Archive

New Music

Black Moth Super Rainbow is one of those bands that really don’t have any peers. They’re too weird. Too experimental. Too involved in the abstract. Through this, they have garnered an equally unique sort of cult following. Based in Pittsburgh and propelled by creative mastermind Tobacco, the group has attracted fans since their first official release (Falling Through A Field) in 2004, via their unique blend of synth-driven pop, folk structure and psychedelic aesthetic. Their music is colorful as hell and evokes emotions that few musical acts can. To put it succinctly, BMSR makes you feel like your some long-forgotten hallucinogen, like nothing you’ve ever experienced before. That’s not a declaration that their music is best accompanied by drugs (although partaking couldn’t help) though. Instead, BMSR have the ability to take you to a realm few others have ventured to.

Anyways, it has been three years since the quartet released an LP (Eating Us and two years since Tobacco’s last release. Luckily for all of us with sunburnt eyes and warped eardrums, two new songs have made it onto the interwebs. The first, “spraypaint” is a track from the full group with all of the characteristics we’ve come to expect from BMSR. The cascading synths, heavily vocodered vocals and indecipherable lyrics are all there. The second track, this one by Tobacco and Zackey Force Funk under the name Demon Queen trends towards Tobacco’s more abrasive hip hop oriented work. I’m not familiar with Zackey’s work, but this is a distinctly Tobacco driven song. I can’t even keep track of how times and in how many ways the vocals are altered on “el camino 2.” Less psych-y than most BMSR material, the lyrics are sung at times and rapped at others, creating a beat atmosphere whereas BMRS go for esoteric ambience. Both tracks highlight what makes BMSR and its individual artists so revered by their fanbase. Stream both tracks above and below.

Living in greater Los Angeles, I have seen Nosaj Thing quite a few times over the past several years. He  occasionally plays at Low End Theory, and routinely shows up at venues across the city. I most recently saw him play a superb set at a free festival on USC’s campus. Tomorrow night, he’ll be playing at Funktion Wednesdays at Dim Mak Studios. It is for this reason that it comes as such a surprise that Nosaj hasn’t actually released any new music recently. Drift came out in 2009 and Nosaj has been fairly absent from the studio since, focusing instead on his live gigs. There have been murmurings of a new album in the works, but no concrete details have emerged. That’s why it was such a treat to listen to the mix Nosaj did for Mary Anne Hobbs’ XFM show last night. Made up mostly of original tracks, Jacques Greene, Lunice, Jamie XX, Machinedrum and Jonwayne also make appearances. The gem of the mix is the last five minutes or so where Nosaj drops a brand new collaboration with Teebs, then leads into a rework of Kendrick Lamar’s “Cloud 10” (which Nosaj produced). It isn’t new Nosaj, but what can you do. Stream the mix below.

It’s been quite a morning for new tunes and it doesn’t look like the internet is going to slow down. Mixmag just released an exclusive Daedelus and well, damn… that New Jack Swing infused footwork is just downright mouthwatering. Daedelus has never been one to stick to any one genre and that ethos is prevalent as ever on “Curtains Don’t Talk.” Just imagining Daedelus mashing this on a Monome gets me a little giddy. The track is accompanied by an interview on Mixmag’s website in which he gives insight into his recent fascination with doo wop, the worst club he’s ever been to ( “populated by douches and their bags”), and the best piece of advice he’s ever received (“never succumb to bitterness, never give in to apathy”). Mr. Daedelus is refined as always. Stream and download below.

Happy Tuesday! BadBadNotGood dropped their second LP, BBNG2, today at 9am. If BadBadNotGood is an unfamiliar name check out our previous posts on this jazz trio herePer usual, these guys go nuts on these tracks. Take a listen to “CHSTR” below to get a feel for the chaotic solos that are integral to BBNG’s music. What I am really excited for in this release is the addition of two feature artists, Leland Whitty (Saxophone) and Luan Phung (electric guitar).

