Keyboard Kid has been on a tear lately. Last month, he released his BASEDTREASURES tape, one of the best instrumental releases of the year. He has also been aching to release the BASEDINSTRUMENTALEP, a collection of instrumentals Lil B has used recently. Now, the #BASEDGOD’s main producer brings us a remix of Seattle crooner Katie Kate’s “Houses.” Katie Kate’s vocals dip in and out of the meandering synth progressions and 808’s on this remix highlighting both the vocalist and the producer. The vocals are altered, cut out and refigured throughout the track, but the soothing beauty in Katie Kate’s voice remains throughout. Stream and download the track below and be on the look out for BASEDINSTRUMENTALEP.

http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F36025412&show_artwork=true

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A few days ago, I heard about a release called Gloss Drops 1 made up of two remixes of tracks off of experimental rock group Battles‘ latest album. The two remixes, by Gui Borrato and The Field, were solid, but uninspiring. At the time, I had no idea there would be a Gloss Drops 2. That was why I was so excited to wake up this morning to the news that Gloss Drops 2 will feature remixes from some of my favorite artists around, and that each of those artists come from completely different worlds. The first remix is from avant-rap virtuosos Shabazz Palaces. I’m not too familiar with Battles, beyond witnessing their incredibly strange live show, so I didn’t know the original of “White Electric,” but Shabazz’s remix is outstanding. The track features Ish’s trademark droned out raps over a plodding, guitar driven beat and would be a real treat to see the track performed live. The second and third remixes from Gloss Drops 2 have yet to surfaced, but they should be equally exciting. The first is by The Alchemist. Yes, that Alchemist. East Coast boom bap legend. Last seen collaborating with Oh No on Vodka & Ayuhuasca. The third is by Kode9, Hyperdub representative and London dubstep legend. Not just any dubstep legend, but the type that makes the turtlenecked crowd bitching about Skrillex wet their pants. I never thought the day would come that I would see artists from such distinctly different parts of the popular music world collide like this, but here it is. Gloss Drops 2 will be released on February 21st by Warp Records. Stream Shabazz’s remix below.

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Wow Machinedrum aka Travis Stewart just keeps coming through with the collaborations. Last year it was Sepalcure (with Praveen Sharma) and now he has partnered up with Jim Coles aka Om Unit. Last month, Om Unit wowed everyone with his L.A. Refixes 7″ preview, featuring remixes of Daedelus and Om’Mas Keith. Machinedrum has been anything but quiet as well, releasing the SXLND EP, a remix for Bonobo and a mix for the Fader. Now the two have teamed up to form Dream Continuum and plan to release their first EP, titled Reworkz, on March 26 via Planet Mu. “B Free” is the rapid fire A-side to the EP and really highlights the skills of both producers. Spanning 6:46, “B Free” flips in and out of a breakbeat patter to highlight chopped vocals and an uplifting piano loop. The track is only available to stream at the moment, but be on the lookout for more Reworkz in March.

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Damu The Fudgemunk released this track off of his upcoming Kilawatt V1.5 album set to drop February 28th. The album actually leaked today so you can probably find it very easily. The track is almost seven minutes long with Raw Poetic on the mic and of course Damu producing an ill beat. Only Damu could throw in a sick Xylophone to create this blissful beat. This track in itself is phenomenal and has made me very excited to listen to through the entire album.

I’m in love with mary jane, call me peter parker

Higher than a damn plane, don’t let me travis barker

Jarv Dee is a Seattle native, Cloud Nice representative, and Nacho Picasso affiliate. He’s not the most talented rapper in the world. In some cases though, outright lyricism doesn’t matter. I’m not saying Jarv is in the Lil B categorie of artists that make a name off of their exquisite weirdness though. Instead, Jarv just makes fun songs. He has a great ear for beats, fits the everyman persona, and more importantly, appears to have fun on the mic. It doesn’t help that he’s honest either. Not honest in a naked, brutal sense like Schoolboy Q, but honest in the sense that he raps about what he knows and he know what he raps about. Anyways, Jarv has a new video for his track “I Just Wanna” focused on everyday struggles and the vices that appease them. There’s a sense of escapism in the track, but not enough to make it uncomfortable. You can stream/download the track from Bandcamp below.

Shlohmo’s Vacation EP just keeps giving and giving. The three track is a great EP from start to finish and gives listeners a more-dancable take on Bad Vibes. Along with the originals, a 12″ including a couple incredible contemporary electronic artists will be released on February 14. Last week, we were blessed with a remix of “wen uuu” from Salva, and today, we get a remix of the same track from Brainfeeder representative Teebs. I am aching to whip out my headphones in class and bump this, but I’ll just have to wait. Give some feedback on which remix you like better in the comments. The 12″ will also include remixes from Nicolas Jaar, Airhead and Groundislava. Stream/download below.

