On first listen, Giraffage’s music is rather unremarkable, a seemingly benign mixture of hip hop, R&B and contemporary production methods. Basically what everyone else is doing. After a few listens though, the appeal emerges in a hurry. Born Charlie Yin, the San Francisco-resident just has a way with vocals. Disembodied and dissonant, Yin reworks vocals into spindly melodies, weaving their way above, below and in-between the melody. Single words and snippets of popular hooks emerge suddenly and disappear just as quickly. Like-minded artists Kastle and Dreams have a similar way with their vocals. Shlohmo takes it to the extreme. Even Jersey Club artists like DJ Sliink and DJ Kiff manage to have their way with pop tropes, albeit with an entirely different outcome. Giraffage and the others are making pop music for the Adderall-addled future generations.
Remixes
MATRiXXMAN Remixes STRFKR’s “Golden Light”
As abrasive and iconoclastic as Matrixxman’s online persona comes off as, dude can churn out some incredibly populist music. Take last year’s (as 5kinandbone5) “Forest Nymphs” for example. The track is basically a lusher than lush take on classic Detroit tropes, demonstrating the softer side of the YG-associated Bay Area-residents. In his solo work, Matrixxman has repeatedly shown this side, but it’s often obfuscated behind a web of inter-referential graphics and web speak. His latest effort comes in the form of a remix of STRFKR’s “Golden Light”, a pleasant, although slightly vapid effort from the Portland band. Matrixxman begins the track by heaping on glob after glob of cheesy guitar licks giving it that “retro” vibe that so many producers strive for. Matrixxman is far more tactful than “so many producers” though and reins the rework in before it gets out of hand. The result is a tropical take on slow, disco-infused house. Stream the remix below and grab a download here.
Shlohmo Remixes Young Scooter’s “Colombia”
A few weeks ago, Shlohmo performed at The Fonda Theater in Los Angeles and amid a night rife with quality exclusives, one song managed to stand out from the rest: a murky remix Young Scooter’s heavily slept on “Colombia”. The remix has been floating around the internet in rip form for a few weeks, but earlier, Mr. Laufer let it loose to celebrate breaking the 70,000 fan barrier on Facebook. Selling bricks has never this fun. Stream and download below.
Stream Mala’s Essential Mix, New James Blake Remix
It’s a party, it’s a party, it’s a party. Recently, dubstep dundodda Mala got behind the decks to turn in a BBC Radio One Essential Mix and did not disappoint. Naturally, Mala threw in his fair share of dubplates and exclusives including the legendary “Anti-War Dub VIP”, but the highlight of the set came at the very end when he dropped James Blake’s (as Harmonimix) long awaited remix of “Maybes”, which has been floating around in various lo-fi forms for nearly two years now. The track still does not have a release date, but this is the first quality rip we’ve received since it was first debuted. Don’t just skip to the end though. Turn the lights off, light one up, let the speakers rattle and let Mala take you on a two hour journey.
Obey City Remixes The Range’s “PS 3”
In two weeks (April 22), Rhode Island-based producer The Range will release his second EP, Seneca, on Donkey Pitch, a tape that’s been on our calendars since it was announced. While we love The Range’s glittery take on footwork, the remix package is what really caught our eye. Howse and Supreme Cuts have reworked Seneca cuts and yesterday, we were lucky enough to get Astro Nautico don and recent LuckyMe signee Obey City’s take on The Range’s “PS 3”. The original is fine and all, but it’s a little too benign for my taste and it just needed that extra oomph to take it to the next level. The percussion is just that much more visceral on the Brooklyn-resident’s take, allowing The Range’s original strings and vocal cuts to occupy the open space in between drum hits. Stream below and head to XLR8R for a free download.
Brenmar Remixes Dom Kennedy’s “My Type Of Party”
Dom Kennedy’s minor-hit “My Type Of Party” is one of the more interesting “party” tracks of the past few years in that it’s really not meant to be a party track in the truest sense. He’s getting head on the sofa and ignoring the “niggas sniffing that coca”, truly Dom’s sort of party. Seeing the potential in Dom’s original, New York by-way-of Chicago club maestro Brenmar took “My Type Of Party” up to 130 BPM and essentially turned it into a more conventional party anthem. This is probably not Dom’s type of party anymore, but it certainly works for us! Stream below and download here.
Jaw Jam Remixes Next’s “Wifey”
And once again, Will DiMaggio aka Jaw Jam flips a sexy, late night anthem into something even more fitting for 4 AM club play. From the producer’s mouth:
This remix came together rather differently, as I initially set out to remix an entirely different song. While in search for the acappella for Dexplicit’s “Wifey4Lifey”, I came across a vinyl rip of “Wifey” by Next. The acapella is one of my favorites lyrically (your are so crucial girl / so critical girl), and I rarely work with male R&B vocals so I thought I’d give it a shot. Plus I never really understood why people don’t say “wifey” anymore.
“Wifey (U Are So Beautiful)” was originally intended for a Symbols release, but was (questionably) rejected and is now available for all of you beautiful people. I trust that you’ll know the time to throw this one and utilize to its full potential.
DJ Sliink Remixes Bert On Beats’ “Dab”
Sometimes you just need to throw caution to the wind, abandon all pretensions and just enjoy some ignorant dance music. We here at The Astral Plane hold by the belief that dancing is a universal activity regardless of age, nationality or musical preference. And that’s why we’re bumping DJ Sliink’s remix of Bert On Beats’ “Dab” in our “office” this morning. It’s not Sliink’s most convincing effort to date, but fuck is it fun to have a little release after listening to highly conceptual music from the likes of James Blake and Nico Jaar all morning. It’s free and available so we expect you to join in wherever you are.
New xxxy Single & Remix
It’s becoming clearer and clearer every day that xxxy is gunning for the crown. The London by-way-of Manchester producer has already released an EP through Rinse.FM’s label arm this year and is prepping a second extended player for Welsh label Ten Thousand Yen, out on April 15. From the man’s mouth himself: “I made another record for the lovely Welshmen at Ten Thousand Yen. The A side is an arpy thing with bass the flip is a vocally thing with bass. They both contain breakdowns – please don’t hold this against me xoxo.” So there you have it, arpy and vocally, but the key is the focus on the deepest, darkest recesses of the low end. Unremitting, yet soothingly rhythmic, the bass weight on “Progression” is an audial sight to behold and should only be witnessed on a fitting worthy of the task. xxxy also recently took on a remix of Clean Bandit’s “Mozart’s House”, which you can stream after the jump.
Karenn Remixes Delta Funktionen’s “Onkalo”
The industrial techno that Blawan and Pariah pump out as Karenn has an intrinsically physical nature to it. That’s a result of both the analogue equipment the duo use to make music and of the setting in which it seems destined to be played at. Whether gully warehouse raves really still exist on a widespread level is rather inconsequential, but it’s impossible to avoid that venue as the ideal place to hear Karenn play music. There are no bathrooms, security or ventilation in Karenn’s world and we’re all the better for it. The drugs your taking are probably bunk, but that’s all for the better in this hardline, rough-edged techno dystopia. It’s all about submerging oneself in the pure physicality. Karenn’s remix of Delta Funktionen’s “Onkalo” is the second track in the below file. The remix will be released via Delsin on May 6.









