You’ve probably heard about London-based producer/DJ/vocalist extraordinaire Maya Medvesek. Formerly monikered 8Bitch, Medvesek now goes by Nightwave and is somewhat of a universal rising star in the UK, bumpin’ uglies with LuckyMe and Unknown to the Unknown, throwing down some of the best sets this side of the Numbers crew and constantly improving her production acumen. Unknwon to the Unknwon released Medvesek’s Night Heat EP last year, and in a bout of holiday spirit, released it as a free download late last week. Along with the original release’s three tracks, a slow and fast mix of “Night Bird” has been tacked on to add to the festivities. If you’re a fan of wonky, psychedelia-infused, juke-informed, euphoria-inducing techno then Night Heat has just what you need. It’s far from a polished product though and represents a collection of ideas more than a cohesive EP. Nonetheless, the ideas are there and the potential for brilliance is readily apparent. Read Medvesek’s interview with Truants to get inside the head of the Londoner and look for new material in the near future. Download Night Heat here and stream “Palenque” and the “Night Heat 160 Mix” below.
Remixes
Knxwledge Remixes House Shoes’ “Crazy”
House Shoes is something of anomaly in 2012, opting not to engage in the average histrionics and/or internet antics to gain fame. Instead, the Detroit native has slowly garnered a loyal fan base largely due to outworking, out-digging and out-producing the competition. Like Black Milk and other Detroit-based producers, Shoes’ sound is indebted to Dilla, but you would be shorting him if you defined him by that affiliation. Anyways, Mr. Shoes finished up a brief tour of the Pacific Northwest along with Guilty Simpson, Knxwledge and Samiyam. To celebrate the tour, Knxwledge took on Shoes’ “Crazy” which also features Simpson and Black Milk. As he’s prone to do, Knxwledge flipped “Crazy” into an impossibly smooth bit of soul-searching hip hop that even takes some of the edge off of Guilty’s toss you around verse. Sad you missed the tour (we are)? Listen to this. It’s not quite as visceral, but you’ll get the point. Stream below and download here courtesy of Fresh Selects.
Sounds From The Astral Plane (Fuck Lists)
Over the past week or so, everyone and their mother have begun posting year end lists in one form or another. While perusing these song/album/mixtape/EP/single/live show/remixes/album art/video/DMX moment lists, you’ll probably come to the realization that you disagree with 90% of them and feel the urge to leave a vindictive comment on one article or another noting the surfeit of fecal matter spewing out of writer A or blogger B’s mouth cavity. First of all, resist the urge. Year end lists are silly and pointless, but they are someone else’s opinion. Anyways, we will not be writing any year end lists, because of the aforementioned clusterfuck that has already ensued. We will post a (brief) roundup of general shit we’ve enjoyed this year and maybe link to some other lists that are prescient or that mirror what we enjoy to a certain extent, but probably not. We have a bunch of amazing sounds for you this week, including Benjha’s brilliant “Flight Simulator, so maybe you should just hit the jump and enjoy some positive music. Maybe fanute around your room to it. You know we will. Just don’t think about lists.
DJ Sliink Remixes Lazy Flow’s “Ogazma”
Over the span of the last 12 months, Jersey Club has risen from relatively insulated regional sound to one of the key signifiers of the direction American dance music is heading. As one of Jersey’s most highly touted producers, DJ Sliink has been at the forefront of this rise to prominence, pushing his divergent sound, in both his remix work and his EP for Body High, on an increasingly “mainstream” audience. Pop remixes have always been integral to the Jersey Club sound so it’s no surprise that Sliinky has taken on everyone from Usher to The Weeknd, but it’s our opinion that his best work comes from remixing lesser known artists. Case in point, his recent take on Parisian producer Lazy Flow’s “Ogazma”, a distinctly Jersey song with a universal sound. The percussion loops and vocal chops are as Jersey as it gets, but the breaks and song structure are more implacable. The result is a Sliink remix that succeeds at Jersey Club to a larger audience, as well as transcending the sound itself. The remix is off of Lazy Flow’s Jet-Lag EP, dropping December 11 via Moveltraxx, but you can download it here courtesy of XLR8R.
Suzanne Kraft Releases New Original, Plus Prelude Edit
Since releasing the Horoscope single on Young Adults back in September, Diego Herrera aka Suzanne Kraft has been quiet on the recording front, focusing his energies on playing out. “Horoscope” has really never left our rotation though and Kraft’s brand of slow house is as refreshing now as the day it was released. Yesterday, Herrera blessed us with a brand new original and an edit of an old disco joint (from a Prelude Records release) that shed a little light on where he derives his current taste from. Stream and download both below.