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Yesterday, we honored the late, great J Dilla by posting an interview he did on the Gilles Peterson Worldwide Show on BBC Radio One. At the same time as we were posting that legendary interview, one of our favorite contemporary hip hop duos was speaking with Mr. Peterson. Stas and Cat of THEESatisfaction dished with Peterson on their musical backgrounds, the “fusion” of sounds in the  Seattle music scene and their favorite female poets. Both Stas and Cat are quite eloquent and the interview is a great listen. The jazz heavy show also features the new James Blake D’angelo remix and of course a Dilla track. You can find the tracklist for show here and stream/download it below.

Along with J Dilla’s birthday being yesterday (Feb 7), it was also Jun Sebas (Nujabes) birthday as well. Nujabes was a japanese hip hop producer who helped to influence artists like Uyama Hiroto and Shing02. He has worked with CYNE, Cise Starr, Five Deez, Substantial, and CL Smooth. He also  was a founder of the independent label Hydeout Productions.  Nujabes has a very distinct sound that incorporates many different jazz samples into his tracks. This, combined with beautiful piano keys interspersed with some sampled vocals are what makes his beat to Another Reflection so mesmerizing.

Nujabes also has multiple rappers who grace his tracks with some bars. Namely Substantial and Cise Starr, who are on the most of his tracks. This next track is off of his phenomenal Modal Soul album which you must check out! This is Feather feat. Cise Starr and Akin from Cyne. 

Another one of my favorite tracks is Blessing it featuring Substantial and Pase Rock.

One last soothing beat from the great Nujabes featuring Uyama Hiroto called Spiritual State. This song is off his Spiritual State album which was actually just released last year and was his last album that he worked on.

RIP Nujabes

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Seattle underground hip-hop favorite Fatal Lucciauno dropped his new EP, The Message, earlier this week. The 11-track EP is produced entirely by Seattle’s brilliant Jake One, and his incredible beats and samples blend effortlessly with Fatal’s low-key flow. Fatal Lucciauno will be among the Seattle hip-hop artists to perform at Sasquatch! music festival’s new Maine Stage in May. The EP is available for stream and free download right here, via Bandcamp:

It’s February seventh and the birthday of the late and great James Dewitt Yancey, also known as J Dilla and Jay Dee. It is also the birthday of the late producer Nujabes, who I will post on sometime later today.  J dilla died at age 32 from the disease lupus and a rare disorder called thrombotic thrombocytopenic purpura (TTP) which causes blood clots to form in your blood vessels.  In the summer of 2005 Dilla was hospitalized in LA, he could not walk and was barely able to talk. While hospitalized, and knowing that his time left was short, Dilla began to produce his last album Donuts. Donuts was released on Stones Throw on February 7, 2006, his 32nd birthday. Dilla died three days later. His mother, Maureen Yancey (Ma Dukes), said of his death “I rejoiced in the fact that he wasn’t sick anymore, and that he’d done what he came here to do. I believe that. His purpose on earth was to come here and give us the music that he had in his heart and soul.”

The first track that I heard produced by Dilla was Fantastic 3 off of the Slum Village classic album Fantastic, Vol. 1. Slum Village consisted of rappers Baatin, T3, and producer J Dilla. The three grew up together and the album was finished in 1996 but not officially released until 2005. The rapping throughout the album is consistent but what makes Fantastic stand out is Dilla’s production. If you haven’t heard of Dilla, this is the best place to start off your journey of listening to all the music that he has produced. It is certainly a wonderful challenge.

From the trance like melodies in Fantastic 3 to the heavy hitting snare in Look of Love to the soulful clap of Players, Dilla was a genius behind the beat. Dilla was a master at finding the most unique samples and creating something beautiful. One of my favorite samples that he uses is in a track with Erykah Badu called Didn’t Cha Know. Dilla sampled Tarika Blue’s Dreamflower off of her Best of LP. I’l put it at the bottom of this post along with a tribute medley for Dilla made by one of my favorites, Knxwledge.

Knxwledge tribute to Dilla. He says this in his typical cryptic writing

NoWrdsKnSay.

HowMuchYouv’eHelpdMe.

MakeMyWay.

Thnx.J

http://gloof.bandcamp.com/track/takeitbak-medli

Happy listening, and if you havent yet, I highly recommend that you start sifting through the massive collection of tracks produced by this man.

RIP J Dilla