When I first gave the album a spin, the two tracks I replayed immediately were “Earl” and “UWM” both featuring Leland Whitty on the sax. Maybe I am just a sucker for brass, but these tracks show exactly why I love BBNG. Check out the wacky music video for “UWM” (what up chocolate cheerios) below. Luan Phungs’ electric guitar on “You Made Me Realise” is stellar and I hope that BBNG continues to invole these artists in future releases, or even better, at live shows! I can’t wait to see the live renditions of these two tracks as well as the remainder of the album. Typical to BBNG’s style, the album is made of a majority of covers, but we also get to hear five original tracks that the group crafted organically. Covers are what got me so excited about BBNG in the first place, but it’s nice to see what they do to create an original. Another wild track is “DMZ” which showcases Matt’s ability behind the keys.

The entire album is amazing, and of course, it’s free! Which is mind boggling for the quality of the release. I can’t thank BBNG enough for releasing such amazing music and for putting new spins on some classic cuts (be sure to check out CMYK, Limit To Your Love, and Flashing Lights). The album can be streamed in its entirety below but you may as well download it for free here.

If you tend not to pay attention to world music, you may have missed out thus far on the phenomenon that is Amadou and Mariam. However, do yourself a favor and take a little time out of your day to check them out. This couple from Mali has been making music since the ’80s, beginning with simple guitar/voice blues, and morphing into a combination of traditional Malian instrumentals and other global sounds sometimes referred to as Afro-blues. Both Amadou Bagayoko and Mariam Doumbia are blind, and they met at Mali’s Institute for the Young Blind early in their lives. They have made a name for themselves in the world music scene over the past few decades, establishing a uniquely palatable combination of lesser-known world music styles with Western musical qualities. Their last album, 2008’s Welcome To Mali, was well-received by critics around the world, and featured the likes of Manu Chao and K’Naan.

Amadou and Mariam now have a new album, Folila, coming out next Tuesday via Nonesuch.  This release continues their time-honored tradition of coupling traditional world instruments with more Western influences, and this particular album takes that concept a step further by incorporating well-known artists from the indie music world, as if to beckon in those with an aversion to the concept of world music. On Folila,we hear appearances from Santigold, Theophilus London, TV On The Radio’s Kyp Malone and Tunde Adebimpe, the Yeah Yeah Yeahs‘ Nick Zinner, and Scissor Sisters‘ Jake Shears. Originally, this album was intended to be two separate releases; one recorded in New York with these well-known guest artists, and another recorded in Bamako, Mali with contributions from traditional African musicians. However, once both versions had been recorded, Amadou and Mariam decided to combine both projects into one fantastic melting pot of culture and tradition. The result is an enjoyable medley of world and Western music, accessible enough to attract indie music fans, but still sophisticated enough to please longtime Amadou and Mariam fans.

You can now stream Folila in its entirety over at NPR.

Here’s the video for the second track off the album, Wily Kataso featuring Tunde & Kyp of TV On The Radio:

Now this is what I’m talmbout. We posted the preview video for BadBadNotGood’s BBNG2 (tomorrow! tomorrow! tomorrow!) last week, but today we got a new track for you. That’s right. New BBNG. Tomorrow can’t come soon enough. The live hip hop/jazz trio out of Toronto has taken the music world by storm through their covers James Blake, Tyler, The Creator and more, but their original workings aren’t too shabby either. Check out “Vices” below and hold your breath until BBNG2 drops tomorrow.

Balam Acab is 20 year old Pennsylvania native Alex Koone. It’s strange that this is his first appearance on The Astral Plane, but hopefully you’ll let it slide. Koone makes haunting, downtempo tracks with enough reverb and distortion to make you feel sick to your stomach (in the best way possible). There’s plenty of dub influence in Koone’s music, as well as a good amount of almost indecipherable boom bap. Think of him as the baroque Shlohmo.

