Archive

2012

One month ago, the Sasquatch Music Festival lineup was released to much fanfare. Like all festivals, some hated the lineup while others loved it. For the more levelheaded, it appears to be a very balanced lineup with a deep undercard. From here on out we will be underscoring the lesser-known Sasquatch artists by highlighting a different artist each week. Beyond delving into each artist’s bio, sound, etc., we will attempt to give some insight into what will make their performance at Sasquatch so amazing.

Seattle has long been known for its tendency to foster some of the biggest musical talents of the past several decades. Maybe it’s the rain, maybe it’s the attitude, but something about the city seems to create artist after artist brimming with promise. That being said, Seattle has not always been known for its hip-hop, and this may be because Seattle’s rappers tend not to fit the mold of a nationwide hip-hop stereotype. Today, we focus on two such norm-defying hip-hop artists, both of whom will be gracing the Seattle-hip-hop-focused Maine Stage at Sasquatch: Grynch and Sol.

The first, Grynch, is (in all honesty) probably the shortest rapper in the world. Name every physical characteristic you would expect a rapper to possess, and Grynch will defy nearly every one (known as the Ballard King, Grynch can be spotted driving a silver ’86 Volvo station wagon). His stature, however, does not detract from his talent. He has been releasing promising material since the mid-2000’s, and like other young Seattle rappers, he has been fortunate enough to fall under the wing of artists such as Geo of the Blue Scholars. Grynch will be releasing a new album, Perspective, on Friday, and judging from the tracks he has shared thus far, it’s shaping up to be a very respectable endeavor. Read a short review of the album by Larry Mizell Jr. in The Stranger right here. Check out “So Far,” featuring Brother Ali and Shaprece, and produced by Jake One, right here:

Next up on the Sasquatch preview list is Seattle rapper Sol, a gangly UW grad who is relatively new on the Seattle hip-hop scene, but is nevertheless making a splash with his low-key, conversational flow and relatable lyricism. His most recent release, a full-length album titled Yours Truly, is more introspective and sophisticated than his previous efforts, and it is an enjoyably cohesive record. The album was funded entirely through a Kickstarter campaign, and it reached #1 on the iTunes hip-hop charts nationwide. Sol’s live shows are high-energy and undeniably fun, and he will certainly be a valuable addition to the Sasquatch lineup. Check out the music video for “2020” right here:

Grynch and Sol have been collaborating on occasional tracks for the last few years, and tend to make appearances on stage at each others’ shows, which will most likely be the case at Sasquatch. Here, check out a few of their most successful collaborations:

These two artists comprise only a fraction of the Seattle hip-hop talent that will be making an appearance at Sasquatch. The Maine Stage will bring us many great undiscovered hip-hop acts from around the Northwest. As the weeks progress, we will continue to bring you more coverage of the Maine Stage artists, as well as other Sasquatch artists in general, so stay tuned.

Update: Check out Grynch’s brand new album, Perspective, right here.

I have probably talked about this album enough already to show how excited I am for this release. Robert Glasper Experiment releases their first full length album that cannot be described as any one genre. The album draws from jazz, hip hop, R&B and rock (they cover smells like teen spirit by Nirvana). Lets first talk about the amazing lineup of special guests, including Erykah Badu, Bilal, Lupe Fiasco, Lalah Hathaway, Shafiq Husayn, KING, Ledisi, Chrisette Michele, Yasiin Bey (Mos Def), Musiq Soulchild, Meshell Ndegeocello and Stokley Williams. This lineup in itself should get you very stoked to check out the album. These featured artists paired with pianist Robert Glasper, saxist Casey Benjamin, bassist Derrick Hodge, and my personal favorite, drummer Chris Dave is jaw dropping. I can say that Chris Dave is one of the most talented drummers I have heard in a long time. Here’s a taste of Chris Dave.

For the people who see the names Lupe and Mos Def, their features will not disappoint. To be honest, I think Lupe hasnt really put out any noteworthy material since food and liquor. Look at his attempt to rap over lights by bassnectar or M83’s Midnight City. I dont know what he was thinking, but his track Always shine is respectable. Mos Def does what Mos does and absolutely killed it on the track, Black Radio, found below.

