basic-rhythm

There are many avenues to approach Anthoney Hart’s work, each offering different view of the same whole, which might be why his work appeals, and often frustrates, so many. Seemingly always busy, you may have come across Hart’s hazy, abstracted Imaginary Forces project, his brilliant collection of pirate radio recordings, or 2015’s dancefloor-focused Basic Rhythm album on Type, all remarkably distinct projects that somehow speak to a cohesive, or at least coherent, whole. Originally rooted in hardcore/jungle/drum & bass culture, Hart maintained a show on Rude FM in the late 1990s into the early 2000s before becoming bored with the rigidity of the format and striking out into more experimental territory. Mostly known as Imaginary Forces until last year, Hart joined up with John Twells’ Type label for Raw Trax, his first official project as Basic Rhythm and an album that has shown off his abilities as a musical polymath.

Influenced by a huge range of material, from Coil and Kate to Bush to D’Angelo and Kendrick Lamar to contemporary producers like Gage, Rabit and the Her Records crew, Raw Trax is a hypnotizing listen, full of sparse, forceful percussion arrangements and vocal samples that rarely sit high in the mix, but create a mesh of rich, organic textures throughout. Hart’s roots in pirate radio are readily apparent from raw, often manic, energy of tracks like “Raw Basics”, “Break It Down (4 Da Kru)” and “Prototype”, but Raw Trax is not a jungle record and the hardcore continuum is one of many influences to be found across its eight hypnagogic bombs.

With discussions over nostalgia in rave music coming to a fore via the Bloc founder’s acerbic letter a few weeks ago, commentators are quick to lump acts into the heap of revivalists, but Basic Rhythm neither glorifies the sounds of yore, whether they be hardcore, jungle, garage or something else, nor does he rest his music output in those sounds, instead grafting a whole spectrum of influences into his own unique project. Raw Trax is inherently referential by nature of its sample choices, but you won’t catch Hart looking forlornly to the past and if you want to hear straight up drum & bass you can check out his third alias. Hit the jump to check out our interview with Hart. We talked Basic Rhythm, Type, moving back to London and more. Track list coming soon.

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Chants has been a longtime favorite of our operation, appearing among the Heterotopia bonus tracks and contributing a remix for Mike G’s “Limestone” on Heterotopia Remixes Vol. 1. Over the years, the Wisconsin-based artist has become one of our most covered artists and when he sent us a nearly-finished bundle of manic, outsized tracks, we knew that it was important to bring him on for an official release. The Zookeeper is out on April 29, but Dummy has the jump on “Silencer Magpie”, a track that has had us in fits since first listening. If you’ve been following our shows on Radar, you’ll surely recognize this one and we’d be surprised if it didn’t infiltrate the more adventurous end of the DJ spectrum over the coming weeks and months. Head to Dummy to catch an insightful interview with Chants about the genesis of The Zookeeper, stepping away from producing for rappers and the influence of David Mitchell’s Ghostwritten.

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For the March edition of our Radar Radio show, we tapped two very special artists for guest mixes. Starting with this show, we’ll be putting more of an emphasis on guests and pushing new talent, hoping to offer up a less rigid platform for bringing on artists than our mix series. The first guest session comes from Abyss X, one of our favorite Los Angeles-based artists who officially debuted on Lao’s Extasis label last year. The Greek-born artist’s mix runs along at a torrid pace, hitting on gqom, southern rap, mahraganat and seemingly everything in between. Check out her Echoes EP here and look out for more heat from Abyss X moving forward. French artist Nunu came through with the second session for the show and this Summer he’ll be joining the Astral Plane Recordings family with his label debut. More news on that to come, but for now you can imbibe in his mix which balances noisy pop tropes and contemporary club jams with aplomb. Our own Astral Plane DJ Team starts off the first hour with new tracks from Ziúr, Chino Amobi, Brood Ma, Waterhouse, Mina & Lorenzo_BITW, Gage, v1984, Amnesia Scanner, Celestial Trax & Roosevelt, Mercury Drums and more. Stream the show below, download here and check out the (partial) track list after the jump.

