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lk-47

Leikeli47 is an eternally ski mask clad female rapper from New York who just turned in one of the most inspiring rap tapes we’ve heard in a minute. Lk-47 Pt. II is (clearly) the second tape in a series and while we hadn’t heard the first incantation until today, the mixture of Miami-derived bass, Bomb Squad-esque production and ol’ fashioned New York swagger is irresistible. The rapping is brash and direct as Leikeli47 compares herself to corporate mavens Oprah and Diddy, as well as both Janet and Michael Jackson, and Van Ghogh (among others). Not only can she rap with ferocity, she can really belt it out, crafting some instantly memorable choruses on tracks like “Miss America” and “The Root”. Lk-47 Pt. II sounds effortlessly complete and creatively endowed, a rare fete for a relatively new artist. Expect to hear a lot of “C&C”, “Miss America” and “Heard Em Say” in the coming months. Stream the tape below and download here.

morri$

As if they were ever in doubt, recent Los Angeles transplant MORRI$ solidified both his club and R&B credentials via his standout production on Kelela’s Cut 4 Me and a prime slot on Night Slugs All Stars Volume 2. 2013 wasn’t a year of volume for the hotly tipped producer, but nearly everything that had his name on it was on constant replay from January through December. It’s a relief that producers like MORRI$ are being recruited for pop remixes like the following Katy B take, because in all honesty, the big room house sound is getting quite old. This halting, piano-led remix of “Crying For No Reason” balances Katy B’s well-apportioned vocals on top of emotional stilts, replacing the original’s staid house beat with a drum roll-esque grandiosity. The remix will appear on an upcoming single (out January 26) and the original will appear on Katy B’s upcoming album, which will also feature Jacques Greene, Joker and Sampha.

dai burger - in ya mouf

Hailing from Queens, Dai Burger is brazen and aggressive. While her desire to eat the world might bring to mind artists like Lil’ Mama or Azealia Banks, Burger sets herself apart by making a show of sugar-coating it first. She bounces from boasting about toting guns in songs like “Shotz” with help from TT The Artist & Mike Mike to almost sickly sweet songs like standout track “Soufflee’“. Dai Burger is an entertainer and In Ya Mouf is fun. Stream the tape below.

dj vague - helix

Aidan Bennison’s Templar Sound imprint hasn’t always been the most prolific outfit, but they’ve always had their ear to the ground and picked up on sounds and trends well ahead of other similarly minded labels. Their latest signee, the ambiguously named DJ Vague, churns out speedy techno that retains a human element despite its intensive percussion and hazy melodies. On “Porsche Trax 3”, a crackling stomp box kick drum sets off a driving, rhythmically complex track that grows into an ebullient peak-time slammer over a seven minute runtime. The EP is set for a January 20 digital/vinyl release and features two other automotive-oriented trax that operate at an equally high level. Stream “Porsche Trax 3” below and hit the jump to preview the entire EP.

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Twenty9

Well damn, newcomer Twenty9 tore a hole in the ramp remix continuum with this one. Cosmonostro, the French label that’s been throwing out consistent heat just put out this one over their Soundcloud, and it’s a stomper. His second remix in a month, the classically trained beatsmith took a non-classic approach to “Don’t Forget Us”, giving it an upbeat, more club ready feel. Oh, and free download. Bless.

bones deadboy

The LA Graveyard God, Bones, gave us another mixtape earlier this week to start 2014 off right. If you’ve heard him before you know what to expect on DeadBoy: switchblades, backwoods, and horror. With only one song coming in over three minutes, Bones stays punctual. This tape sees him dropping some of his previous Xavier Wulf (former Raider Klan member Ethel Wulf) inspired screaming/crooning and instead opts to ride sparse beats in a near monotone.

Only 19, Bones has tapped into a 90’s Memphis horrorcore mindset that is eerily irresistible. Championing a lo-fi aesthetic, Bones stays true to his VHS roots and puts out a steady stream of music videos to support each tape. While DeadBoy is my favorite thing that I’ve heard from the pale king in a while, make sure to also checkout his 2013 collaboration with the frozen fang Xavier Wulf, ダサい, which finds him trading verses about acid blades over Friendzone’s anime samples (standouts include Ryūketsu No Gaun (Bloody Gown) and Perusha Kyūden (Persian Palace)).

NEW XE2 FROZEN ART

When we first heard Mssingno’s momentous “XE2” last October, the R. Kelly vocal sample was like nothing we’d heard before, immediately identifiable, yet impossible to place. “A dog on the prowl when I’m walking through the mall” isn’t necessarily the most recognizable line in “I’m A Flirt”, but it functions perfectly when disassociated and re-appropriated by the London-dwelling Mssingno. It takes on a slinky, sidewinding quality that reinforces the grand nature of “XE2” and carries the track through several percussion-less minutes. The song came to define a year of instrumental grime, portraying the protean proclivities of the “genre” and highlighting many a peak-time set.

With a good deal of reverence, Los Angeles/Wisconsin-based producer Riley Lake has given “XE2” his own treatment and allowed us to debut the track. Utilizing vocals from R. Kelly’s original to beef up the harmonies and a fair share of eski clicks, Lake’s edit allows for both karaoke singalongs and gun finger waving. The edit belongs in a dystopian club and reminds of the hectic, world-colliding nature of much of Donky Pitch and Tuff Wax’s recent output. If grime is going to continue on its current path, colliding with Southern hip hop, old school electro, R&B and more, then we’re going to want producers like Mssingno and Riley Lake to take the lead. Stream and download Lake’s “XE2” edit below.

Jay R Neutron

MikeQ’s Qween Beat outfit has been an influential East Coast force since its inception in 2005, but despite its reputation as a ballroom/vogue icon, the label only has a handful of official releases to its name. Along with Beek and Divoli S’Vere, Jay R Neutron is one of the key cogs in the Qween Beat machine, installing his Baltimore sensibilities into the traditional ballroom sound. Earlier today, Jay R let loose “The Bey Mix”, a nearly hour long mix comprised of ecstatic Beyonce edits. As if one or two think break laden, “ha” sampling Beyonce edits wasn’t enough, Jay R went full marathon on us, chopping up the full album into a complexly constructed club dominatrix. No download at this point, but this listener wouldn’t mind a few of these edits seeing the light of day as individual units.

iamsu!

After a groundbreaking 2013 that saw the release of the critically acclaimed and wildly popular Kilt 2 and Million Dollar Afro (in conjunction with Problem) tapes, Iamsu! is primed to take his place on the Bay Area rap mantle. Spitting in a quiet, slinky flow over YG & Drake’s (DJ Mustard-produced) “Who Do You Love”, Su sounds as confident as ever, bragging about a label contract and exorbitantly priced footwear. He sounds as confident as ever and if a major label album is in the cards, then he might just bring the whole gang to the party.

ansome

It’s been a little while since we’ve touched on the rougher side of techno, but it’s never too late to jump back into everything that is grubby, sooty and linear. Hailing from South London, Ansome has been curating industrial techno through his Discos Dead imprint (Pulsecode, Tenzin, Circula) since late 2012, but it was only recently that his original productions caught our eye. Premiered earlier by Hurfyd, “Smeatons” moves and breaths like a machine. Hydraulics, clanking tools and a persistent, stomping kick drum make up the body of the track, which moans and groans in impossibly dissonant harmony. The track is upcoming on Swiss label File Rec. so keep an eye on their space.