Archive

2012

A few weeks ago, we gave a brief introduction to the Austin beat scene and the two incredible events, Applied Pressure and Exploded Drawing, it centers around, promising a more comprehensive feature in the future. In the weeks since, the scene took South By Southwest by storm, bringing in Jonti (Stones Throw), Jonwayne (Stones Throw), Jeremiah Jae (Brainfeeder), Robert Koch (Mooncircle) and more. A group of University of Texas students also finally attained funding via Kickstarter for their film (Beat)En Senseless: Austin Beat Culture, a comprehensive look into Applied Pressure, Exploded Drawing and the artists involved. The cherry on top was last week’s announcement that Applied Pressure will host Com Truise in April. The scene is on the up and up and this guide should serve as a nice overview of the people involved. I spoke with Applied Pressure founder and resident DJ/Producer Hobo D for some background (you can find the full interview after the jump) and got some excellent first hand insights into the scene.

Download: Exploded Drawing SXSW Compilation

Hobo D

Before delving in further, I’ll give an overview of Applied Pressure and Exploded Drawing. Applied Pressure is a monthly event held at Barcelona in the heart of Austin’s live music district. Hobo D (DJ/Producer), 4th Wall (Visuals/Producer), Kid Slyce (DJ) and BoomBaptist (Producer) are the residents, although the club night regularly brings in guests from across the world, ranging from Samiyam to Dam Funk to Lazer Sword. Beyond the monthly event, Applied Pressure is a collective/crew/family aiming to further the cause of electronic/experimental music in Austin. Applied Pressure was started a little over a year ago as an obscure collective, but has grown into a venerable purveyor of all things beat, not just in Austin, but across the entire state of Texas (and soon the United States). Kid Slyce is the resident mixing maestro, possessing transcendent skills behind the decks. Hobo D is the crate digger, searching out anything and everything from global psych music to old school IDM. BoomBaptist is the studio genius, and in my opinion, most likely to break out. 4th Wall handles all of the visuals and is one of the most talented VJ’s (?) in the game. It’s hard not to draw out the comparisons to Low End Theory, and while the Los Angeles (and now San Francisco and Japan scene has gained worldwide notoriety, it also began as a distinctly regional phenomenon.

Stream/Download: Hobo D Chinsplitters Vol. 1

Exploded Drawing is similar in style to Applied Pressure, but takes on a significantly different form. Semi-monthly, six” electronic composers, sound collectors and beat makers” take to the stage for 20 minutes apiece to perform all original works. Unlike Applied Pressure, no DJ sets are allowed and originality is paramount to the event’s success. Explode Drawing is hosted by Butcher Bear (who also runs (iN)Sect Records, more on that later) and soundfounder with visuals provided by Nait Ntropy. The name Exploded Drawing is derived from the similar, and now extinct, Sketchbook night in LA hosted by Kutmah. While both Applied Pressure and Exploded Drawing are unique live experiences in the “live music capital of the world,” Hobo D feels that the scene operates pretty exclusively from the rest of the city, instead focusing on 100% originality.

I mention (iN)Sect Records above and for good reason. The record label, started by Butcher Bear, is home to all three Exploded Drawing residents (as well as their respective side projects), BoomBaptist and numerous other Austin stalwarts. The label has also hosted releases from national icons Guilty Simpson, Dudley Perkins and Georgia Anne Muldrow. The label partakes in self-described “Earth Shattering Soul” and releases music both digitally and via limited vinyl runs. Lo Phi, Ntropy and Kinder are just a few of the immense talents who make their home at (iN)Sect.

It’s hard to get a good grasp on such a green scene, but Hobo D should help out a little bit in that arena. Here is a brief list of artists/tracks/mixes/EP’s/albums that should serve as a brief overview of the scene and its diverse range of talents:

Corduroi – Future Adventures (Mush Records)

Lo Phi – Slamma Jamma (Insect Records)

Outlaw Producer – Ninjas EP (Elevator Action)

Soundfounder – Complete Dream Home (Insect Records)

Guilty Simpson – Close Curtains Boom Baptist Remix (Insect Records)

Ntropy – Dither (Insect Records)

Anna Love

This is not meant to be a comprehensive list defining the mix. Instead, it should function as a brief and accessible look into some of the most talented artists coming out of Austin and mere jumpstart into your appreciation of the scene. In the coming weeks, we should have an exclusive mix from Hobo D that will shine some more light into the roots of the Austin scene. Hit the jump to read the entire interview as he can tell the story far better than I can. Also, be on the lookout for the release of (Beat)En Senseless, what is sure to be one of the better music documentaries of the year.

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Back from spring break. I have been missing from the Astral Plane for quite some time due to spring break adventures and not having access to the internet, but now I’m back and bringin you DIBIA$E’s  brand new mix promoting his upcoming Australia/ New Zealand Tour. The mix features collaborations with artists MNDSGN and DEVONWHO. Stream the mix below and download it off his bandcamp page here.

I’ve been on quite the David Lynch kick recently (Twin Peaks at the moment), so when I saw this tweet, I was (understandably) a little bit incensed with joy.

By Saturday, the track was up on Soundcloud. With only the above tweet and this caption from Sufi “FLYLO SENT ME THIS DAVID LYNCH TRACK SO I WENT IN” the story behind the track is still unknown, although the idea of FlyLo, Sufi and Lynch in the studio together is downright delectable. “Houndogs” is a bluesy cut full of distortion and Gonjasufi’s dark wails in the same vein as much of Lynch’s solo work. Whether this is a collaboration between two, or all three of the artists, this is as unique of a track as you’ll hear in quite some time. I absolutely cannot wait to hear the story behind this one. Along with the picture at the top (amazing in its own right), the talent in this post could easily bring the music world to its knees.

