Tag Archives: Victoria Kim


It’s only been a few days since we dropped Heterotopia Remixes Vol. 2, but it’s hard not to look on to the next and final volume in the series. That being said, it almost seems like we’re getting a rhythm down with these releases and it’s a pleasure to see a good deal of our readers coming back for each of our first three releases. You can check out the full release down below, as well as the tracks that hadn’t been premiered previously after the jump, or just head straight to our Bandcamp for the free download. Thanks to everyone involved, including our own team of Sam and Will. Can’t wait to announce Vol. 3!

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VK_Justin & Victoria 1

Having hosted several balls with MikeQ, including one this past weekend, and worked extensively with Divoli S’vere, it’s fair to assume that Sydney-based duo Victoria Kim are one of the most far flung nodes in the ever-diffracting world of ballroom. That being said, Vic Kim aren’t just another non-East Coast act throwing “ha crashes” on their productions. Instead, Justin and Victoria are functioning in a similar way to Fade 2 Mind’s increasingly disparate collection of artists, conjoining the New York sound with grime, R&B, southern rap and K-pop in a sort of global drum track continuum. And along with fellow Australians Air Max ’97, Strict Face and Dro Carey, Victoria Kim have formulated their identity in direct opportunity to the country’s obsession with house and techno, rejecting local club culture pro forma and looking to London, New York and the Internet for prime inspiration.

With their “Kowloon Edit” of Rushmore’s “Moment X” on this week’s release of Heterotopia Remixes Vol. 2, it was fitting to bring in Victoria Kim for an Astral Plane mix and their brisk, edit-filled take is an absolute joy. Throughout the mix, Vic Kim make an effort to draw together their favored aesthetics, not just by mashing and blending them together, but by by drawing tangible, stylistic lines between Kevin Jz Prodigy, K9, Rich Gang and K-pop acts like BIGBANG and WINNER. It’s a world where the vocal eccentricities of Young Thug feel at home next to BIGBANG’s G-Dragon and the gruffness of grime MC K9 seems to feed off of Kevin Jz Prodigy’s manic spitting. It’s a thrilling run through these connections, but one only has to look to Victoria Kim’s own productions to find more, from the recent Divoli S’vere-featured Kiko Kicks EP (out now on Car Crash Set) to the pack of K-pop edits that have been popping up in mixes since early 2014. And while last year’s edits are still getting play from a global array of DJs, Justin and Victoria are on to the next thing, ripping through peace edits, cross-generational club tracks and whatever is bubbling up on Soundcloud with ruthless efficiency.

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One week from today, we’ve got Heterotopia Remixes Vol. 2 on the docket, our third official release and the second volume in our Heterotopia remix series.

The second volume of Heterotopia Remixes has finally arrived, featuring a global collection of artists remixing songs from our debut compilation. With Air Max ’97, Mike G, Riley Lake, Rushmore and Victoria Kim involved, Vol. 2 is a thrilling run through stripped down club forms, a percussive melange that looks to Baltimore as much as it does Bristol. Angular club music has found its way into unexpected places as of late and this collection of producers are leading the way in the admirable charge to discomfit the dance music realm. This volume also features incredible art work by prodigal East Coast artist Terrell Davis (featured in Dazed, New York Times etc.), continuing the trend of reinterpreting the original release’s cover in new and exciting ways.

Out next Tuesday (March 10) via our BandcampHeterotopia Remixes Vol. 2 features a selection of artists from the original compilation, as well as recent Gobstopper signee Iglew, who turned in an engrossing Astral Plane mix a few weeks ago. Check out the track list below and be sure to check back in this space over the next week for more sneak peaks of the tape.

Track list:

1.) Jacques Gaspard Biberkopf – Public Love (Air Max ’97 Bootleg)

2.) Kid Antoine – Nightvision (Mike G Remix)

3.) Rushmore – Moment X (Victoria Kim’s Kowloon Edit)

4.) Celestial Trax – Illuminate (Iglew Remix)

5.) Victoria Kim – Apgu Freeway (Rushmore Remix)

6.) Arkitect – Foucault’s Dream (Riley Lake Remix)


Release day is always a bit bittersweet, because, despite all the dithering and busy work that goes into releasing music, it means that the process is almost over. That being said, Heterotopia has been a passion project of ours for quite some time now and it’s with great, treacly pleasure that we finally get to unleash it on all of you. Heterotopia is inspired by Michel Foucault’s essay of the same, but not to the extent that the compilation is imprisoned within the French philosopher’s admittedly problematic framework. The tape is positioned to guide the listener into an alternate reality, not in the science fiction sense, but in the liminal, distinctly body-oriented manner of the club-verse. It was our intention to gather a group of transcendent, progressive musicians and the artists who participated in the project took the conceptual framework to heart and drafted 12 polyglot heat rocks that have continued to defy our expectations on nearly every listen. This sort of language is hyperbolic, but for those of us who take pleasure in the expectation, aftermath and release of the club context, this topic truly is important. Heterotopia is a free release, but if you do happen to have a few spare dollars to spend on otherworldly club constructions in your monthly budget, it would always be appreciated. And while this is release day, Heterotopia will continue as a project of ours in the coming weeks and months. Expect more soon on that front and enjoy.


There are also, probably in every culture, in every civilization, real places–places that do exist and that are formed in the very founding of society–which are something like counter-sites, a kind of effectively enacted utopia in which the real sites, all the other real sites that can be found within the culture, are simultaneously represented, contested, and inverted.

– Michel Foucault

You’ve already heard two songs from Heterotopia and with the tape set to hit the web tomorrow, it’s time to give a little love to the full experience. Watch this space and this space tomorrow and enjoy. Huge shout to Arkitect, Kid Antoine, Jacques Gaspard Biberkopf, Air Max ’97, Victoria Kim, Imaabs, Rushmore, Divoli S’vere, Mike G, Celestial Trax, Riley Lake and Iglooghost for turning in exceptionally creative tracks. And Jesse Treece for fashioning the poignant visual side of Heterotopia. Made this process far easier than it should have been.

victoria kim

Victoria Kim have made a name for themselves via slightly gimmicky, but highly effectual remix work and their latest effort, a direct, club-oriented remix Rihanna’s “Diamonds” is no different. “다이몬드스”  (diamonds in Korean) relies on stomping kick drums, undulating sub bass and RiRi’s original vocals with a result that falls somewhere between Hysterics’ (Girl Units) contribution to the Night Slugs Club Constructions series and Objekt’s technically proficient techno. Wouldn’t be surprised at all if this one starts showing up in some heavy hitter DJ sets in the coming weeks.

victoria kim

We usually don’t post radio rips around these parts (especially ones that are over a month old), but sometimes a track is just so prescient and on-point that it deserves belated attention. Victoria Kim is an Australian duo with a predilection towards sampling American pop in their four-on-the-floor techno endeavors. Mixing the hard-edge bend of a Blawan or Kowton with the familiarity of the most banal strains of top 40, Victoria Kim have managed to meld two seemingly oppositional worlds into one immutable blend. Take “Talk Talk” for example, a Justin Bieber-sampling tune that was debuted on Breach and Citizen’s Rinse.FM show last month. Splitting the difference between Jacques Greene-esque bedroom house and the aforementioned Brits, “Talk Talk” sits comfortably between familiarity and dissonance, drawing the listener in with its all too familiar vocal sample, before delving into druggy, late night club debauchery. Expect a lot more from this prodigious duo in the next few weeks and stream “Talk Talk” below.