The great thing about this album is how accessible it is to all types of listeners. For the devoted jazz fans you will find the find the bands combination of different styles enthralling, for hip-hop heads you get to experience a new side of Lupe and Mos that you may not be used too, the quiet jazz rendition of Nirvana’s Smells Like teen Spirit showcases the bands talent to defy genre boundaries and create an album that every listener will enjoy. To check out some more tracks from the album, click hereAll in all, I can already say that this is going to be one of my favorites of 2012. Whats more, if you buy the album on Itunes you get a bonus track covering the A Love Supreme by John Coltrane. The bonus track can be streamed below.

The first LA BoilerRoom show is going down tonight with a legendary lineup that I am very excited for. It is a show that consists of entirely Stones Throw label artists. Stones Throw was started in 1996 by Peanut Butter Wolf and has become a powerhouse of a label. At tonight’s show, Peanut Butter WolfJ.Rocc, and Dam Funk will be performing.  The show will start at 8-11pm and can be streamed here http://boilerroom.tv/live/. I probably wont be able to watch this live because its saturday night but have no fear. The BoilerRoom will release the audio and possibly the video of the event a couple days later.

komfi.EP Cover Art

Knxwledge once again graces us with another EP. This one titled Komfi dropped today. I swear the dude never sleeps with the amount of material he keeps on putting out. Check out the dope album artwork as well above. Its a fairly short EP with 5 tracks all under 3 minutes but we see Knxwledge’s  masterfully smooth vocal samples throughout. The EP can be streamed and bought off of his bandcamp page

BBNGLIVE 2 Cover Art

Last week I posted on BBNG’s live performances of James Blake’s CMYK and Limit To Your Love you can find that here. This video was recorded while the band was at Gilles Peterson’s Worldwide Awards on January 21st.  Now they have released the rest of the songs from that show which include; Hard In Da Paint, DMZ, Banter, CMYK/Limit To Your Love, Rotten Decay, and Bastard/Lemonade. Needless to say I am always excited to hear new live material from this group and better quality than that shaky Youtube video.  Now some of these songs have already been released, but I am excited for the James Blake covers.  The album can be streamed on their bandcamp pageThere is also a link on the page for the free download via Mediafire. I also found some better video footage of the live performance.

We know you’ve been waiting in eager anticipation for new material from OFWGKTA. Take that with as heavy a dose of sarcasm as you’d like, but the last 24 hours have brought several new items of interest from Odd Future including the tracklist (see below) to the collective’s upcoming album, OF Tape Vol. 2due out March 20th on Odd Future Records. Additionally, it now seems that the album will be released with four different album covers, as seen above. The image of the four album covers flashes at the tail end of the collective’s most recent music video, which was unveiled yesterday. The video is for Hodgy, Domo and Tyler’s track called “Rella,” produced by Left Brain, and it follows in the perplexing but comical footsteps of most of Odd Future’s recent music videos. Check it out right here, and keep in mind that Odd Future’s only harm comes when they are taken too seriously.

After you’ve recovered from that experience, here’s the tracklist for the upcoming album. As of now, there are no allusions to guest appearances from outside the collective, and Earl Sweatshirt seems to be absent as well, but Syd and Matt Martians’ new duo The Internet will make an appearance.

OF Tape Vol. 2:

01 Hi.
02 Bitches [ft. Domo Genesis and Hodgy Beats]
03 NY (Ned Flander) [ft. Hodgy Beats, and Tyler, the Creator]
04 Ya Know [ft. the Internet]
05 Forest Green [ft. Mike G]
06 Lean [ft. Hodgy Beats and Domo Genesis]
07 Analog 2 [ft. Tyler, the Creator, Frank Ocean, and Syd tha Kyd]
08 50 [ft. MellowHype]
09 Snow White [ft. Hodgy Beats and Frank Ocean]
10 Rella [ft. Hodgy Beats, Domo Genesis, and Tyler, the Creator]
11 Real Bitch [ft. MellowHype and Taco]
12 P [ft. Hodgy Beats and Tyler, the Creator]
13 White [ft. Frank Ocean]
14 Hcapd [ft. Domo Genesis, Hodgy Beats, and Tyler, the Creator]
15 Sam (Is Dead) [ft. Domo Genesis and Tyler, the Creator]
16 Doms [ft. Domo Genesis]
17 We Got Bitches [ft. Tyler, the Creator, Taco, and Jasper Dolphin]
18 Oldie [ft. Odd Future]

 

Via.