Here’s your goosebump-inducing track of the day. Producer mastermind Clams Casino has taken Florence + The Machine‘s “Never Let Me Go,” which was already a huge, heart-wrenching track, and combined it with his signature noisy, reverb-heavy, somber-yet-insanely-listenable style, and the result is fantastic. This track is a welcome departure from Clams’ usual distinctively mellow feel, because Florence’s vocals provide such an epic, emotional pedestal for the echo-y drums and muddy, multi-layered instrumentals. This remix will be featured on the b-side of Florence’s limited-edition Never Let Me Go 12″ single, which will be released on April 9th.

Listen to it here (and then listen to it again):

(Via Gorilla vs. Bear)

Earlier in the week, I wrote that there has never been a dearth of producers coming out of London. While this is undoubtedly true, what I should have said is that there has never been a dearth of producers coming out of the United Kingdom. Whether it’s London, Glasgow, Brighton, or Manchester, the grime, dubstep, house and bass music worlds are centered in the UK. In this case, we’re going to focus on on artist coming out of Leeds, Yorkshire. Skips aka Martyn Woolley makes a wide variety of sounds that most would classify as house music. Most of it hovers around 128 BPM’s, but Martyn refuses to confine his tunes, instead referring to Mala’s excellent take on genre limitations at the Red Bull Music Academy in 2008. Skips started making music in 2006 after attaining a copy of Logic and has not looked back since. He originally began making music after encountering the Leeds dubstep scene and became enamored with DMZ records soon after.

Stream: Skips – “Curse”

While Woolley refuses to be classified, most would consider his music a form of deep or minimal house. That’s too simple though. Woolley incorporates elements of disco, funky and acid basslines into his tracks with ease. Skips’ music is airy and effortless, yet driving at the same time. Every kick, snare, or organ feels perfectly placed and meticulously arranged. While Skips isn’t associated with any label at the moment, he has been working with friend James Welsh for some time and has built a steady following. Expect to hear more from this North England producer soon. We’ve certainly got our heads cocked for the next release. Find the full Skips interview transcript after the jump and more tunes at his Soundcloud.

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When it comes to artist collaborations, some pairings seem more predictable than others; however, it is unlikely than anyone could have anticipated the collaboration between indie stalwart Sufjan Stevens, Chicago rapper Serengeti, and New York composer Son Lux. Nonetheless, the trio has just released a collaborative project, under the moniker s / s / s. The 4-track EP is called Beak & Claw, and it involves calm, trance-like (and sometimes autotuned) vocals by Sufjan, intermixed with intelligent verses from Serengeti, over complex and intriguing instrumentals by Son Lux. The EP was released today via Anticon, but you can stream the entire thing at VPRO.

Towards the end of 2011, a video surfaced of Lunice dropping a brand new collaboration between himself and fellow LuckyMe-er Hudson Mohawke. Then, Rustie dropped the track again in a Boiler Room set. In the months since, the internet has been ablaze with rumors surrounding the collaboration and it has become common knowledge that the duo will go under the moniker, TNGHT. When HudMo and Lunice appeared on the same stage, as TNGHT, at SXSW this past week, word spread that an EP on LuckyMe/Warp was imminent by the end of the calendar year. This morning, we have been graced with the first non rip/live TNGHT song. And. This. Shit. Is. Mad. It is no surprise that these two would go the distance with regards to eardrum shattering bass, but “Bugg’N” is out of control. I don’t even know how to describe this. Once a (at least semi) talented MC learns to rap over these types of beats, it’s over. Hip hop’s going to the stratosphere. At this point, all we can do is wait for the next TNGHT track. Hopefully(!) the one from Rustie’s Boiler Room set. For now, pump up the volume and let it all soak in.

For the past few months, we’ve been pretty excited about the release of the new album from Seattle avant-soul lady-duo THEESatisfaction. You already heard “QueenS” and “Enchantruss,” which were impressive on their own, but the entire album is very strong and never boring. The album, titled “awE naturalE,” was entirely produced by the ladies themselves, Stasia Irons and Catherine Harris-White, better known as Stas and Cat. Shabazz Palaces are also featured on two tracks, which makes for an unbeatable combination of groove and flow utterly unique to the two groups. One thing is for sure, THEESatisfaction are unlike anything you’ve heard before, and that plays undeniably to their advantage as they attempt to distance themselves from today’s well-known hip-hop artists. Additionally, it should be noted that Stas and Cat put on a fantastic live show, and we can’t wait to see what they have for us at Sasquatch this year. Stream the album right here via NPR.

OF Tapes Vol. 2 isn’t set to be released until Tuesday, but this morning we bring you two cuts off the album. One is a track by Frank Ocean, who features on several other songs on the album, but limits his solo presence to this song. The track (called “White“) is extremely minimal and rather brief, but Ocean’s crooning carries it through enjoyably. Listen over at Prefix.

The second leaked track, on the other hand, is over ten minutes long, so brevity is not an issue. It is notably less official, as well, having been pulled from unknown Tumblr blogs around the web. But this song, “Oldie,”  features an excellent appearance from recently-returned Odd Future member Earl Sweatshirt, whose lengthy verse is certainly a welcome addition to the track. Stream the track (via one of the aforementioned random Tumblrs) right here. 

Back in February, we expressed our anticipation for Geoff Barrow‘s upcoming hip-hop album (in collaboration with over 35 other artists), under the moniker Quakers, which is due out on Stones Throw on March 27th. Today, you can listen to a new track off the album; this one is called “Smoke,” and it features one of our favorites here at the Astral Plane, none other than Jonwayne himself. Stream “Smoke” right here:

 

And here’s “Fitta Happier,”featuring Guilty Simpson and M.E.D., another single off the album, which was released last month: