Sliding into the tail end of yet another jam packed year, Coyote Records are set to make another indelible impression on the grime world with their second annual compilation, Coyote Kings Vol. II. The original Coyote Kings, released at the tail end of 2013, established Coyote Records as a forced to be reckoned with in the ever-packed London grime scene, as well as coalescing almost every Coyote artist into the same audial space. Arctic, Spokes, Chemist and Walter Ego are all key cogs in the Coyote make-up, spraying their idiosyncratic, hypertrophied take on grime across several releases in the past year, but some of their best work shows up on Coyote Kings. Vol. II represents expansion for the Coyote team, delving further into the Australian hinterland with the addition of Strict Face, as well as bringing periphery Boxed producers Sharp Veins and Yamaneko into the mix. Chemist and Spokes are the only artists to appear on both volumes, but that doesn’t represent a repudiation of last year’s sound as much as an abbreviation and subsequent extension of the artists and aesthetic brought on the original. Strict Face’s “Taipan Showers” is our first taste of Vol. 2, a fight song-worthy entryway to the tape’s inner confines replete with untempered sino-derived melodies and mean hydraulic streak. It’s a far cry from the beatific cityscapes evoked on the Adelaide-based producer’s recent Gobstopper and Tuff Wax EPs, but that shouldn’t be a surprise to the denizens of Strict Face’s ever evolving world. Coyote Kings Vol. II is out December 22 and you can find the track list after the jump.
New Music
Premiere: Arma – “Jodeci”
Like any genre or sonic movement dead set on getting more women/gyals on the dancefloor, rhythm and grime, the cheekily dubbed R&B + grime combination, was doomed from the start to a few years of aping Kanye West and the Heatmakerz before fading into obscurity. And while Sadie Ama’s star has fallen and Kano is rarely found weeping on hooks in 2014, several producers, Blackjack, Terror Danjah and Kid D especially, rose out of the morass to create some truly differential material through the means of cutting up classic R&B into grime’s eight bar format. Off-kilter and swung in the classic garage style, the aforementioned producers channeled iconic falsetto hooks from TLC, Destiny’s Child and Ray J (don’t laught) into frankenstein-esque 140 creations that, while inherently pastiche, offered a non-aggressive, deeply melodic tinge to the mid-2000s proceedings.
Today, producers like DJ Milktray, Gundam, Tarquin, Detroit and Inkke have continued the R&G tradition, flipping any and every vocal snatch, guitar lick and over-processed Rhodes melody into overwhelmingly fun bedroom and club cuts. They’ve also carved out a home for 90s R&B and early 2000s hip hop in the contemporary grime landscape, a task easier said than done considering the near-constant barbs and misunderstandings that have flown across the Atlantic between the two scenes for the better part of the last decade. Today, we have relative newcomer Arma on the stand, providing an eminently nostalgic cut up of Jodeci’s “Freek’N You”, matching Triton sounds with the fraternal North Carolina band’s now-classic come ons and gospel-derived entreaties. In a sense, Arma’s sound fits more snuggly in the J Dilla tradition than it does in the eski continuum, but its function in the grime world, to humanize the oft-freezing proceedings, is both necessary and welcomed. This Friday (12/5), the London-based producer will release a full tape of R&G cut ups, edits and refixes to celebrate a social media landscape, a tape that should fall alongside the previously mentioned Milktray’s All Because The Lady Loves and Gundam’s Flirtation as one of the best releases to come out of the niche this year.
Taskforce’s ‘Return Notice’ EP Out Now On Silverback
Looking back on the Silverback Recordings catalogue, it’s hard not to see the Belgian imprint as something of a scene-defining force, releasing debut and breakout EPs from the likes of Nguznguzu, Jean Nipon, Grown Folk, Jack Dixon and more as far back as 2010. The fact that the label has been around for over four years makes it a veteran in the club music scene and its piety, as far as release schedule goes, and foresight, the roll call of artists above is as impressive as they come, has allowed the label to skate relatively below the hype circus that has touched many of its contemporaries. The latest Silverback release comes from Chicago-based producer Taskforce (see: Zebra Katz, Le1f), a fitting four track excursion into Kowton-esque analogue techno augmented by remixes from Nguzu and Renaissance Man. Firmly in the tradition of Steve Poindexter and in a similar vein as the Gang Fatale folk across the ocean, Taskforce has turned out an eminently danceable EP in Return Notice and while it might not reinvent the wheel like some past Silverback releases, its function will surely be served. Stream an EP preview below, hit the jump for the Nguzu remix and “CDJ2000”, and buy your own copy of Return Notice here.
