In today’s news, another project that makes too much sense to be real. One March 18, Caribou’s (aka Dan Snaith) Jiaolong imprint will release a split single from Toro Y Moi (aka Chaz Bundick) side project Les Sins that is more directly dancefloor oriented than anything the South Carolina-native has released to date. Last year, Caribou donned his Daphni hat to release Jiaolong, an album that ended up on more than a few year end lists. The project saw Snaith take on analogue house and techno with a vengeance, infusing strong traditional musicality and funk samples into an oftentimes rigid, dissociative sound. Bundick’s Les Sins project isn’t as clearly formulated or direct as Snaith’s Daphni, but what it does do is highlight his affinity for immensely danceable basslines. Instead of analogue house though, Bundick channels 80’s synth pop and early 90’s g-funk sounds and is akin to Dam-Funk than anything else. So yeah, stream “Grind” and “Prelims” below and look out for the single on the 18th.
Jason Burns Remixes Natasha Kmeto’s “Pleasure Delay”
As members of the ever-developing Pacific Northwest electronic music scene, Natasha Kmeto and Jason Burns have operated in the same general circles for the better part of a year now, but have never appeared on the same track before. That ended today when XLR8R premiered Burns’ remix of Dirty Mind Melt cut “Pleasure Delay”, a swinging cut that splits the difference between low end focused house (a la Dirtybird) and the pop-oriented garage of Disclosure. It’s a treat to have Kmeto’s pristine vocals and Burns’ swinging riddims on the same track. Stream below and download here.
New Lapalux – “Without You”
Lapalux and Kerry Leatham just need to stop. I don’t know if I can handle the immense loneliness and beauty the producer and singer bring to the table when they collaborate. A lot of fuss has been made about race and R&B in recent days and if the genre is inherently black or not. Not being a part of the greater R&B community, I can’t really speak on the greater race/class/historical issues in play here, but it has to be said that much of the innovation within the genre has come from outside its traditional barriers. Immensely popular artists like The Weeknd and Jeremih sound like nothing that came before them and work with producers like Zodiac, Shlohmo and Mike Will who offer sound palates that are pretty much antithetical to what traditional R&B stands for. Even further out are guys like Holy Other and Tom Krell who have reduced R&B to an icicle of its former self. Lapalux’s best work comes out when he’s working with vocalists, specifically Leatham, and “Without You” is his most emotive, touching track to date. The version in the wholly unsettling video below is the radio edit, but you can buy the full length version, which also includes “Guuurl”, from iTunes,
New Action Bronson – “Morey Boogie Boards” (Prod. Harry Fraud)
While Rick Ross has long been referred as the captain of yacht rap, between you and me, Bronsolino has a stranglehold on that real beamer with the racing seats shit. Between “Morey Boogie Boards” and “Bird On A Wire”, there isn’t a rapper who evokes Versailles on the high seas better than Ill Prosciutto. Of course, Harry Fraud plays the role of cartographer, guiding Bronson’s rough vocals through Miami Vice guitars and a heart-wrenchingly honest vocal sample. Can we please get a Fraud/Bronson full length already?
New Philip Grass – “Onit”
Somehow we (inexcusably) forgot to post this absolute Gem last week, but better late than never I guess. Philip Grass is a new member of Portland’s Dropping Gems posse and has contributed the delectable first entry into the label’s third comprehensive compilation, Gem Drops 3, which happens to be the first entry to be released on vinyl. “Onit” falls somewhere between Madlib’s Quasimoto and the more aggressive side of the Low End Theory sphere and is a more overtly genre-bending offering than we’ve come to expect from DG. It’s easy to get caught up in the stuttering, heavy synth work in “Onit”, but the heavily distorted vocal sample, faltering FX and cracking drums are the real driving force here. Gem Drops 3 is out April 16 and also feature DJAO, City Mouth and M. Constant.
New Baths – “Miasma Sky”
Baths has always been one of the most talented producer/singers out there, mixing pot and pan percussion with blunted synth work and his now signature falsetto. If one was going to level any criticism on the man born Will Wiesenfeld, it would have to be focused on his song-writing. While the wavering quality in Baths’ vocal material might be intentional, it’s also fairly clear that he wasn’t the most comfortable behind the mic on 2010’s Cerulean. It appears that the Los Angeles-native might just have found his sea legs though. “Miasma Sky” is our first taste of his upcoming Obsidian LP and features Wiesenfeld’s strongest vocal work to date. Instead of immersing himself in the mix, the vocals float wistfully over a progressively funky bassline and understated drum hits. It’s clear that this is a Baths song, a strong indicator that Obsidian will expand and improve upon Cerulean‘s strong points. Stream below and look out for Baths’ sophomore LP on May 28.
New Danny Brown – “#HottestMC” (Prod. Harry Fraud)
The channel formerly known as Music Television has been doing some sort of “Top MCs” list in recent weeks that has purportedly been riling up quite a few rappity rap types out there who feel that the former music video purveyors might be a little out of their element in attempting to gauge, well, musical ability. All bitching aside, the list was doomed to fail from the beginning and should be whole heartedly ignored. The one positive side-effect of all of the kvetching is that the Adderral Admiral took notice, grabbed Harry Fraud and let loose “#HottestMC”. Far from the most complex Brown attempt, the track is pure braggadocio and battle rap aggression. The production features a lethargic psych rock guitar sample and a twisting, medieval-sounding synth. “#HottestMC” will reportedly appear on Brown’s upcoming Old LP, which will also feature production from Rustie. Stream below.
Stream/Download Chrome Sparks’ ‘Sparks’ EP In Its Entirety
Jeremy Malvin is a Michigan-resident and a quickly rising star. On stage, he’s known as Chrome Sparks and has inserted himself into that juicy middle-ground between dance music and beats that the kids seem to love these days. Sparks is Malvin’s most complete effort today and is a hugely successful collection of populist tunes that look to everyone from Daedelus to The Flaming Lips for influence. If you’re short on time, head straight to “Send The Time On”, a joint full of prog rock histrionics and some absolutely brilliant melodic tools exemplified in abstracted vocals. Stream the full EP below and head to Bandcamp to grab a free download.
New Rustie – “Slasherr”
It’s been quite some time since we’ve heard an all new, serotonin splashing song from Glasgow/LuckyMe/Warp/Numbers pusher Rustie. Since the release of 2011’s Glass Swords, the man born Russell Whyte has released a set of remixes as well as some highly acclaimed, vocalist-assisted retakes of album cuts, but nothing as remotely groundbreaking as his debut LP. And then there was “Slasherr”. Centered around some absurdist trance synth work and even more absurdist (dog yelping?) vocal samples, Rustie splits the difference between Armin Van Buren and DJ Toomp with a little bit of everything else tossed in for good measure. Stream “Slasherr” below (and cop it here) and look out for the full single release on March 18.
New Lapalux – “Forlorn” feat. Busdriver
Lapalux’s debut album comes out next month on Brainfeeder, but that isn’t going to stop the Essex-based producer from releasing excellent free jam after excellent free jam. The latest comes in the form of “Forlorn”, a Busdriver assisted rappity rap track that sees the Los Angeles-based MC go double-time over some fittingly astral production. Stream “Forlorn” below and grab it from Lapalux’s Bandcamp for free.99.