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Stockholm’s Evolver parties have emerged as a key node in the constellation of on-the-cusp parties in Europe, offering up an uncompromising, futurist approach to the club night format that seems to always fall on the maximalist side of the scale. Evolver is thrown and curated by Malin, Tariq and IINATTI and with a burgeoning mix series (Kablam started it off) and an ever-growing list of guests (Nidia Minaj, Why Be, Toxe, etc.), the self-styled cyborg missionaries seem to be carving out a unique space in Stockholm. Malin in particular has impressed with her mix work, turning out a string of volumes for Truants’ FOTN, Sister and Tobago Tracks that have been on constant repeat since release and provoke a sense of wonder in their handle over the more noisy, non-linear end of dance/not-dance spectrum comprised of everything from Brood Ma and Amnesia Scanner to Angel-Ho and SCRAAATCH.

Malin’s mixes are impeccably organized and seem to have more surprises (even while staring at the track list) than almost any other DJ we’ve come across (we included her in our “10 Club Producers To Watch” feature for FACT on the merit of her mixes), full of the sort of left turns that every selector aspires to, but only a few can truly handle with taste and genuine wit. Her Astral Plane mix takes the aesthetic established on the aforementioned mixes and turns it up to 100, ramping up the tempos and throwing in a helping of hard techno and eurotrance to the pot. Where others might come across cloying, Malin’s work makes big room trance and harsh noise sound comfortable together, bringing out the coy intricacies in both while disengaging from the commercial nature of the former and oft-harmful exclusivity of the latter. It’s had us fucked up since first listening and, while we’re biased, might be her best, most out of pocket mix yet. Hit the jump for a full track list and be sure to hit up Evolver if you get a chance!

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boskaBoska‘s Shesick EP comes in as the first official release on Trax Couture of 2016 and while the London-based outfit’s World Series is over for the time being, it’s clear that label boss Rushmore has not slowed down one bit in his mission to bring in a wide array of international talent. Currently residing in Berlin, Boska’s combination of prickly rhythms and earworm quality melodies has had us excited for a good while and Shesick far exceeds even those expectations. A previous collaboration with MA Nguzu and 2015’s Cascades EP (on Balsa Wood)  saw the producer experimenting with sparse club-focused constructions and natural sound palettes, Shesick comes off as a much more full-fledged effort as tracks like “Glass Limb” and “Shesick” escape the bounds of their influences and become something else entirely. “Glass Limb”, which we have on premiere today, is especially impressive, starting off with slithering laser sounds seemingly reverberating out of a well before entering a second phase of brass-y grandiosity and clanging metal noises. Shesick is highly recommended and is out today on TC. Get it here.

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Based in Los Angeles, brand new label Big Sigh Brat Club (BSBG) has emerged with a bang in the form of Ballast’s URL // IRL EP, an impressive debut by any standards with a load of quality remixes from the likes of Antwood, Lemonick, Rambow and more. Run by Ballast, Botaz and Farsight, BSBG is a collective work and URL // IRL shows it, from the remix package to the collection of guests features to the pointed, yet cuddly, visual aesthetic. The release is full of raw dancefloor-focused numbers like the trance synth-led “Dum Machine” and “Youz A Lame”, effectively a ghetto house track with Kieran Loftus on vocals, but we’ve got the one (partially) beat-less pop number on premiere today. “Manic AKA 3133” is a breathy, pristine effort that verges on bubblegum, but eventually swells into an emotionally draining, warbling swell. Ballast’s remix work for the likes of Javascript, Ducky and Supraman & Kieran Loftus has caught our eye in the past, but “Manic AKA 3133” shows a different side to the producer’s repertoire, stepping away from the dancefloor and showing off a deft touch with original vocals. Would not be mad to see more efforts in this style from the Los Angeles resident. Check out previews for URL // IRL, which is out March 22, after the jump.

