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Everyone has a posse these days, but few are as vile as Danny Brown’s Bruiser Brigade. Hopefully as a precursor to a full-length, Brown, Dopehead and in-house producer SKYWLKR let loose this EP via Scion A/V. For some reason I can’t even begin to comprehend, the EP’s four tracks are all edited, with that obnoxious warped sound throughout. Fuq dat. Anyways, with Brown at his lugubrious best and Dopehead playing the littler brother role more than capably, the EP is a nice primer to the crew, although hearing from Chip$ would have been preferable. Remixes from Ryan Hemsworth and Lockah prove that one of Brown’s most overlooked assets is his esoteric beat selection and willing to experiment. Those Gucci samples on “Errthing”? Yeaaahhhh. Wouldn’t mind a full project from those two. Head over to Scion A/V to grab the full EP.

Ryan Hemsworth’s work to this date has covered much of the ground where hip hop and dance music meet, often extrapolating into unknown territories. This willingness to experiment with new sounds has allowed Hemsworth to effortlessly traipse across the electronic music landscape, mastering sounds as divergent as soul-based house to straight up wavy hip hop. As both his best and most complete product, the Last Words EP (out now on Wedidit) stands as a signifier of the hard work Hemsworth has put in over the past several years. Of course, Hemsworth isn’t going to stop experimenting and progressing. His latest remix is of label-mate Groundislava’s Bath-assisted “Suicide Mission” and sees Hemsworth trying his hand at juke. Taking the original’s sanguine rhythms and warping them into hyper-speed, Hemsworth creates a sort of distended dance track, not really fit for a club, but also a little too hyperactive for normal headphone listening. It’s like if you ingested a bunch of cough syrup and dexedrine at the same time. Or something like that (not that I would know). Anyways, the remix is presumably part of an upcoming single, which will hopefully include other Wedidit members. Stream below.

Pay for what, girl you better for this

Remember that Waka Flocka track towards the beginning of Ryan Hemsworth’s Live For The Funk mix? The one that sounded like he was rapping over some sort of new age bedtime psalm? Well, Ryan has let it loose to run rampant on the general public. Continuing his hot streak, “Cold & Tempered” takes Flocka remixes (and there is no dearth of Flocka remixes) in a whole new direction, managing to inhabit the worlds of turn’t recklessness and insightful banter. Quite a feat for Mr. Hemsworth. Stream below and catch a download here.

What to say about this one… it’s a mashup of an edit of an edit; in other words, Ryan Hemsworth has done it again. This time, he took Nicolas Jaar‘s remix of Shlohmo‘s staple track “Rained The Whole Time,” and threw in a little (just kidding, it’s a lot) of R. Kelly’sNumber One.” Not all that surprisingly, coming from musical masterminds like these, the combination is quite effective.

Stream and download the track below.

The ability to network on the web is a key skill for any young artist to possess in today’s music landscape. I’m not going to get into the demise of the record industry here (the New York Times produced a great infographic on the subject), but the resonating effect of the drop in record sales has been palpable. Connecting with artists, labels and collectives from across the country and world should be a key goal for any artist on the come up. Recently, we spoke with an artist who has utilized the web to astounding effect. Ryan Hemsworth is a 21 year old producer from Halifax, Nova Scotia on Canada’s far east coast. Halifax resides in a quiet corner of Canada, known more for its harbor and the cult TV favorite, Trailer Park Boys, than any form of hip hop or electronic music scene. As nearby Toronto and Montreal have gained notoriety for their abundance of innovative, young producers (Jacques Greene, Lunice, Zodiac, etc.), Halifax has remained a sleepy coast city. Hemsworth has responded to the lack of a local scene by extending roots to New York, Oakland, and even Paris. He is a member of the Green Ova crew, and has done extensive production work for Main Attrakionz and Shady Blaze over the past several years. More recently, the Bromance Records crew (Brodinski, Gesaffelstein, etc.) has been showing Hemsworth love. As a result, Hemsworth’s brand of “cloud dance” as he jokingly terms his music has become wildly popular in blog world, via remixes of artists as disparate as Grimes and Three 6 Mafia. Hemsworth is one of the most talented artists making music right now and has his foot in the door of stardom. I would not be at all surprised if he has a Clams Casino-esque presence in blog world, or if he has his hands on this year’s LiveLoveA$AP. Hit the jump to read the whole interview. You won’t regret it. Find Ryan at:

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Photo by Sasha Ioncarevic

Southern rap drums are not to be messed with. That’s why Halifax, Nova Scotia native Ryan Hemsworth didn’t fuck with DJ Paul and Juicy J’s snares and kicks on his remix of “Late Night Tip.” Three 6 Mafia’s original, off of Chapter 2: World Domination from ’97, is a masterpiece in its own right, but Hemsworth gives it a nice 2012 facelift. With the original percussion intact, Hemsworth speeds up the beat slightly, relieving it of some of its southern twang. Replacing the syruppy vibe of the original, Hemsworth infuses a ton of weird synths that feel like they’re from some altered zone. Feels a little bit like the atmospherics established on Lapalux’s When You’re Gone EP. Hemsworth is a genius for this one. Despite common perception, not all amazing Canadian artists come out of Toronto.