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Author Archives: Gabe Meier

jeremiah jae

Over the past week-plus, Brainfeeder’s in house mic killer Jeremiah Jae has taken to Soundcloud with a vengeance usually reserved for Flying Lotus collaborations. Jae has released 10 new tracks to be exact in an effort he’s calling Black Jungle Radio. The majority of the tracks feature Jae on MC duties although he stays behind the boards for YBP, Raja Black and F.A.B.L.E. cuts. While fairly hit or miss overall, Black Jungle Radio spans the gamut of Jae’s sounds and influences, ranging from the lo-fi funk of “BlackMyth” to the ridiculously smooth, Exile-esque “Lost and Found”. In fact, Jae takes cues from Blu & Exile (for better or worse) for the majority of the series. I say for better or worse, because   Jae exhibits Blu’s hustler everyman persona on some tracks and is utterly lazy on others. Of course, Jae’s Black Jungle Radio isn’t represented as an album or official release like much of Blu’s low quality work. Jae certainly won’t be played on the radio, but maybe that’s a good thing. Stream “BlackMyth” and “Lost and Found” below and download the latter here.

Update: Download the entire tape via Bandcamp after the jump.

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jamie grind

Photo by Shaun Bloodworth

Jamie Grind is from the far North of England, but you wouldn’t know it on first listen. While he now resides in London, the Leeds-native produces upbeat garage-informed music that belies his bleak surroundings. Grind achieves achy euphoria via a less is more production philosophy that emphasizes the most important facet of each and every track. On Grind’s remix of Thieves’ “Dilate”, that facet is the infectiously bouncy bassline. Instead of immersing it in a malaise of chopped vocals and shuffling percussion like the original (a fine track in its own right), Grind isolates the phonk and brings it out for maximum effectivity. At several points throughout the track, Grind entirely isolates the bassline, leaving just a single squiggly line of the track’s various vocal, percussion and synth arrangements left. The uplifting pads certainly aid the euphoria, but it’s that damn bounce that really gets you. Stream below and head over to XLR8R for a free download.

lapalux

Every once in a while, I come to the conclusion that too many producers are sampling mid-90’s to mid-2000’s R&B and that the trend will die out and become passé at some point. The pool of quality songs from that era isn’t that big after all and at a certain point Ginuwine and Aaliyah can get a little old. That’s usually the point when I lay down in bed, listen to Jacques Greene for an hour straight and forget my silly inhibitions and theories. More recently, Lapalux has taken Greene’s place as de facto sexy solitary music. Whether working with Mario’s immortal “Let Me Love You” or enlisting the always wonderful Kerry Leatham, the Essex-based producer has nearly perfected his vocal + chunky synths formula, which will surely be apparent on his upcoming debut LP for Brainfeeder. That’s right LP! After releasing the Some Other Time and When You’re Gone extended players through the Los Angeles imprint last year, Lapalux has gotten the green light for Nostalchic, due in March of this year! This year!   For now, you can sample the death defyingly beautiful “Guuurl“. Like most Lapalux tracks, the vocals seem to teeter on the edge of the mix, neither completely enveloped  nor entirely separate. I haven’t placed the sample quite yet, but maybe one of you can (;. Stream below and long live the R&B sample!

mosca

There isn’t a song that better exemplifies British label Hypercolour’s appeal than Mosca’s 2012 hit “Eva Mendes”. The track has plenty of techy underground signifiers that get the heads leaning for more, but everything from the track title to the vocal sample had big time dancefloors going nuts since its June release. Labelmates Huxley, Tom Demac and George Fitzgerald hit similar tones throughout what had to be Hypercolour’s largest year to date. Earlier today, Mosca let loose a treat for all the ravers in his well played VIP of “Eva Mendes”, a slightly beefier, more groove-oriented version of the original. The London producer doesn’t appear willing to let the VIP loose on the general public in download form just yet, but maybe he’ll come to his senses eventually. Stream below.

kid smpl

In a sense, Kid Smpl’s remix of The xx’s “Fiction” demarcates the logical furthest extent of the London trio’s vision. It’s made up almost entirely of infrequent, out of breath kicks, melancholy keys and atmospheric found sounds. Rommy’s vocals are pushed so far into the mix that they almost operate as random found sounds and the beat (when there is one) is as airy and atmospheric as they come. Without expectations, Smpl has crafted an effortlessly beatific night time anthem that achieves more with less and might remind some listeners why they fell in love with The xx in the first place. Stream and download below.