Psychemagik Remixes Justin Velor’s “Flameout”
Looking back on the past 11 months, it’s impossible to avoid the conclusion that a maximalist ethos has taken over electronic music. From top 40 radio on down, the call for more more more is readily apparent. In recent weeks we’ve featured a few prominent examples of this, namely Don Froth’s voluminous “VAP”, but the shear amount of obsequiously busy tracks being released is becoming overwhelming. Enter Justin Velour (who usually goes by Dom Thomas) and Psychemagik, two British acts working (consciously or not) to re-instill the attitude that less is more. The latter recently reworked the former’s “Flameout” into a nine minute space age opus built on a simple yet effective bassline. Beyond the foundation, quiet percussion shakes and various sound effects ping in and out, but the song remains remarkably subdued for the entirety of its runtime, slowly morphing into a psychedelia-infused slow disco effort. The remix is off of a Velor 12″, out now via his own Brutal Music. Stream below and download here courtesy of XLR8R.
Kingdom Prepares Compilation Of Unreleased Songs For Fade To Mind
Yesterday, Fade To Mind boss Kingdom announced plans to release a compilation of unreleased dubs and remixes called VIP EDITION. The tape will be released on 12/12/12, but you can stream two cuts from it below, including a Ciara remix and a redo of “Fukin Jaker”, a track he briefly posted back in July. While short, both “Goodies” and “Fukin Jaker” offer insight into Kingdom’s influences and raw creative process, the former drawing from the lo-fi end of R&B and the latter borrowing heavily from New York’s vogue house stylings. Both songs cut off rather abruptly so expect to hear full versions come the 12th. Stream below.
Doctor Jeep Remixes Chaos In The CBD’s “Pale Moonlight”
Photo by Elliot Holbrow
Boston’s Doctor Jeep first grabbed our attention via “Dem Hoes”, his ghetto house meets smooth jazz collaboration with Astro Nautico boss Obey City. Simply put, the track made repeating the phrase “do you love them hoes?” somewhat acceptable (emphasis on somewhat) in public. We haven’t heard from the good Doctor in quite a while, but this remix of Chaos In The CBD’s “Pale Moonlight” has him coming back with a vengeance. Jeep flips the mellow, piano-driven original into an aggressive garage number mounted on on a tumultuous bassline. Instead of being the focal point of the song, the original’s poppy vocals become another instrument in a procession of shuffling percussion, the increasingly funky bassline and what sounds like some sort of warped brass instrument. Stream below and look out for Chaos In The CBD’s Never Ending EP on December 17 via Youngunz.
Maru’s ‘Porta Alpina’ EP And The Pointlessness Of Dubbing Artists “Retro”
Since founding their own label/group Transmission Collective earlier this year, Maru, Wolf Cub and Kahwe have been rolling out brilliant production after brilliant production and establishing themselves as a formidable force in the UK’s increasingly retro-leaning house scene. With groups like Disclosure and Bicep storming the charts, one has to ask if there is any point in referring to this type of house music as “90’s” or “retro” anymore? As a response to the garish, blow your load, synth-heavy shit on the radio, this more organic sound has become prevalent in the “underground,” otherwise known as anything not played on the radio. I don’t have a problem with noting that these artists are influenced by the past, but at this point, it seems a little bit demeaning to confine them into such a rigid structure. Rant over.
Anyways, the label’s first release, the Lex EP, was released in October and featured all three crew members collaborating. Porta Alpina is the label’s second release and comes as a Maru solo production, although it also features Wolf Cub and Kahwe remixes so take that with a grain of salt. “Porta” is centered around an low-hung vocal sample from Floetry’s “Say Yes”. Everything about the track, from the vocals to the euphorically warm synth washes, exudes a tactful sexiness, disguising a particularly propulsive kick drum. “Alpina” is built on a laid-back garage rhythm and deep organs and while it doesn’t reach the peak-iness of “Porta” it functions especially well as a slower paced B-Side. Kahwe and Wolf Cub’s remixes aren’t anything to write home about, allowing Maru to really take center stage. Expect to hear “Porta” is sets from some big names and stream below.
Lone Remixes Nathan Fake’s “Paean”
With the release of the critically acclaimed Galaxy Garden LP in April, Lone not only raised his profile in a popularity sense, but gained a certain confidence that might have been lacking in his previous releases. Instead of dabbling in sample-based, Boards of Canada-indebted middle ground as he had in the past, the Nottingham-native took his euphoric productions straight to the dancefloor, crafting an impressive homage to early rave music. The various remixes and one-offs Lone has released since April have seen him experimenting with new styles and sounds, including heavier, more vocal oriented work. The results have been a somewhat mixed bag, but his willingness to expand and experiment is a sign of good things to come. Take his most recent effort, an official rework of Nathan Fake’s “Paeaan”. With a steady kick that would have been anathema to Lone just a few years ago, the track feels like an exploratory probe into a technicolor alternate universe. Euphoria is replaced by child-like wonder on “Paean” as Lone gently guides the ship into new territories. Stream below and grab Fake’s Paean EP here.









