-and-comer DJ Sliink. I’ve spent the 48 hours since exploring Club music and I think I might be a little smitten. I’m still very green when it comes to the genre, and having lived on the West Coast my whole life, really have no experiential knowledge, but I’ve quickly become a fan. One of the first places my research took me was super-collective Bring Bandits, of which Sliink is a member. The collective stretches from Jersey to Chicago to Philly and is known by many as “The Movement That Moves Everything.” The “President” of the collective, DJ Tim Dolla, is one of the most established names in Jersey Club and has been dominating the scene for years. He takes a more purist approach to Club than Sliink does, opting for full body remixes of the latest hip hop tracks. Dolla is revered in Jersey scene and has gained some national notoriety as well through releases on Mad Decent. There needs to be some sort of West Coast adaptation of this shit. Yes, that’s a callout.

Stream/Download:DJ Tim Dolla – Peso (A.S.A.P.)