The term overture generally refers to the instrumental opening to an opera. Wires For Salu is Devonwho’s new side project. On April 16, Wires For Salu’s “Overture” will feature on Dropping Gems’ Gem Drops 3 compilation, the first of the series to be pressed to vinyl. Devonwho and Dropping Gems are two of our favorite fixtures on the West Coast, so this project is relatively exciting (read: very much so). While Devonwho’s music trends towards blunted beats, Wires For Salu inhabits a more downtempo, cerebral realm. Sort of like an overture or something.
New Jamie Grind – “Something You Should Know”
With an EP coming out in the coming months, Leeds-based producer Jamie Grind let loose “Something You Should Know”, a bright piece of technically proficient garage. In the past, Grind has dabbled in house and dubstep (as well as some hip hop MCing), but his recent work seems to be trending more towards early-aughts garage and “Something You Should Know” falls in line with that. Melding the R&B leanings of pop-oriented artists like Craig David and even Disclosure, Grind doesn’t skip on the sensuality and really put his best forward with this effort. Not sure if “Something You Should Know” will appear on the yet be titled upcoming EP, but it’s quite a one off regardless.
Dro Carey Takes Huge Steps On ‘Vital Trails’ EP
It’s been a little while since we’ve heard solo material from Eugene Hector’s Dro Carey moniker, but today we received the Vital Trails EP from the precocious Australian producer. Unlike his work under Tuff Sherm or Fad TMB, Hector’s work as Dro Carey doesn’t fall under any single genre label and truly exists outside of the realm of existing sound and structure. Borrowing heavily from grime and Southern hip hop, the Vital Trails EP sees Hector’s deft touch with industrial sounds and his ability to manipulate seemingly boring grayscale sounds into highly effective dancefloor sounds. “Second Missive” is somewhat in line with the rollicking warehouse sounds of a Blawan or Surgeon, but falls within a grime blueprint. “Libera Me” could lazily be called house, but only in the most maleable sense of the word, utilizing a sparse arrangement of kicks and physically assaulting synth bleeps. Like most of Hector’s work, Vital Trails is not a breezy listen and offers nothing in the way of pop sensibility, but after a few listens, you’ll realize it’s one of the most fulfilling, brilliantly textured releases of the year.
Caleb Stone Remixes Future’s “Karate Chop”
Despite releasing a wealth of quality material in the past year-plus, our favorite autotune automaton, the one and only Future, hasn’t been remixed nearly as much as some of his peers in the rappity singity game. We might receive one Future remix for every 10 Drizzy redos and that’s just not conducive to a positive music landscape. To help right the ship, Los Angeles resident Caleb Stone recently bootlegged “Karate Chop” into an equal parts melodic and molasses mess of hi hats and rippling synth work. Guitar licks encircle Nayvadius’ muted vocals projecting an opiatic effect to the original’s decidedly triumphant vibe. Stone’s remix has a little bit of a Ryan Hemsworth vibe to it in that Future’s vocals are kept almost entirely intact, but the track takes on an entirely new character with the Angeleno behind the wheel. Not to start the hype wheel or anything, but Stone might just be onto something here.
New Bicep – “The Game”
Through both their curatorial abilities and impeccable string of releases, Irish duo Bicep has forced the house music “community” to their knees, effectively popularizing a strand of previously ignored “retro” house. Of course, Bicep aren’t the only act to go back to the basics, but they have received an inordinate amount of attention and deserve a good deal of it. PLUS THEY SAMPLE OMAR LITTLE ON THEIR LATEST SONG!!! Sorry, I couldn’t hold it in any longer. “The Game” opens with a classique “it’s all in the game quote” from Baltimore’s gun toting Robin Hood before embracing some moody garage. I’m a sucker for The Wire so excuse my overt enthusiasm for an otherwise solid, but not remarkable effort. When’s that movie coming out anyway?
New Action Bronson – “Compliments 2 The Chef” (Prod. Harry Fraud)
Apparently Peter Rosenberg is releasing a mixtape this thursday with a cadre of his favorite MCs rapping or something. Regardless of Rosenberg’s various shortcomings as a purveyors of tact and taste, getting Bronsolino and La Music De Harry Fraud together again is something of a public service. But really, can’t we just get a joint album from these two Empire State kingpins? It would be baby lamb perfect after all and easily one of the most anticipated projects to enter our collective consciousness. Sending out serious brainwaves in anticipation. Anyways, “Compliments 2 The Chef” sees Bronson rehashing some of his favorite pastimes, turban wrapped blunts and fellatio among the sensory delicacies. Oh and Lauriana Mae lays down a prettier than thou chorus.
New Ifan Dafydd – “Llonydd”
Functioning as the b-side of one of our favorite cuts of the yung year, “Llonydd” is another Ifan Dafydd track that just reeks of sensual energy. Assisted by vocalist Alys Williams, “Llonydd” highlights some astonishing duality in Dafydd’s production, namely the mixture of soft, breathy vocals and sharp edged, rapid fire drum work. The Welsh producer’s work has always been impeccably smooth, and “Llonydd” is definitely buttery at times, but it also teeters on the edge of a Jungle like fanaticism. If Dafydd can continue to match his beautiful synth work with jungle/grime oriented percussion, he might just elevate himself unto a higher plane.
DJ Kiff Remixes Ciara’s “Body Party”
It was clear from the day it was released that Ciara’s Mike Will produced “Body Party” was a perfect candidate for the Jersey Club treatment and certified Brick Bandit DJ Kiff has stepped up to the plate. The formula is simple and fine-tuned for a track like “Body Party” as bed springs, and that signature Jersey bounce accentuate Ciara’s vocal performance and Mike Will’s chords to perfection.
Jerome LOL Remixes Classixx’s “Holding On”
Classixx are a Los Angeles duo who make breezy, late-aughts sounding pop music with straight-forward disco lean. It’s infectious as hell, if not a little bit retread. You all know (or should know) Jerome LOL. Recently, Classixx released “Holding On”, their most popular tune to date and, while slightly dry, is a truly great dance number. Out now on Astral Plane fave Innovative Leisure, the track has racked up countless plays on Soundcloud and garnered much acclaim on the disputably effective Hype Machine. If the original didn’t fit your fancy though, Jerome is here to save the day. It’s a simple remix in the end, a trial of addition and subtraction with voraciously growling sub bass and a delectable slow house vibe. No word on a release yet, but this gem is sure to see the light of day sooner rather than later.
Girl Unit Remixes Para One’s “Every Little Thing” (Featuring Cam’Ron)
After corralling the one and only Killa Cam for the remix of “Every Little Thing”, Paris’ own Para One grabbed Night Slugs don Girl Unit for the remix. Wait, what? Cam’Ron and Girl Unit? Have we entered an alternate dimension? If the “Every Little Thing” remix package is a barometer for the state of the internet, we might have to ready ourselves for a bevy of incredibly creative (and equally ill-advised) remixes from across the pop spectrum. Not to say that this Girl Unit remix is unpalatable by any means, it’s quite the opposite, but these virtual posse cuts have a lot of room to fail. In the meantime, enjoy the madness that is “Every Little Thing”.