Premiere: Imaabs – “Grafito”
Trax Couture has emerged as one of the finest curators of club material over the past year and its latest endeavor, the outward-focused World Series, has only solidified that status. Over the next 11 months (World Series Vol. 1 came from Trax Couture resident/label head Rushmore himself and was released earlier this month), 11 artists from all over the world will be featured in the World Series, their music released on a 3D printed, hand painted USB, as well as a limited edition, three part vinyl series. In a fitting progression, World Series Vol. 2 comes from another Astral Plane fave, tireless Chilean producer Imaabs (both have tracks on our own Heterotopia compilation!), and features a rash of brazen, analogue-sounding club material. The EP doesn’t re-write the handbook Imaabs has been refining since the release of the Baroque EP (out on Diamante) last November, but it does represent a rare diligence that manifests itself in his ability to match disparate elements, the bare kick drum triplets and the raunchy staccato hook are both part of important, organic traditions on both sides of the Atlantic, in a manner that is at once natural and progressive. On Vol. 2 highlight “Grafito”, Imaabs marries dark, warehouse-driven UK techno with Jersey club, with a verve not all that dissimilar to way in which Pearson Sound, Objekt, Peverelist and others mutated dubstep in the mid-2000s. Gaunt and percussive in nature, the track is as close to straightforward techno as the Santiago-based producer has come, but I wouldn’t expect the mans to crossover into the world of purists any time soon. World Series Vol. 2 is out November 28 (this Friday) exclusively at the Trax Couture store.
Premiere: Chants – “U Had Rhythm”
Over the past few weeks, we’ve been lucky to proffer up our debut compilation, Heterotopia, and disseminate it to all of you. We’ve also been joined by Apothecary Compositions to release a cassette version of the compilation, a somewhat arcane pursuit in the modern day, but an endeavor that has added physical depth and a collectors item sheen to the whole process. When we made the decision to release Heterotopia on cassette, we reached out to two artists, Piri Piri and Chants, who were unable to contribute to the original tape for several reasons. Earlier this week, we brought you Piri Piri’s contriubtion, the Gqom-inspired “Low Earth Orbit”, and today we have Chants’ churning “U Had Rhythm”. While largely peddling in sumptuous, sample-heavy hip hop modifications, Chants takes a strong right turn turn towards industrial clubland on “U Had Rhythm”, drafting up an excuse to eschew melody and revel in the madness of frantic, yet spatially aware percussion. While the Wisconsite leaves little to no room to breath in between the crashing, reverb-heavy kicks and cyclical, generator-like sub frequencies, there isn’t a single moment where “U Had Rhythm” feels overbearing. Instead, the track takes on a protean quality, settling into an established snare pattern for several bars before tossing it to the wind and reestablishing a new groove. As physical a track as they come.
We still have a few copies of the Heterotopia cassette available in the Apothecary web store, but they won’t be around for long. With your cassette, you’ll receive exclusive downloads of “Low Earth Orbit” and “U Had Rhythm” and alternative art work from Jesse Treece.