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Known for being on the cutting edge of percussive dance forms, Bristol has a new label looking to extend that prowess. Having already released a compilation featuring artists like Tsvi, Gundam and Mistareez, Super Kitchen has a penchant for dancefloor-friendly tunes with a stark, percussive bent, walking the space between American club forms, grime and techno with a handle generally managed by labels with much more experience. Mistareez’s Stutterwerx EP is the first solo release on the label and comes correct for a debut, four hype tracks with remixes from Bleaker, Akito and Gregor. We’ve got “Leng” on premiere today, a highlight from Stutterwerx that’s been lighting us up since first listening to the release. Check out “Leng” and previews for the full EP below and pre-order the release (out Friday) here.

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“We believe in the timeless appeal of music. Eschewing trends and opting to champion the great and exciting, the new and idiosyncratic. We join the dots between inspiring electronic legends and cutting edge emerging talent.”

So goes the tag line on the Huntleys + Palmers Soundcloud and while most PR-oriented statements are grating and only tenuously true, the H+P universe is truly divergent, a thriving constellation of releases and club nights that draw from a staggeringly eclectic range of the electronic-music world. Over the past nine or so years, Andrew Thomson, head of the label and promotions entity, has crafted H+P into one of the premiere outfits in the left field end of the dance music realm, splitting time between Glasgow and London and building a community around his and Auntie Flo’s Highlife parties. 2011 was the year the label started in earnest and in the five years since, H+P has released everything from a split Auntie Flo & DJ Sdunkero single to Mehmet Aslan’s still important Mechanical Turk EP and on to SOPHIE’s first official release. It takes a true music obsessive to expressively document such a range, but Thomson’s work comes across at effortless and by bringing everyone from Actress to Matias Aguayo to Charanjit Singh out to Highlife, the label’s work is even further solidified.

We’ve been talking with Thomson about doing an Astral Plane mix since late 2014 and when he sent through the volume we’ve gone with, we couldn’t be more excited. Comprised of Thomson’s (as Huntleys + Palmers) opening set for SOPHIE on the enigmatic producer’s Glasgow tour date in January, the set shows off H+P at it most playful, considered best, matching everything from sultry “Lollipop” covers to old trance and plenty of sneaky label material. We also exchanged emails with Thomson to get a better sense of his inspirations when he started H+P as a label, his desire to get involved with music supervision for soundtracks and where he generates the most digital trash. A split Alejandro Paz and Carisma single is all we’ve received from H+P so far this year, but according to Thomson we can expect new music from CAIN and Lena Willikens and a host of on-point parties is more or less a given. No track list for this one at the moment so you’ll have to dig!

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3025 is one of the latest party companies to arise out of Los Angeles, pushing an eclectic array of sonic styles at cheap (or free) prices out of their home base at Silver Lake venue Los Globos. Two weeks from today (March 29), 3025 is bringing out one of our absolute favorites in Air Max ’97, contributor to our debut Heterotopia compilation, resident at Melbourne’s club_ESC and head of the up-and-coming DECISIONS label. AM97 will be joined by Los Angeles’ own Alfred English (Infinite Machine) and Suspect Bitch (Club Aerobics), two artists pushing club sounds into ever-more elastic and spastic territory. We couldn’t be more excited to see AM97 and crew bring it mid-week so we’ve partnered with 3025 to give away two pairs of tickets to the night. Following their mission, tickets for the night are only $5 (with RSVP), but enter your favorite AM97 track below and you might just be able to skip over that already low cost. See you on the floor.

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Over the past few years, Kid Smpl has asserted himself at the emotive fringe of contemporary club music with two EP releases on Symbols functioning as individual mission statements. Now, the Precinct and Response/Ascend EPs are getting the remix treatment with Utah?, Eaves, y y y and Astral Plane Recordings releasee SHALT providing revamped versions of Smpl’s originals tracks. We’ve got SHALT’s take on Precinct highlight “Barrier” on premiere today, a larger-than-life effort that shows off the Lausanne-based artist’s penchant for grittily beatific synth work and crunchy, overdriven drums. It’s exactly the sort of hi-tech physicality we’ve come to expect from both SHALT and Kid Smpl, two artists who are leading a trend towards more abstract, non-linear club forms and don’t seem to be slowing down anytime soon. Stream SHALT’s remix below and hit the jump to preview snippets of the full remix volume, which is out March 25.


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