riley lake

Last Friday, we debuted Riley Lake’s very real “Request Line” mix as part of our very real and very professional early 2013 music bidnes coverage. We’ve sat on the originals for FIVE WHOLE DAYS, but it’s probably about time to let the dragon out of the bag. To start off the edit induced run of madness, Riley’s Boddika influenced remix of Baauer’s shmassive “DumDum” deserves some individual shine. In proper techno form, Riley has clearly been indulging in some dark UK ish and is sounding more and more like Mannie Fresh/Bangladesh/DJ Toomp locked in the Berghain basement with every new upload. We all ❤ Sunklo after all so stream and download below and keep your ears perked for more edits on the horizon.

ryan hemsworth

Ryan Hemsworth dominated 2012 via a lengthy series of remixes and one remix heavy solo EP, but 2013 sees the Halifax-native taking to the originals game with gusto. Like “BasedWorld”, the track Hemsworth let loose on New Year Eve, “An Overture Might Help Me Stop Thinking About You” would fit right in on a video game soundtrack and actually samples Final Fantasy resulting in something of an epic orchestral sound. Pot and pan percussion adds an earthy, homemade element to the otherwise otherworldly instrumental, which will appear on Friends of Friends’ upcoming Show Me The Future  compilation. Stream below.

salva & brenmar

Tonight, dons of hype ass American club music Salva and Brenmar begin their joint US tour with a date in Los Angeles’ King Thing venue (along with RL Grime). 2012 saw Salva reach new heights of popular success, imprinting his sound on a generation of “reformed” brosteppers, wrangling a guest appearance from Pusha T at the Red Bull Culture Clash and, most impressively, garnering one of BBC’s vaunted In New DJs We Trust spots alongside Jackmaster, Monki and Brodinski. Brenmar didn’t hit the same level of popular success that Salva did in 2012, but the longtime club trailblazer expanded his sound into the hip hop and pop arenas through various mixes, production work and edits. It goes without saying that the two are some of the most in demand producers/DJs in the American scene and will be laying down some wonderfully variegated sets throughout the tour. To celebrate the opening date, the LA/Chicago duo has released a refreshing update on DJ Deeon’s Windy City ghetto house anthem “Let Me Bang”. The remix has a Dutch feel to it, exhibited through some bleepy synth stabs, which might turn off some listeners, but the uninhibited take is undeniable fun and Deeon’s vocals (“hit it from the back”) are immensely chant-able. Stream and download below.

t. williamsThe most interesting facet of T. Williams’ music, and especially his most recent Rinse 21 mix CD, is that despite its sometimes abrasive qualities (grime influences, off-kilter rhythms), it almost always appears primed for a vocal assist. The Pain & Love EP justified this assumption, pairing Tesfa Williams with several vocalists and his remix of Disclosure’s “Latch” solidified his vocal-driven credentials. Whether you prefer sans-vocals Williams is somewhat irrelevant, because it appears that’s the direction he’s taking, although a return to “Chop & Screw” would also be welcomed. Anyways, Williams recently remixed RCA songsmith Mikky Ekko’s “Pull Me Down” into a percolating piece of Miike Snow-esque pop music. It wouldn’t be a T. Williams joint without the shuffling percussion and almost imperceptibly bouncy bassline. The track is up for free download below, but Williams has hinted that he will be uploading a 320 version soon so it might be worth it to hold out ;).

keyboard-kid-dont-leave-based-worldLaying in wait for months, Keyboard Kid has finally hit the masses with the long-awaited Don’t Leave BasedWorld tape, featuring 27 brand new instrumental creations. While the tape’s cover takes cues from Eazy-E and baroque art, the songs within exemplify the prolific beatsmith’s expansive repertoire and undying work ethic. The tape description puts Keyboard Kid squarely in the Lil B taskforce and the Seattle resident shouts out Raider Klan, Grimes and an odd Nickelodeon cartoon on various tracks. Keyboard Kid is at his best on the euphoric “Based Can’t Stop” and bonus jawn “My Based Journey” and while his productions are certainly tailored to a certain type of MC, Don’t Leave BasedWorld see KK expanding on his previous blueprint into exciting new territory. Few producers manage to ground ethereal/supernatural qualities in concrete beatwork quite like Keyboard Kid. It can only be described as the most based. Stream below and/or cop Don’t Leave BasedWorld for $6.99.