New Yamaneko – “Calotype Process”
If you’ve been following the Boxed massive on social media, listened in to any of the crew’s recent Rinse show, or attended one of their eponymous club nights in London, Yamaneko is likely household name; for everyone else, the London producer is a tantalizing obscure figure. Drawing on new age meditation music, grime-but-not-grime samples and a vivid spatial awareness, Yamaneko’s debut release, the Pixel Wave Embrace LP, has garnered support from a who’s who of prominent Anglophiles on either side of the Atlantic. Pixel Wave Embrace is also a Local Action release, a somewhat surprising step for Tom Lea’s dancefloor-centric (see: Finn, DJ Q, T.Williams) imprint, but one that fits in with the previous narrative established by Lil Jabba‘s Scales, Slackk‘s Palm Tree Fire and Shriekin‘s Gold And Featherwork. “Calotype Process” exhibits the beatific prowess of Yamaneko’s work, a punchy, bewilderingly flat reinterpretation/conflagration of Wiley’s respective eskibeat and devil mix styles, arguably his two longest lasting production innovations. Pixel Wave Embrace will be released in MP3 and cassette form on November 24 and can be pre-ordered here.
Premiere: Seafloor – “It Continues” (+ ‘Drift’ EP Previews)
With two EPs already in the bag this year, Brooklyn-resident Seafloor is gearing up for his most high profile release yet, the year closing Drift EP on Montreal-based imprint Infinite Machine. Utilizing skills as a producer, vocalist and drummer, Seafloor has crafted a group of jungle-inflected 160 tunes that bounce and swim through a haze of recognizable samples, and sawtooth synth riffs. And like some of the best jungle/footwork crossover material, Drift maintains a certain elegance, balancing the extremist sentiments of the junglists and the jello aesthetic of footwork with aplomb. While certain tracks reach a level of linearity where they would not be out of place on a festival stage, Seafloor’s sonic approach doesn’t allow the EP to fall into a monochromatic trap. Drift is set for a December 1 release, but for now you can stream snippets from the effort below and download “It Continues”, an EP outtake that has been gifted to us by the good folks at Infinite Machine.
Murlo’s ‘Into Mist’ EP Out Now On Rinse
With the hyperreal in mind, Murlo has emerged from a pack of young producers with an ebullient sound that matches the melodic acrobatics of soca and the vivacity of bassline with the compositional flex of grime. If that definition could embody Murlo’s sound though, the Into Mist EP (out now on Rinse’s label arm) wouldn’t be as enveloping of a listen as it turns out to be. With a visual element that proffers up the aesthetic inner-workings of the mind of Murlo, Inner Mist coalesces around four original tracks, made up of dozens of twisting, intermingling and fantasmatic melodic threads that tantalize and thrill in equal measure. I’d like to argue that Into Mist is the most fun effort to come out of the enlarged confines of grime this year, but that would involve selling its sheer beauty short. Into Mist is out now.
L.A. Club Resource Reissuing Gene Hunt’s Seminal “Freddy’s Dead”
Despite the fact that you’re probably more likely to find a large quantity of L.A. Club Resource shirts in Amsterdam or Berlin these days, the Angeleno-led imprint has been making inroads in its native city and in American club land at large. The of-the-moment imprint’s latest release, a reissue of Chicago legend Gene Hunt’s “Freddy’s Dead” (with “Bong” on the b-side), could easily be perceived as Halloween-themed, but in the general work stream of the label’s output, it’s actually relatively melodious, if not downright euphoric. Hunt, known for releases on TRAX, Trainspotter’s Nightmare and Housetime Records, is a more-than-welcome addition to the Club Resource catalogue, bringing a timeless edge to the No Limit cassettes and label boss Delroy Edwards‘ own slowed down funk excursions. The 12″ version of “Freddy’s Dead/Bong” is available here and at select outlets throughout the Flatland.
Download Club Chemtrail’s Armand Van Helden Remix Package
In recent years, the name of Armand Van Helden has been somewhat sullied as he flies the EDM banner higher and higher, but then again, the Boston-born garage pioneer never cared much for the cerebral side of things. Portland’s Club Chemtrail team, SPF666 and Commune, have the right idea with this remix package though, pointing to two of Van Helden’s seminal 90s hits and wrenching them out of their former glory. In a sense, both of the Portland-based producer’s efforts are reboots of Van Helden’s originals, maintaining most of the original, strutting intent, but filling each respective joint with an influx of attitude, whether it be derived from ballroom, bubbling, or the dembow-meets-techno of SPF666’s Scorpion Cache EP. Portland’s got it going on these days and the Chemtrail buds continue to lead the way.