Lushlife is also from Pennsylvania. The MC/producer released on last years most underrated releases, the No More Golden Days tape. Lushlife’s upcoming album, Plateau Vision, will be released on April 17 and feaures Styles P, Heems (of Das Racist) and Cities Aviv. Several songs have been released from the album. You can find them at Lushlife’s Bandcamp.

Balam Acab’s remix of Lushlife’s “Still I Hear The Word Progress,” which features Styles P, combines the best aspects of both artists work. Lushlife and Styles’ vocals are heavily distorted into a screwed drawl here, infused with organic drips and drops and powerful hi-hats. Relieving the original of its overwrought chorus, Balam reduces it into a series of “hey, hey hey” chants, transforming the track into a dark, introspective mess that is only cleared up by the two MC’s disturbing vocals. Stream and download the track below and look out for Plateau Vision later this month.

Stream/Download: Lushlife – “Still I Hear The Word Progress” feat. Styles P (Balam Acab Remix)

Dirty Projectors have announced a new album, a follow-up to 2009’s successful Bitte Orca. The 12-track LP, titled Swing Lo Magellan, is set to be released on July 10th in the US, via Domino. Though the band has not yet announced any new tour dates, they have two upcoming shows scheduled, in Brooklyn on July 10th and at Pitchfork Music Festival in Chicago on July 13-15.

While we wait for the album’s release date, we can now stream the first single off the LP, a smooth, chilling track called “Gun Has No Trigger.” It comes with a wacky music video complete with hieroglyphic karaoke-style lyric scrolling. Listen here, and check out the video below.

 

The tracklist for Swing Lo Magellan is as follows:

01 “Offspring Are Blank”
02 “About to Die”
03 “Gun Has No Trigger”
04 “Swing Lo Magellan”
05 “Just From Chevron”
06 “Dance For You”
07 “Maybe That Was It”
08 “Impregnable Question”
09 “See What She Seeing”
10 “The Socialites”
11 “Unto Caesar”
12 “Irresponsible Tune”

Ever since Dr. Dre co-signed a young Compton rapper named Kendrick Lamar back in 2010, the world has been eagerly awaiting a collaboration between the two. Well it has finally come today in the form of the first single off of Lamar’s upcoming Good Kid In A Bad City. Scoop DeVille handles the production, allowing Dre and Kendrick to flex their respective flows. Kendrick has proven time and time again that he is one of the premier MC’s on the West Coast and he only solidifies his place on “The Recipe.” Dre is… well the guy who recently released “Kush” and “I Need A Doctor.” Beyond the fact that there’s almost no way Dre actually wrote his verse, he just sounds kind of old. Where Kendrick excels through his lyrical dexterity, Dre sounds stale and outdated. Hopefully, Dre will take his rightful place behind the boards and pump out some bangers for Kendrick and stay out of the booth from here on out. Maybe I’m being a little harsh on Dre, but when put against Kendrick, he doesn’t stand a chance. Even The Chronic era Dre would struggle to keep up with modern day Kendrick. At least he didn’t try and go in over “Cartoons and Cereal.” That beat is out of control. Stream the track below and be on the lookout for Good Kid In A Bad City.

Back in 2011, a beat tape/album was released by an unknown producer named Room E out of San Diego. Penguin Child was full of warm synths and skillfully chopped samples and turned out to be one of the year’s best. After sending the album to North Lodon DIY label Proper Songs, the label decided to pick up Room E and re-release the album. It is set for a May 14 release, but several songs can be previewed and the album can be pre-ordered. We spoke with Room E about a number of topics, including the San Diego hip hop scene, his studio and live set ups and his influences in the electronic music world. The San Diego producer was more than amiable and gave us some great insights into his production process, musical history and more. Find the full interview after the jump and look out for the proper release of Penguin Child on May 14.

Find Room E at:

Facebook

Soundcloud

Bandcamp

Read More