Big live set at the BoilerRoom today with Buddy Peace, Boom Bip, Jneiro Jarel, and DOOM  closing out the set at 2200 GMT time which I believe is 2 PM for all of us on the west coast. If time zones confuse you, check out this chart to see if you can watch this live. http://wwp.greenwichmeantime.com/time-zone/usa/pacific-time/convert/index.htm

Thankfully I don’t have class from 1-4 like I usually do so if you can be sure to check out this set if youre able. If not, the BoilerRoom is pretty good about releasing the sets for free on itunes.

The show can be streamed live here http://boilerroom.tv/live/

Photo from facebook

Three weeks ago, the Sasquatch Music Festival lineup was released to much fanfare. Like all festivals, some hated the lineup while others loved it. For the more levelheaded, it appears to be a very balanced lineup with a deep undercard. From here on out we will be underscoring how great the undercard is by writing about a new Sasquatch artist every week. Beyond delving into each artist’s bio, sound, etc., we will attempt to give some insight into what will make their performance at Sasquatch, a truly unique festival, so amazing.

So far in our Sasquatch artist previews, we have unintentionally covered solely artists that will be performing in the Banana Shack aka the Dance Tent. While this blog does trend towards the electronic and hip hop side of the musical spectrum, our goal is not to hem ourselves into any genre boundaries. Again, this week, we are covering an artist performing in the Banana Shack. Also again, this week’s artist, Little People, does not fit into the traditional confines of a dance act. Our first two artists, Com Truise and Tycho, plie their trade for Ghostly International, but our love affair for the label ends here.

Little People aka Laurent Clerc is a Swiss artist by way of London. Clerc is one of the few artists who have managed to stay under the radar, although he has built a following through untraditional means. Clerc released his first album in 2006, titled Mickey Mouse Operation, but has stayed relatively silent since its release. Rarely agreeing to participating in interviews (I only managed to unearth one) and only sporadically releasing material, Clerc has instead gained a following through listeners discovering his music on iTunes and internet-radio station Pandora. Since Mickey Mouse Operation‘s release, the album has steadily risen up the iTunes electronic charts and Clerc’s profile has risen accordingly.

DownloadLittle People – Mickey Mouse Operation (Half of Album)

Over the past year or so, Clerc has began to tour, most recently supporting Emancipator on his Winter tour, as well a stops at Re:Generation Festival and several other US tour dates. Clerc’s slow acceptance of the spotlight, along with the rise in popularity of his debut album, appears to be in anticipation of his second album, set to drop this Spring.

It is difficult to judge Clerc’s sound, as he has stated that he wants to move away from the sample based trip-hop sound that dominated his debut and move towards a more organic sound. Mickey Mouse Operation ranged from Emancipator-esque orchestral pieces dominated by strings and dusty percussion to more repetitive, hip hop oriented beats. Emancipator is a good comparison for Little People’s debut, but so is Endtroducing era DJ Shadow. In my opinion, no instrumental album will ever touch Endtroducing in terms of innovation and technical proficiency, but Shadow’s fingers are all over Clerc’s debut.

Little People will most likely have a late afternoon set in the Banana Shack after the house DJ performs (DJ Anjali was great last year), and barring a massive popular breakthrough in the coming months, will be playing for a pretty sparse crowd. Despite this, Clerc will undoubtedly put on an excellent show, and will serve as a nice break to the ravey-er dance acts that will dominate the Shack.

Thought I would throw this track up today, The Clean Hand produced by Pete RockBlu is an infamous west coast underground rapper and producer who has been getting a lot of attention for, most notably, Below The heavens with Exile. The rapper has released a vast amount of other material and all of it is good, warning he is lazy and releases unmastered material. It’s a treat to hear Blu over a Pete Rock beat. Happy saturday!

Check out this cypher with Blu, and Oddisee killing it along with Das Racist, Homeboy Sandman, and Final Outlaw.